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    IMAGINATION AND THE TEACHING OF ANCIENT POETRY AND VERSES ——The Third of the Research Paper Series of Teaching and Training Creative Thinking in Ancient Literature
    想象力与古典诗词教学——古代文学教学与创新思维培养研究论文之三
    On the visible phenomena's choice of the classical peoms and verses in China
    中国古典诗词的物象选择
    Cultural Image within Sight of Classical Verses with Aesthetic Judgment-Jade
    古典诗词审美观照下的文化物象——玉
    Study On The Verses of Two Successors Of South Sect Of Gold Elixir
    金丹派南宗二传人诗词考论
    The Image of Moon in the Classical Verses
    古典诗词中的月意象
    UNOFFICIAL HISTORY OF THE SCHOLARS CIRCLE BREAKS THE COMMOM STRUCTURAL PATT ERNS OF EMBEDDING RHYTHMICAL VERSES IN "BAIHUA"NOVELS
    《儒林外史》打破了古代白话小说融入诗词韵文的结构模式
    On the Aesthetic Style of the Verses Written by MAO Ze-dong
    浅谈毛泽东诗词的审美风格
    The Self Image in Li Qingzhao's Verses
    李清照诗词中的自我形象
    Adaptations Made by Lin Yutang in His English Translation of Ancient Chinese Verses
    貌离神合 得意忘形——浅析林语堂英译中国古代诗词中变通手法的运用
    Skipping in Ancient Verses
    古诗词跳脱手法初探
    “Harmony of Poetry and Painting” and Su Shi's Poems and Verses
    “诗画一律”与苏轼的诗词
    Simple Remark on the Artistic Conception in Verses and Ditties
    简论中国诗词中的意境
    On Translating Chinese Poems and Verses from Perspective of Fuzziness
    从模糊语言谈古诗词的英译
    To Look at Lin Daiyu's Psychological Process from Her Verses
    从林黛玉诗词看其心理流程
    The Glow of the Setting Sun:Declining and Brilliant——Investigation into Popularization of Classical Verses and Ditties among Contemporary University Students
    夕照:没落与辉煌——古典诗词在当代大学生中普及情况的调查
    Verses in Marketplace Novels of Ming and Qing Dynasties and Spirit of Men of Letters
    明清市井题材小说中的诗词与文人心态
    Look at Female Face Sticker Culture in the Tang Dynasty from Tang Poems and Verses
    从唐代诗词中看唐代女性脸部贴饰文化
    On Artistic Value and Defects of Verses in The Three Kingdoms
    《三国演义》诗词歌赋的艺术价值及其不足
    On the"Be Proved with Poem"in Ancient Chinese Novels——Both on the Poetry Verses in the Four Greatest Famous Books
    论古代小说中的“有诗为证”——兼评四大名著中的诗词韵文
    As the most important characteristic of the structure of artistic-conception, Blank Space reactions with the notional artistic-conception, they are emptiness verses trueness, hidden verses visible, and this amplified the aesthetic space, produced great artistic tension.
    “空白”作为诗词意境结构的重要特点,与实境一虚一实,一隐一显,互相作用,相互成就,拓宽了诗歌的审美空间,形成了巨大的艺术张力。
 

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