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身体写作
    while sex description is the focus of the discussions, the essence of the dispute over “body writing” literature and its cultural significance centers around the point whether literature of individuality could gain a legitimate status.
    虽然性描写在批评中成为焦点,但关于“身体写作”文学及文化意义的争论的实质,还是个体性文学能否取得合法地位的问题。
    In the Chinese literary circles, Chen Ran, Lin Bai appeared to represent the first generation of writers of "the body writing", Wei Hui, Mian Mian the second generation and Chun Shu, Muzi Mei the third generation.
    “身体写作”在中国文坛上,出现了以陈染、林白为代表的第一代作家,卫慧、棉棉代表的第二代,春树、木子美代表的第三代。
    When elaborating their "body writing", this paper makes analysis and evaluation of their works from the perspectives of their writing motives, literature character, aesthetic pursuit, etc. In the process of the analysis and evaluation, the article fixed attention on the relation between "the body writing" and male power culture.
    在阐述她们的“身体写作”时,着眼于“身体写作”和男权文化的关系,结合她们的作品对她们的写作动机、文学品格、审美追求等方面进行了分析和评价。
    It is undeniable that the female body writing has become a grand cultural phenomenon in the arena of Chinese ideology and culture.
    女性身体写作成为中国思想文化土壤上重要的蔚为壮观的文化事象,这已是一个不争的事实。
    Despite its current clamor there have been lots of key points ignored in "body writing",as is evident in the "body writing" of male writers attended to in this paper.
    “身体写作”在当下众声喧哗中又存在许多重要的被遮蔽的盲点,譬如论文所关注的男性作家的“身体写作”。
    The article makes a detailed comparison between them by leading into this theory of the body writing and at the same time it discuses the female writing.
    本文引入身体写作这一理论对两个文本进行细读比较,从而对女性写作进行探讨。
    Body writing refers to the authoress' intuitive,subconscious,inherent feeling of the outside world.
    身体写作指的是作者对外在世界的,来自身体直觉的、内在的、潜意思的、女性自己的感受。
    This paper comments on three female novelists’ workings about body writing through three themes which are decadence, peep and lust.
    本文通过颓废、偷窥和欲望三个主题对身体写作的三位女性作家作品进行了评析。
    The body writing indulges in creature comforts has exposed many negative qualities, which is related to social change and novelist’ attitude.
    身体写作重感官享受的倾向日益暴露出了负面特质,这与社会的变化有关,也与写作者自身的态度有关。
    People may write in various ways, but they are not inclined to necessarily write by the method of individualized or body writing (body writing is an extension of individualized writing) or to portray merely the individualized reality.
    人们可以用各种方式去写作,不一定只能以个人化写作或者身体写作(身体写作是个人化写作的延伸)的方式去写作,也不一定只能表现个人化的现实。
    Body writing make the human body that trained and ruled by morality reach an object with natural desire,therefore has the profound philosophy significance.
    身体写作使被道德规训的身体重新复归到自然的欲望主体,因此具有深刻的哲学意义。
    But nowadays,in China,modern cultures are manipulated by commerce and consumption tendency during development,the body writing is misunderstood and distorted and has become alienated.
    可是由于中国现代文化发展中商业化操纵和消费主义倾向的影响,身体写作发生了变异。
    This thesis aims ar carrying on an analysis to the present condition of Chinese present female's discourse,pointing out the body writing is a female's discourse that has been going in a wrong direction,and finally coming to a conclusion that only rebuilding the female's discourse can lead to female's liberation and development.
    本文旨在对中国女性话语的现状进行分析,指出当下身体写作是一种陷入误区的女性话语,最后提出只有重建女性话语权才是女性解放和发展的出路。
 

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