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    On the Influence of Chinese Ancient Literature Development on Yuan Hongdao's Poetic Prose
    从我国古代文学的发展看对袁宏道诗文创作的影响
    The period of the Wei, the Jin, the Northern and Southern Dynasties is an "age of self-consciousness" for literature with its independence and value in the domain of social ideology.
    魏晋南北朝时期是文学的"自觉时代",这时,文学意识日趋明确,文学在社会意识形态领域中已取得独立的地位和价值,这时期是文学观念从模糊到比较明确和自觉的时期,也是我国古代文学理论发展的转型期。
    The Origin and Cause of Formation of the Literary Families in Ancient China
    我国古代文学家族的渊源及形成轨迹
    Specific comment on novel is the common method in ancient literature criticism, such as on novels in Ming and Qing Dynasty by many reviewers.
    对小说加以评点,是我国古代文学批评中特有的传统方法。
    However, though classics represent the highest level of Chinese Old Literature, they cannot exhaust the panaroma of literature history.
    然而,名著虽然代表了我国古代文学的最高水平,但它们并不代表文学史的全貌。
    The intuition thinking in his literary criticism determined the method of his criticism.
    沈从文的文学批评继承和发展了我国古代文学批评重直觉感悟的特点。
    Secondly, the essay analyses the theoretic basis according to theories of educational psychology ,ancient literature creation, quality-oriented education, curriculum-development, Chinese teaching and composition teaching method .
    其次,论文从教育心理学理论、我国古代文学创作理论、素质教育理论、课程开发理论、大语文教学理论、作文教学法理论等角度,分析了中学情境作文教学法的理论依据。
    Liu Xie (465—532 A. D. ) , a Chinese literary critic, was the author of WEN XIN DIAO LONG, a comprehensive work on literary theory.
    刘勰(约公元465—532年)是《文心雕龙》作者,他是我国古代文学评论家。
    It richened ancient Chinese and world's literatural theory. There are both academic value and guiding significance for the literatural study and creation.
    它充实了我国古代文学理论的内涵 ,为世界文学理论宝库增添了光彩 ,其精华部分对文学理论研究和文学创作实践具有普遍的学术价值和指导意义
    The principal aim of the paper is to make a systematical analysis of the situation of phenomenological criticism in China from 1980s. It has the influence of the phenomenological criticism to Chinese literature theory and dialogue between phenomenology and ancient Chinese literature theory.
    现象学批评自 80年代初引进中国后 ,产生了广泛而深刻的影响 ,特别是在促进文学研究“向内转” ,使文学本体论终于浮出历史地表 ,推动文学与审美意识联姻 ,以及发掘我国古代文学遗产等方面 ,皆产生了不可低估的积极作用
    Stories of the Ghosts”is a bright pearl of art in our ancient literature,a great literary works full of the spirit of active romantism,“Illusionism” is an important method Pu Songling used in the creation of his artistic images.
    《聊斋》是我国古代文学的艺术明珠 ,是一部充满积极浪漫主义精神的文学巨著。 “幻化”是蒲松龄塑造艺术形象的重要手段 :它寓意精辟真幻结合 ;
    Their works written in their period of relegation contributed to the literary prosperity of Tang Dynasty and had great effect on the national culture and spirit.
    他们的诗文创作 ,成为我国古代文学遗产的重要组成部分 ,并对民族文化精神产生了深远的影响。
    Making history and comments together and having no special history is the featur e of ancient Chinese literature, and that is its advantage but not disadvant age.
    史论合一而无专史,这是我国古代文学艺术的特色,是其所长而非其所蔽。
    This letter is a typical refuting and argument article in the history of classic literature of our country and is worth reading and using for reference.
    此文是我国古代文学中典型的驳论性论文 ,值得学习和借鉴。
    Maybe,carefulness and strictness,refusal of old customs,aiming high and striving for perfection are the only secret of achieving success for illustrations in ancient literature works of our country.
    谨严努力 ,杜绝因袭 ,取法乎上 ,刻意求工 ,也许就是我国古代文学作品插图取得成功的唯一经验
    History of Chinese Poetry has been always considered an important achievement in the field of ancient culture and one of the classical academic history works of the 20th century.
    《诗史》出版以后,学术界一直把它作为我国古代文学研究的一项重要成果,被视为20世纪经典学术史著作之一。
    The culture of sentimental spring and sad Autumn is one of the famous characteristics of our country's ancient literature.
    伤春悲秋文化是我国古代文学的显著特点之一。
    The "Zuo Commentary" is not only a famous historical work, but also an excellent literary work , which occupies an important place in the ancient literary history of China.
    《左传》不仅是一部史学名著,同时也是以文辞见长的优秀文学作品,在我国古代文学发展史上占有重要的地位。
    The theory of the culture and gas is the important ingredient of literary theory in ancient China.
    文与气的理论是我国古代文学理论的重要组成部分。
    The xu and shi theory is an important concept of ancient Chinese literature, whereas the poetics of blankness is a theoretic concept in modern Western hermeneutics.
    虚实之论是我国古代文学理论中的一个重要概念 ,而空白诗学是西方现代阐释学提出的理论范畴。
 

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