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female character
    On Female Character Feature in Tie Ning's Novels
    试论铁凝小说的女性人物特征
    On Female Character Images in CaoYu's Previous Dramas
    论曹禺前期戏剧的女性人物形象
    This article selectively analyzed some female characters in Puccini's operas, with an attempt to synopsize the artistic features of the female character depiction, and to explore the general issues in rendering opera character personalities.
    本文选取普契尼歌剧中的女性角色进行分析,力求全面、细致地总括出普契尼歌剧中女性人物性格刻画的艺术特征,同时也对歌剧中人物性格刻画的一般性手段和方式做出探讨。
    The stages of female character development and the connotation beneath each character pave the path of the overall analysis, which explores and comments on the dramatic and musical techniques that Puccini applied to the female character creation.
    在分析中以每位女性的性格发展的脉络以及主体内涵为线索,挖掘和评述普契尼对这些女性人物进行刻画时所采取的戏剧及音乐手段;
    Part three is the focal part of the article. On the basis of previous character analysis, this part refines and summarizes the dramatic and musical techniques utilized in Puccini's female character creation.
    第三部分在前面个案分析的基础上,对普契尼歌剧中女性人物性格刻画的方式手段进行提炼总结,对普契尼在女性人物性格刻画时所采用的音乐、戏剧等手段方法进行概括性论述。
    The paper mainly deals with the breakthrough of the urban realism writers in female character portraying.
    本文着重论述世纪末城市写实主义作家在新时期女性人物形象塑造方面的突破。
    Through the analysis of the representation of the female character, Hester, Hawthorne's feminist consciousness can be detected in The Scarlet Letter.
    正是通过对海丝特这一女性人物的塑造表达出霍桑潜在的女性主义意识。
    Based on the theory of gender studies, this essay is to make an analysis of the female’s responses when facing male constructs in the gendered world in Eugene O'Neill's late classical play named The Moon for the Misbegotten,and thus elaborating that, in his sympathetic portrait of female character as both victim and sacrifice of the patriarchal society, Eugene O'Neill is capable of revealing and presenting the female's plight, agony, and frustration to the audience.
    文章从社会性别批评入手,分析尤金·奥尼尔的晚期经典剧作《月照不幸人》中女性人物在男权社会的性别角色规范与建构中所做出的反应,说明在表现女性时,奥尼尔能够同情地再现当时社会中女性的压抑、挫折以及她们破碎的痛苦心理,反映她们作为男权社会的受害者和牺牲品的苦难处境。
    Through an analysis of the female character in his well-known piece Go Down, Moses, this paper tries to prove that Faulkner is not a writer who disguests women but a humenitarian who sympatsizes with, respects and is concerned about women.
    本文则通过对福克纳的名篇《去吧,摩西》中女性人物的分析后认为:福克纳不是一个“厌女主义者”,而是一位同情妇女,尊重妇女,关心妇女问题的人道主义作家。
 

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