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麦克卢汉
    Legacy of Mcluhan——A Post-modern Thinking to Transcend the Set Thinking Modes
    麦克卢汉的遗产——超越现代思维定势的后现代思维
    McLuhan in China
    麦克卢汉在中国
    Understanding New Media——Rereading McLuhan in the Age of Internet
    理解新媒介——网络时代重读麦克卢汉
    Mcluhan's Viewpoints of Media Culture
    麦克卢汉的媒介文化观
    The "McLuhan" in Digital Age
    数字时代的麦克卢汉
    On McLuhan's Communication Theory
    麦克卢汉的传播思想
    Marshall MCLuhan's contrary theories
    麦克卢汉悖论
    Twin Stars over Toronto:A Comparison of Marshall McLuhan and Harold A.Innis
    加拿大传播学派的双星:伊尼斯与麦克卢汉
    On Technical Utopia by McLuhan: A New Perspective of Understanding McLuhan.
    论麦克卢汉传播观念的“技术乌托邦主义”——理解麦克卢汉的新视角
    The Status and Contribution of Mcluhan in the Research of Mass-Communication Media
    麦克卢汉在大众传播媒介研究中的地位和作用
    This Sphinx no longer defies comprehension: An interpretation of Marshall McLuhan
    天书"能读——麦克卢汉的当代诠释
    Comparison of Communication views of Marx , Habermas and McLuhan
    传播研究的多维视角——马克思、哈贝马斯、麦克卢汉的传播观比较
    Intuition on Medium——Phenomenological Method of McLuhan's Communication Research
    媒介的直观——论麦克卢汉传播学研究的现象学方法
    The theme integrates Mashall Mcluhan media theory and theories such as disconstrctism, interprete net media by comparing with oral media and written media, point out the new technical character and social medial culture culminate serious system of traditional literature, and make it true that popular literature carnival.
    本文把麦克卢汉的传媒理论和解构主义等理论相结合,在与口语媒介、书面媒介的比较中,阐释了网络媒介对文学创作者的三种影响:在参与方式方面,网络媒介的开放性技术特征与其所带来的社会文化,消解了传统文学的森严体制,使大众性、无等级的文学狂欢成为了现实;
    This dissertation elaborates Canadian medium study Scholar Marshall Mcluhan's points of view on media culture.
    本文以加拿大传播学者马歇尔·麦克卢汉的媒介文化观作为研究对象。
    The author of this thesis tries to make a systematic exposition of them and compare the viewpoints of Mcluhan with Frankfurt School and British Culture Study School's,and summarize the unique effect of Mcluhan's some opinions . The author points out the important difference and relationship between these thoughts.
    本文详细地阐述了这些理论,并把麦克卢汉和法兰克福学派、英国文化研究学派的理论进行比较,指出他们之间在研究范式上的分歧,从而归纳出麦克卢汉媒介研究中的独特价值。
    This part mainly covers the theory of the media criticism of the four important stages and figures of "Frankfort School", "Mcluhan", "Later Modem", and "Globalism".
    这一部分主要对“法兰克福学派”、麦克卢汉、“后现代”以及“全球化”等四个重要阶段和人物的媒介批评作一个理论的廓清与梳理。
    Focused on "understanding media" , the article analyses in chapter I the key media theory of employing what could be of Mcluhan in a thoughtful angle,and advances the viewpoint of "human being-the extending of media?"
    本文以《理解媒介》为基础,对麦克卢汉的能够为我所用的重点媒介理论进行自我思辩的解读(第一部分),在此基础上,提出了“人类——媒介的延伸?”
    Therefore, it is of great significance -both in practice and in theory to tidy and reinterpret the theories of Mcluhan with the current situation of new media (which is represented by network) 's challenging the traditional media and the traditional theories of communication.
    因此,在以网络为代表的新媒介正在挑战传统媒介及传统传播学理论的今天,对麦克卢汉的理论进行重新梳理和解读,倍显出新的意义——理论的和现实的创新意义。
    On the orientation of theoretical review, this paper attempts to interpret Mcluhan's theories of media with a comprehensive method of contrast and comparison from different perspectives of different branches of science.
    本文用理论思辨的研究方法对麦克卢汉的媒介理论进行解读的同时,综合运用比较法等对其进行多学科、多角度透视。
 

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