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大陆
    The Review and Commentary on Han Yu Study of The Mainland in New Era
    新时期大陆韩愈研究述评
    The Key of the Mainland New Knight-errant Fiction Lies in the Innovation
    大陆新武侠关键在于创新
    This article elaborates the scope is the mainland writer from October from 1, 1949 to 1999 50 year growth novel creation.
    本文论述的范围是中国大陆作家在1949年10月1日至1999年凡50年间的成长小说创作。
    A RESEARCH SYNOPSIS OF TAIWAN WOMEN LITERATURE IN THE MAINLAND OF RECENT 20 YEARS
    大陆近二十年台湾女性文学研究综述
    Several Important Issues on the Sci-fi of the Mainland of China in Century Bargain
    谈世纪之交我国大陆科幻小说创作的几个主要问题
    The Spread of Jin Yong's and Qiong Yao's Novels and the Rising of Popular Literature in the Mainland of China
    金庸、琼瑶小说的传播与大陆通俗文学的兴起
    Local Demeanour and Native Land Awareness──A Comparison between the Local Style and Literary Language of the Mainland and Those of Taiwan
    乡土风情与本土意识——大陆、台湾乡土文体与文学语言比较
    A Reflection on "Gender" in Literature——An Exploration of "Women's Literature" Studies on the Mainland and its Revelation of the Research
    关于文学的“性别”思考——大陆“女性文学”研究的学术启示
    On the Naming of Contemporary Chinese Literature Campaign of the Mainland ——From the Literature of Socialist Revolution Period to the Literature of Post-new Age
    中国大陆当代文学运动的历史命名——从社会主义革命时期文学到后新时期文学
    "On Nest Trace of Tangshan's Immigrants":Comment of Yang Ruoping's The Brief History of the Literature Relationship Between Taiwan and the Mainland
    “唐山流寓话巢痕”——杨若萍《台湾与大陆文学关系简史》评述
    The Mainland Psychological Response to Overseas Chinese Literature from 1980s to 1990s
    大陆对台港与海外华文文学的接受心理——以上世纪80年代和90年代为例
    On Writing Features of Literature History——take the revision of the mainland poetry of History of Chinese Contemporary Poetry for example
    谈文学史的写作特性——以《中国当代新诗史》大陆诗歌部分的修订为例
    How the Academics in Taiwan Look at the Research of Taiwanese Literature in the Mainland
    对台湾学界评祖国大陆的台湾文学研究之述评
    On the Contrast Between Perfect Heroes and Hopeless Heroes——A Comparison Between the Mainland and Taiwan's Historical Novels in Minguo Times
    完美英雄与末路英雄的对照呼应——对大陆、台湾民国史小说的一种比较
    On Subjects of the Feminine Prose in the Mainland of China in Past Two Decades
    近二十年大陆女性散文母题研究
    The conclusion is that the novels of this period are peculiar products of the Hongkong cosmopolitan culture and the native culture, which has recorded the experience of Hongkong history and society and demonstrated the life experience of Hongkong people, thus becomes the invaluable treasures of Chinese literature which distinguish from the mainland and the Taiwan literature.
    总而言之,文中认为这个时期的香港小说是香港都市文化的独特产物,是具有香港本土文化特色的文学花果,是纪录香港社会历史经验,展示港人生命历程的宝贵文化财富,已成为有别於大陆和台湾小说的独特文学景观,也是中国文学中的一枝奇葩。
    Being once immersed in two different kinds of cultural backgrounds, these writers have gained different life experiences between Hong Kong and the mainland as well as their voluntary or forced exiling experiences.
    大陆和香港两地不同的生活体验、两种不同文化背景的浸染与冲突,使得这些作家产生身份追寻的困惑和焦虑,并影响他们的创作心态和身份建构。
    Thus, he inherits and further develops the Chinese traditional culture. Based on this fact, we can see that Chen Yingzhen, ideologically and cuturally incorporate Taiwan literature into Chinese literature as a whole, and Chen's works are of great significance both in Taiwan and the mainland.
    同时,他的这一思想也是对中国传统文化的继承和发扬,基于此,陈映真就从思想文化层面上把台湾文学纳入到整个中国文学的大家庭中来,也正是在这一点上,陈映真的作品对台湾和大陆才具有非同一般的意义。
    As an outstanding representative of exquisite Taiwan Literature, Chen Yinzhen had greatly achieved the concern of the critical circles in the Mainland .
    作为台湾文学中“精品”的突出代表,陈映真一直受到大陆评论界的深切关注。
    As the literary part of popular songs, the Mainland's lyrics in the New Period, especially from the metaphase of the 80's in the 20th century, vest in the popular culture.
    作为流行歌曲中的文学部分,大陆新时期尤其是二十世纪八十年代中期以来的歌词是归属于大众文化的。
 

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