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身体写作
    This paper, after a contrastive study of body writing both home and abroad, argues that Chinese literary criticism in 90's, due to its indigenous experience and poetic tradition, misunderstood and distorted the writing theory of ecriture feminine, advanced by the feminism theorist, Helene Cixous.
    本论文通过对中西身体写作的比较研究发现:90年代中国的文学批评,乃是从本土经验和诗学传统出发,误读并改写了法国女性主义理论家埃莱娜·西苏的“女性写作”理论。
    That invites the danger of peeping driven by male's estrous desire and also takes the main responsibility for body writing falling prey to the commercialization in 90's.
    而这也是90年代身体写作被商业文化所利用的主要原因。
    Based on the reflection of literary criticism's definition of body writing in 90's, this paper holds that literary criticism in 90's ignored the Utopian tendency of western body writing theory, overstated the universal adaptability of this theory as a strategy to women emancipation, which obscured the truth of female writing's succumbing to consumption-driven culture.
    反思90年代文学批评对身体写作的命名,本文认为,在误读的基础上,90年代文学批评忽视了西方身体写作理论中的乌托邦倾向,强调了此一理论作为一种女性解放策略的普适性,同时也遮蔽了女性写作屈从于当下消费文化的真相。
    This paper explores thoroughly the predicament of body writing, reveals that the misunderstanding of 90's literary criticism is originated first from the deviation in the understanding of western feminine literary theory, and then related to the particular culture background of body worship among the 90's intellectuals.
    本文深入剖析了这一身体写作的困境,并揭示90年代文学批评的失误,一方面出自对西方女性主义理论的误读,另一方面亦与90年代知识分子话语中的身体崇拜的特定文化背景有关。
    This thesis is divided into three chapters:The 1st chapter, Anti-feminism Symptoms during Feminine Writing, The object discussed includes novels based on feminist standpoint and novels with the characteristics of "body writing".
    第一章《女性写作中的反女性主义征候》,讨论的对象包括基于女性主义立场而创作的小说和以“身体写作”为特征的小说。
    Chi zijian break through material writing and"body writing" of women 's double suppress, Pay close attention to the people development of new period with a kind of prominent folk position that human nature is kind.
    迟子建突破了物质化写作和女性的“身体写作”的双重围困,以一种凸显人性善的民间立场关注新时期国民性的衍变。
    Among the western feminist literary criticism, Cixous's body writing theory has the most obvious and the greatest influence on our country and also arouses the most intense contention. The thesis regards this as the emphasis of discussion and combines macro-vision with deep analysis.
    西方女性主义文学批评之中对我国影响最巨大、最明显,引起的争议也最多的当数法国派西苏的身体写作理论,本文以此为论述重点,将宏观视野与纵深剖析结合起来。
    The appearance of the so-called "body writing" in "people of the 1970s", in "beauty writers" and in the "lower part of body" poetry is the extreme development of absolute modern individual liberalism ethic narrative.
    90年代末出现的“70年代人”、“美女作家”与“下半身”诗歌的所谓身体写作等,便是“晚生代”这种现代伦理平面化叙事的极端发展。
    Although the criticism of Body Discourse and the phenomenon of Body Writing is exceeding the proper limits in righting the lack of individual perceptual knowledge in Chinese aesthetics and literature of the 21th century ,they can be regarded as a kind of annotation to Human Literature .
    “身体话语”不仅是发现自身(身体)、找回自身的一种启蒙动力,“身体写作”等现象和“身体话语”批评的出现,也是对中国二十世纪美学、文学中个体、感性缺失的过枉矫正,是对“人的文学”的一种注解。
    The body writing as a cutting edge poetry phenomenon was very complicated and couldn't be ignored.
    “身体写作”这一具有先锋性质的后新时期女性诗歌现象,无论在理论上还是创作上都是非常驳杂、繁复的,对文坛形成了不小的冲击,是一种不可忽视的文学现象。
    The introduction part of the thesis briefly introduced rich culture implication of the body and the current situation of research and development of the body writing.
    论文的绪论部分简要介绍了“身体”的历史文化涵义以及“身体写作”的研究现状和发展情况。
    Body writing is an attractive literary phenomenon that arouses many disputes.
    当代文坛,身体写作现象极为抢眼又备受争议。
    The following chapter proposes that "body writing" proper is a multifaceted term, exploring the description of diet, the experience of diseases, death and so on and the reason for the popularity of sex writing, etc.
    第三,提出“身体写作”本身也是多元、多层次的组合,讨论其中的饮食描写和对疾病、死亡等的体验,探讨性写作及其成为身体写作热点的原因。
    The fourth part probes into the influence of traditional culture on body writing and the final part the relation between body writing
    第四,分析传统文化对身体写作的影响。 第五,分析身体写作与消费社会的关系。
    In the history of Chinese contemporary literature, sex narration", which was disguised in the writing of revolutionary feeling" and class friendship" for the first 30 years, then developed into the sex enlightenment writing" in the 80s, and evolved into female body writing" and lust writing" in the 90s, underwent the two stages of deconstruction against holiness" and elucidation and restoration".
    在中国当代文学史上 ,从前 30年中被打扮成“革命感情”、“阶级友谊”到 80年代的“性启蒙” ,再到 90年代商业经济背景下的女性身体写作与欲望写作 ,“性叙事”的生成与发展经历了一个“消解神圣”与“除蔽还原”的过程。
    And finally, it is important that female consciousness should break away from body writing.
    走出身体写作的误区,成为诗歌中女性意识自觉的当务之急。
    Under the influence of the theories of Flued, Roge and Dreda, western feminist theory of "body writing" is brought forth in the fashion of the poetic group of confession.
    西方女性主义"身体写作"理论是在弗洛伊德、荣格心理学理论及德里达学说影响下,在西方盛行自白派诗歌创作的文学氛围中产生的。
    The theory of "body writing" is the significant course of China's "individualized writing" in 1990s. "Individualized writing" is the production of the joining forces of these: western feminist theory, American poetic campaign of confession group, Chinese contemporary reality of social culture and literature, the writer's individual experience and certain features of Chinese literary tradition.
    中国90年代的"个人化写作",是以"身体写作"为重要理论源泉,并与西方女性主义文学理论、英美自白派诗歌、中国当下社会文化与文学现实及作家个人生命体验、中国文学传统中的某些特质亲密融合而产生的,在创作实践中形成了独特的、富有中国气质的思想意蕴和艺术特色。
    This has helped to provide a new perspective for the construction of peripheral poetics in terms of "peripheral narrative","body writing" and "feminist novel".
    从这一关系入手 ,梳理诸如“边缘叙事”、“身体写作”、“女性小说”等概念 ,可以为边缘诗学的建构提供一个视点
    There have been heated discussions on “body writing” in the realm of literary criticism in recent years.
    近年来,“身体写作”引发批评界的热烈讨论。
 

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