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    On the Characteristics of Narration of China Metropolis Films
    叙事的创造与受众的接受——论中国都市电影的叙事特质
    A Survey of the Needs of Beijing Film and TV Audience
    关于北京影视受众需求的调查
    The Study of the Historical TV Drama of China and Its Audience
    中国历史题材电视剧的文化意义及其受众研究
    2.the cognitive and entertaining psychology of audiences are unified;
    二是受众心理表现为认知、娱乐心理在审美活动意义上的统一;
    Psychological Analysis of Viewers about Film Production Mechanism
    影视生成机制的受众心理分析
    Aesthetic Characteristics of TV and Psychological Need of the Audience
    电视审美特性与受众心理需要的满足
    Chinese Films during 1930-40 and Their Audiences-An account for the relationship between film and audience
    20世纪30-40年代中国电影与受众辨析——电影与受众简论
    The Phenomenon of Harry Potter and the Research of Audience
    《哈利·波特》现象与受众文化心理研究
    Thinking on dissemination discipline of films and television programs——On "consumption audience" and "production audience"
    对影视传播学的理论思考——“消费性受众”还是“生产性受众
    Reflections of the Aesthetic Psychology of TV Audiences
    电视受众审美心理三论——以电视文艺欣赏为例
    TV Brand Construction in the Study of Audience
    受众研究视野中的电视品牌构建
    The China Audience Agree with the Conclusion That is the TV Play Mold the "myth" Person with the Angel of Civilian's View
    中国受众对平民视角塑造“神话”人物形象的认同
    2) how the industry view the market, the audience and the product, what they have noticed and what suggestions they have, to explore whether they have placed these elements in their minds;
    2)探察传者对市场、对受众、对产品的认知,以查明他们在传播当中是否主动,是否用心,对各种问题有怎样的觉察与建议;
    3) contemporary lifestyle and psychological, social features of the audience;
    3)探察受众群体特征,生存环境,时代特点;
    4) use and gratification of the audience;
    4)探察受众欣赏动画片的动机及得到的满足;
    5) how the audience view the national products;
    5)探察受众对国产动画片的观点;
    6) how they assess the products outside China;
    6)探察受众对境外动画片的看法;
    7) how the audience suggest to improve the entertaining elements of animations;
    7)探察受众对提高动画片可看性的具体要求;
    8) the Chinese, American and Japanese products per se, as the bridge between the producer and the audience, how they stand out with their own features, and whether the audience have been centered as target market;
    8)探察传播内容,即传者与受众之间的桥梁——中外动画片本身,其特色、优劣,除了寻找提高质量的要素之外,亦能够探明我国动画片创制人员是否将受众放在中心位置;
    and 9) a systematic exploration on the circumstances, channels, animation makers, contents, audience, the problems and the solutions.
    9)综合考察环境、渠道、传者、内容、受众各个变量之后,对总体的传播状况给予评价,并提出解决问题的具体建议。
 

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