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The recording and analysis were performed using a Macintosh-IIsi PC and the Chart-3.52, Cricket Graph-3.32, and Canvas-3.5 software.
      
The adhesion strength was obtained from T-peel strength tests on canvas/PUD adhesive/treated rubber joints.
      
For the canvas/PUD adhesive/chlorinated R2 rubber joint, the failure was located in a thin surface layer on the canvas.
      
Similarly, the peel strength of the canvas to canvas joints increased with the incorporation of the gum.
      
This provided Darwin the temporal canvas upon which to conceive the possibility of the prolonged process of change upon which the conceptual basis of the theory of evolution is founded.
      
This paper focuses on the analysis of composition in relation to the canvas frame.
      
Early 20th century artists including Duchamp and Balla tried to portray moving objects on a static canvas by superimposing objects in successive portrayals of an action.
      
Paintings are the product of a process that begins with ordinary vision in the natural world and ends with manipulation of pigments on canvas.
      
Unlike traditional syntax-directed editors, MathsTiles allows students to keep many answer fragments on the canvas at the same time and does not constrain the order in which an answer is written.
      
The study is divided into a canvas of questions that come from the first 45 years of the nuclear age, and then assesses the questions that may emerge in an evolving "post-Cold War" era.
      
To this end, we follow the Well-Balanced approach's canvas and reformulate the relaxation term as a nonconservative product regularized by steady-state curves while keeping the velocity variable continuous.
      
Analytical study of canvas painting collection from the Basilica de la Virgen de los Desamparados using SEM/EDX, FT-IR, GC and
      
The proposed method has led to analyze succesfully the canvas painting collection exhibited in the Basílica de la Virgen de los Desamparados (Valencia, Spain) which includes art works from 17th to 20th century.
      
Two inorganic pigments (ultramarine blue and red ochre) were blended with linseed oil and spread on canvas.
      
Each canvas was subjected to simulated accelerated ageing in the presence of typical degradation agents (UV radiation and acidic solution).
      
In such a program, an artist creates a brush that is moved across a frame buffer, providing a simplified simulation of a physical brush moving across an actual canvas.
      
This work describes some of my recent experiences in transfering computer-generated wireframe and shaded images to a variety of traditional printmaking media, as well as outputing directly onto canvas.
      
We present the development of a procedural method for texturing and modeling different kinds of woven canvas used to support easel paintings.
      
The common varieties of canvas used in art production since the Italian Renaissance period are presented and recreated.
      
We also apply our texturing and shading techniques to a simple geometric representation of painting to help visualize the changing characteristics developed during the aging process of a canvas support kept in uncontrolled environmental conditions.
      
 

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