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    The Study of Epics:Multi-dimensionality of Regression Literature
    史诗研究:回归文学的立体性
    Make Literature Course Teaching Return to the Literary Theoretical Probe and Practice
    让文学课教学回归文学的理论探索与实践
    A Resurvey of Literature Education for the Maintenance of Literature Education
    重新审视文学教育 回归文学教育本位
    The fourth stage(from 1985 to 2000):the times of returning to literature.
    第四阶段(1985—2000):回归文学时期。
    The One and the Eight: The Literature Metaphor of Suppression and Return
    《一个和八个》:压抑与回归的文学隐喻
    Return the Quest of the Literature Itself
    回归文学本位的探索
    This is the surface meaning of so-called " returning to the quest of literature itself ".
    这是所谓“回归文学本位的探索”的表层意味。
    the body in the process of liberation;
    在他们的努力下,身体得以回归文学
    However, once we turn to literature itself and talk about the essential of why literature is literature, thus over emphases general ideological nature containing the ideas of class and theory of reflection, we consequently can't see aesthetics obviously, therefore lead to the loss of poetic essential of literature.
    而一旦回归文学自身,讨论文学之为文学的特质时,过多地强调含有阶级性、反映论趋向的一般意识形态性,就必然视审美性为不显,造成文学诗性本质的缺失。
    Bulgakov is an author of importance in the literary history of the Soviet Union,and his masterpiece Master and Margareta is regarded as a classic in its “returning literature”.
    布尔加科夫是苏联文学史上的重要作家 ,他的代表作《大师和玛格丽特》更是苏联“回归文学”中的经典之作。
    Recalling the literary trend of thought process of one hundred years which has just passed,especially the process in the 80-ies and 90-ies,there are some phenomena provide food for thought ,such as "the literary return to literature was put forward",the pure and more purc literature,the props having lost valuable conscious system,the beloging to and fixed position of literature have fallen in being at a loss ;
    回思刚刚过去了的百年特别是八九十年代的文学思潮 ,有一些现象值得反思 :如“文学回归文学”的提出 ,纯而又纯的文学 ,失去了价值意识系统的支柱 ,文学的归属与定位陷入了迷惘 ;
    Compara- tive literature study in China should firstly focus on Sinologization of foreign literature, and then seek the chance of melting with foreign literature,and finally go back to literary ontology.
    中国的比较文学研究 ,应首先着眼于外国文学在中国的本土化过程 ,然后寻求中外文学相融的可能性 ,最终回归文学本体论。
    Inspecting the structure of China's history of new literature only within the vision of "returning to the literary noumenon", it is difficult to reveal its true nature. Only by combining with the mode of "socio-historical criticism", can the complicated structural modes of a double-layer scene of three social and cultural trends of individualism, nationalism and Marxism and many social changes be discerned.
    仅仅以“回归文学本体”的视野考察中国新文学史的构成 ,是难以揭示其本真面貌的 ,只有与“社会—历史批评”模式相结合 ,方可认清新文学史的个性主义、民族主义和马克思主义三大社会文化思潮与多次历史变革双重叠影的复杂结构形态。
    Since the eighties of the 20th century, ancient literature research and ideology were estranged,returned to literature standard.
    20世纪80年代以来,古代文学研究与意识形态疏离,回归文学本位。
    2)returning to such a tentative idea concerning operability of literariness in concrete teaching.
    其二 ,回归“文学性”在具体的教学实践中的可操作设想
    Compared to other kinds of “post-modern theatre” since 1950, Koltes' plays manifestly mark literature's return to dominance in theatre.
    与 5 0年代以来形形色色的“后现代”戏剧作品相比 ,科尔代斯的剧作回归文学至上传统的倾向不言而喻。
    The desti ny of Chinese-style “pure poetry” has suggested that the road of modern poetry retur ning to literature as such in China in the twentieth century was really a rather arduous cultural journey.
    中国化“纯诗”的时代命运表明,新诗回归文学本体之路,是20世纪中国诗歌一次颇为艰难的文化之旅。
 

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