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文学创作
    Three Types of Local Literature Writing in Current Taiwan
    当下台湾的三类本土文学创作
    Jia Ping ao' s novels attract so much attention just 'because of his new approach of combining the modern concept with the traditional Chinese culture in literature writing.
    贾平凹小说备受人们的关注,其内在根源正在于他所选取和开辟的是一条使现代观念与中国文化传统联姻的文学创作道路。
    And popularity, popularization became the goal of the time, thereby adapted to the impact on literature writing brought by the circumstances of the war.
    第五部分:国统区的文学主题较明显地承接了上一时期的一切文学实践的成果,是能够代表整个四十年代文学创作的主潮的一个区域,但它也是一个由最广大的各种区域文化构成的政区。
    From the end of Donghan to Wei Xijin Dynasty, Iterators' love poems writing usually has the character of imitating,which relates temporal literature writing circumstance very much.
    自东汉末至魏、西晋,文人的婚恋诗创作多具有模拟的品格,这与当时的文学创作环境有莫大的关系。
    The forth part considers Ding Ling as a case and makes an inquiry into the defect of personality construction of Ding Ling and modern-contemporary intellects, and studies these defects have what influences on literature writing.
    第四部分以丁玲为个案,探讨了丁玲及中国现当代知识分子人格建设的缺憾,以及这些缺憾对文学创作的影响。
    It also denied the traditional mainstream literature writing completely at the same time, carried on the subverting type to write from different fields, such as subject matter, values, ethics,etc. The city novels demonstrate the creation trend of perceptual type individual literature completely different from traditional literary creation.
    同时它还对传统主流文学写作进行了彻底否定,从题材、价值观、伦理观等各方面进行颠覆式书写,使都市小说呈现出与传统文学创作截然不同的感性型个体文学的创作倾向。
    The literature writing has been transformed by the powerful impact.
    文学创作更是在这一强烈冲击中发生了巨大的变化。
    The development of the practice of Network literature writing exerts a great influence on the writing theory of traditional literature. And as a consequence, the traditional literature theory and writing theory are to be transformed and reconstructed.
    网络文学创作实践的发展,冲击和影响着传统的文学写作理论,使传统文学理论、写作理论内容面临着变革与重构。
    It is obviously connected with the practice of literature writing since 1990s that body is a one of the key words in Chinese literary criticism, especially as an extraordinary active power, feminine writings in 90s have achieved conspicuous success.
    “身体”成为中国文学批评中的一个关键词显然与90年代以来的文学创作实践直接相关。 尤其是90年代女性写作作为一股异常活跃的力量,在当代文学中取得了令人瞩目的成绩。
    In the period of continuous pursuit, his self-- view is real-- self, its implication was self-- value, literature writing style mainly embodied to be vigor and elegance.
    上下求索期,其自我观为真我,主要内涵为自我价值,文学创作风格主要体现为刚健、典雅。
    In the period of hardship through life and death, his self-view was restraining himself,the implication was self-- cruel and self-- maltreat, the literature writing style was mainly impetuosity, indignation.
    生死劫难期,其自我观为羁人,主要内涵为自残与自虐,文学创作风格主要体现为躁动、愤激。
    In the period of falling and rising, his self view was malformating himself, the main implication was self-- temperament and self-- personality, the literature writing style was mainly dilapidation.
    与世沉浮期,其自我观为畸人,主要内涵为自我性情与自我个性,文学创作风格主要体现为颓放。
    In respect of literature writing methods, Tai Jingnong, with realism as his writing principle, insists on reality of artistic content, objectiveness of description and typicalness of environment description.
    在文学创作方法上 ,台静农以现实主义为创作原则 ,坚持艺术内容的真实性 ,描写的客观性 ,环境描写的典型性。
    The writers time consciousness is embodied by his literature writing and conversation with the Time and history.
    师陀自己的时间意识体现在通过文学创作 ,展开与时代和历史的对话
    on the one hand, we think that the main body of individual hero and collective hero is of the same quality and structure. On the other hand, we indicate that revolutionary hero concept and revolutionary literature writing practicing has an interlaced relationship of clockwise and counter-clockwise.
    英雄个体主体与英雄集体主体既是同质同构的,革命英雄理念与革命文学创作实践又表现出种种逆向顺向相交错的关系。
    During Ming-Qing Dynasties,so called Current Writing was known as eight-legged essay for a special purpose of imperial examinations,which had a great influence on literature writing and criticism of that time.
    明清两代,所谓的“时文”,即作为科举考试专用文体的八股文,对当时的文学创作和批评都产生了深远影响。
    The two characters and their related events are symmetric in description, which is called “te fan bu fan” in literature writing.
    同时,这两个人物与事件具有对称性,在文学创作上被称为“特犯不犯”。
    In his thoughts of literature,he took "仁" as foundation and took "文" as target and took "中庸" as role,and he researched nature of literature,writing literary and literary criticism.
    孔子的文学批评思想以“仁”为基础,以“文”为目标,以“中庸”为准则,探讨了文学的本质、文学创作和文学批评等理论问题。
 

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