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非洲
    On Out of Africa:A post-colonial and feminist reading
    《走出非洲》的后殖民女性主义解读
    Symbolic Representations of Lions in Out of Africa
    《走出非洲》中狮子的象征意义
    Africa Under Conrad's Eyes——A Postcolonialist Reading of Heart of Darkness
    康拉德眼中的非洲——对《黑暗之心》的后殖民主义阅读(英文)
    Her life experiences, both in the small prairie town of Neepawa, Manitoba and in Africa, provide her with rich source material for her literary creation.
    她早年在马尼托巴省的草原小镇尼帕瓦以及非洲的生活经历为她提供了丰富的创作素材。
    It is prompted mainly by Conrad's own experience in Congo Free State in 1890, and shows us a scene in the heart of colonized Africa.
    这部中篇小说以康拉德在刚果的亲身经历为素材,展现了十九世纪初殖民地非洲的图景。
    The first part expatiates that Hemingway's two journeys to Africa are the sources of the form and inditement of his African works with the theory that literature comes from life while it epurates from life.
    第一部分,运用文学源于生活却又高于生活的理论阐述海明威的两次非洲之旅是其非洲题材作品创作与形成的源头活水。
    The second part analyzes the appreciative value literally. It chiefly analyzes the African featured plants, animals and local custom in Hemingway's African works and makes a little study of their ploy of portray and of the feelings and atitudes outpoured in the works as viewed from the natural scenery and the custom and culture of Africa.
    第二部分,从作品的表层来分析作品的观赏价值,主要是从自然景观和风俗文化的两种视角入手,分析海明威非洲作品中所呈现给读者的具有非洲特色的植物、动物、乡土风俗,并对其描写手法以及在作品中流露出来的情感趋向作了探讨。
    In this marvelous novel, Bellow portrays a complex protagonist, Eugene Henderson, who gives up an affluent cozy modern life and struggles in a quest for the meaning and essence of life through his physical and spiritual journey in ancient uncivilized Africa.
    在这部绝妙的小说中,贝娄塑造了一位复杂的主人公尤金·汉德森。 他放弃优越舒适的现代生活,来到古老而远离现代文明的非洲大陆,经历身体和精神上的旅程,去竭力追寻生命的意义与本质。
    She not only discloses the hard and miserable existence of the black women who suffer from the sexual, racial and class oppression but also pays close attention to the existence of the Third-World black women, criticizing harshly the tradition of female circumcision in Africa.
    她不仅深刻地揭露了黑人妇女在性别主义、种族主义及阶级压迫下生存的艰难和痛苦,而且还密切关注第三世界妇女的生存状况,对非洲女性的割礼风俗进行了猛烈的批判。
    However, the majority of contemporary reviewers and later commentators on Mark Twain found the novel praiseworthy: there is no need to give the details of Hemingway’s famous commentary on the book in his Green Hills of Africa (1935);
    然而大多数与马克·吐温同时代的以及之后的评论家仍然认为这是一部值得称赞的作品:海明威在《非洲的青山》中对这部作品的评价就不必赘述了;
    Subject to the social conditions, Conrad stereotyped Africa as a primitive stage of human history and the African culture was separated from European culture.
    康拉德在《黑暗的心》中描写非洲时所使用的意象深深地打上了白人文化的烙印,他把非洲贬为野蛮原始之域,充满神秘色彩,是作为“他者”而存在的,非洲的原始衬托了欧洲的文明与开化。
    Henderson's three experiences in America and Africa actually stand for the three ways or stages of life in Kierkegaard's Christian existentialism, that is, the aesthetic, the ethical and the religious.
    汉德森在美国生活富裕,但却时时感到死亡的威胁,这是及时行乐的美学的生活方式,在这种生活方式下,人们焦虑不安。 非洲阿纳维人遵循固定的道德准则“格伦—多—莫拉尼”,趋善避恶,承担旱灾的责任,这种理性的生活与伦理的生活方式相吻合;
    Conrad’s African trip enabled him to get in contact with Africa.
    康拉德的非洲之行使他接触到了黑非洲
    Yet Conrad’s criticism of the new imperialism does not mean that he criticized colonialism as a whole, for he clearly points out that those conquerors in Africa are no colonists in the real sense.
    但康拉德对新型帝国主义的批判并不代表他对殖民主义的批判,因为康拉德明确指出,这些在非洲胡作非为的征服者根本不是真正意义上的殖民者。
    In these two novels Africa enters the stories only as a background and is obviously described as the other world, totally different from Europe.
    在这两部小说中,非洲在文中只是作为背景出现并明显地被描述成一个与欧洲截然不同的他类世界。
    This phenomenon exists noy only in America but also in Africa.
    这种现象不仅在美国存在,在非洲也存在。
    The autobiographic novel, Out of Africa, is Isak Denisens most famous work, which has been adapted into an American film with the same title.
    自传体小说《走出非洲》是丹麦女作家伊萨克·迪内森最著名的一部作品,并被改编成同名美国电影。
    In Heart of Darkness, Marlow's travel in the Africa is not only a geographical exploration, but also a pilgrimage to deconstruct logocentrism: deconstruction of definite meaning, deconstruction of religious belief and deconstruction of modern civilization.
    《黑暗之心》主人公马洛的旅程不仅是地理意义上的非洲探索,更是一次对西方"逻各斯"中心主义的解构之旅。 小说对逻各斯中心主义的消解主要体现在:终极意义的消解,宗教信仰的消解和现代理性文明的消解三个方面。
    Since the Nobel Prize in Literature was awarded , 97 writers in all have won the prize , ten of whom are women writers. And some of them are from Europe, some from America, and some from Africa.
    自诺贝尔文学奖颁奖以来共有97位获奖者,其中女性获奖作家只有十位,这十住女作家当中有的来自欧洲,有的来自北美,还有来自南美的,也有来自非洲的。
    African epics can be largely divided into seven kinds: Epics of Central Africa, Hunters’ Traditions and Epics, Traditions of the Soninke, Sunjata and the Traditions of the Manden, Segou and the Bamana, Traditions of the Fula, and Emergent Traditions.
    非洲史诗大致可分为七大板块中非史诗、猎人传统与史诗、索宁克传统、松迪亚塔与曼顿传统、赛格与巴马拿史诗、福拉传统和近百年来出现的传统。
 

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