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chinese modern poetry
    Stylistic Research on Chinese Modern Poetry
    从文体看中国新诗
    On the great influence of the shape of English poetry to Chinese modern poetry and its transform of style in China
    论英诗形体对中国新诗的影响及其在中国的文体变异
    Tradition: A Key Word about the Problem of Chinese Modern Poetry——The Speech at "the Academic Symposium on Mainland-Taiwan Literature" in Taipei
    传统:中国新诗问题的一个关键词——在台北“海峡两岸华文文学学术研讨会”上的发言
    Comment on Chinese Modern Poetry's Humanistic Value & Humanistic Education to University Students of Science and Engineering
    中国新诗的人文价值与理工科学生的人文教育
    The Tragic Sense in the Chinese Modern Poetry in the 20~(th) Century
    二十世纪中国新诗的悲剧意识
    Birthing from the May 4th New Civilization Movement, Chinese modern poetry has unique modern characteristics and humanistic spirit.
    诞生于“五四”新文化运动中的中国新诗,独具现代特征和人文精神,充满了人文关怀和历史关怀。
    Chinese modern poetry is one of the indispensable contents in Chinese education.
    中国新诗的人文价值使她成为语文教育不可或缺的重要内容。
    This thesis intends to make a systematic study on the acceptance of Feng Zhi and "Chinese modern poetry" school towards Rilke, and setting out from the modernization process of Chinese new poetry, seeks for the similarities between their spiritual world.
    本文拟对冯至、“中国新诗”派对里尔克的接受进行系统的阐述,从中国新诗现代化进程出发,寻找中国诗人与里尔克精神世界的契合点。
    Mudan is one of the representative's person of "Chinese modern poetry" parties. His poetries surmounted the ego grief of the lyric poetry of 20's and "look for the dream" topic of the poetries of 30's. He started practice the poets of 40's all new the poem skill that pursue set question.
    穆旦作为“中国新诗”派的领军人物,他的诗歌负载着“丰富的痛苦”超越了20年代抒情诗的自我感伤与30年代新诗的“寻梦”主题,开始实践40年代诗人全新追求的诗艺命题——“自我分裂与它的克服”。
    The tragic sense contained in Chinese modern poetry in the 20~(th) century includes two aspects.
    二十世纪中国新诗中的悲剧意识包含两个层面的内容:一个层面,它是传统诗歌中悲剧意识的延续,继承了传统诗歌中占主导地位的对国家民族命运的忧患意识,即寄寓“大我”意志;
    The Chinese Modern Poetry of 20th century has related to university campus from start to finish.
    20世纪中国新诗的草创和发展 ,总与大学校园有着不解的联系。
    Responding to the modernization of Chinese New Poetry,ZHU Ziqing established his system of poetics for reading Chinese modern poetry in the 1930s and 1940s and practised it in the analysis of conventional and new peoins.
    呼应着中国新诗现代化的趋向,朱自清在三四十年代建构了中国现代解诗学体系,并以读解新旧诗实践着自己的理论。
    During the 1990s,Chinese modern poetry launched into a new stage and the young poets were called the third generation.
    20世纪 90年代 ,中国新诗进入一个新阶段。 这一阶段的年轻诗人 ,泛称第三代。
    English poetry is the most important style resource of Chinese modern poetry.
    英语诗歌是中国新诗最重要的诗体资源。
    The form of English poetry is imitated closely by Chinese modern poetry,such as the stanza ,the strophe and the versification.
    中国新诗极大地摹仿了英诗的诗形。 英诗的文体形态是中国新诗的原始形态,特别是在诗段、诗节和诗句的书写方式上,英诗成为新诗的直接模仿对象。
    If we systematically review the experience of Chinese Modern Poetry since its inception and examine its current status, we will see that the Chinese Modern Poetics is facing three frontier issues: the reconstruction of poetic spirit after the "great spiritual liberalization", the reconstruction of poetic form after the "great liberalization of poetic form", and reconstruction of the poetic communications in light of the modern science and technology.
    科学地总结中国新诗诞生以来的经验和考察新诗的现状就会发现,中国现代诗学正面临三大前沿问题:实现"精神大解放"以后的诗歌精神重建、实现"诗体大解放"以后的诗体重建和在现代科技条件下的诗歌传播方式重建。
    The author considers that FENG Zhi and AI Qing promoted Chinese modern poetry to its maturity by their profound and broad creations.
    认为冯至和艾青在抗战时期以其或精深或博大的创作使中国新诗臻于成熟的现代诗。
 

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