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诗史
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  poetic history
    The third connotation of the Spirit of Poetic History of Du's Poetry
    杜诗“诗史”精神的第三重内涵
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    Liang Qichao's conception of poetic history
    梁启超的“诗史”观——《饮冰室诗话》的若干诗学思想分析
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    On the phenomena of poetic history in Late Song Dynasty
    宋季“诗史”现象探讨
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    On the Significance of Poetic History in Zhao Zhixin's Poetics
    “越佚山左门庭,弃其家学”——兼论赵执信诗学的诗史意义
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    From Group Poetics to Personal Poetics: A Basic Rule in the Development of the Preliminary Poetic History
    从群体诗学到个体诗学——前期诗史发展的一种基本规律
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  poetry history
    AI Qing-Style Poetry and the Construction of Poetry History
    “艾青体”诗歌及其诗史建构
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    The main contribution of Chinese Poetry History written by Lu Kanru and Feng Yuanjun
    陆侃如、冯沅君先生《中国诗史》的主要贡献
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    The Historical Review of the Study of Chinese Poetry History and Its Compilation
    中国诗史研究与撰著的世纪回顾
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    The Meaning of New Poetry History about Baiyangdian Poetry Tribe
    白洋淀诗群的新诗史意义
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    Meaning of New Poetry History about Bai Yangdian poetry Tribe
    白洋淀诗群的新诗史意义
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  poem history
    In chapter three, now poem history of the destiny theme in new poems of the forties is reviewed wholly, as well as the literature history, and the influence of this theme and its variation during spreading are preliminarily discussed.
    第三章是对四十年代新诗“命运”主题的新诗史乃至文学史层面的整体反思,并对该主题的影响以及流变进行了初步的探讨。
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    The Preface Part has combed present scholar's concerning about poem intellectualized in Wei Jin Dynasties, has mainly analyzed Wang Zhongling's "The Chinese poem history of the middle ancient times " and Ge Xiaoyin's "The poem history of 8 Dynasties", and on this foundation, explains the meaning of this proposition.
    前言部分梳理了当代学者有关魏晋时期诗歌文人化的研究状况,主要分析了王钟陵《中国中古诗歌史》和葛晓音《八代诗史》中对阮籍《咏怀诗》的有关论述,并在此基础上说明选定此论题的意义。
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    On his 100th birth anniversary, we look back and verify history and present situation on the research of Wang Jingzhi, which help us knowing、understanding and appraising entirely and correctly his history position on contemporary new poem history of China.
    值此诗人诞辰百年之际,对汪静之研究的历史和现状做一番回顾与清理,有助于我们全面、正确地认识、理解和评价他在中国现代新诗史上的历史地位。
短句来源
    However, his poem history position was hard to recieve from the art level, but recieved from his construction to the"JiangzuoShiwuzi"verse group mainly.
    然其诗史地位却难以从创作认知,而 是主要体现于他对“江左十五子”诗歌集群的建设。
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    The research on Han Yu's poetry,includes the research on the text such as neatening Han Yu's poetry, selecting and annotating it; discussing the style and its meaning in the poem history; the Han Yu and Meng Jiao Poem School and its poetics ;
    韩愈诗学作为“韩学”的一个重要组成部分,其研究内容相当广泛,大致包括:韩愈诗集整理、诗歌选注等文本研究,诗歌艺术风格、诗史意义的探讨,韩孟诗歌流派及其诗歌理论的探究,韩诗接受史及韩诗学史的研究等方面。
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  “诗史”译为未确定词的双语例句
    Consciousness of Man and Consciousness of Literature Writing
    人的自觉与文的自觉——如何在中国诗史上定位“建安风骨” 文艺学研究
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    Song with Wild Joy", "History of Poetry" and the"Six Classical Poems" ──On the Study of Du Fu's Poems in Tang and Song Dynasties
    “狂歌”、“诗史”、“诗中六经”──唐宋时期的杜诗研究
短句来源
    Three Milestone Texts in the History of Chinese New Form Verse: Four Basic Typesof the New Form Verse
    新格律诗史上的三块里程碑——兼论新格律诗的四种基本形态
短句来源
    The ranks of the poets in Guangxu and Xuantong Period (of the Qing Dynasty)(光宣诗坛点将录), writed by Wang Pi jiang (汪辟疆), is very famous work, which is helpful to the study of Chinese modern poems.
    汪辟疆的《光宣诗坛点将录》,为近代诗史研究的名著,撰成于民国八年(1919),民国十四年(1925),分五期刊于《甲寅》杂志(第一卷第五号至第九号)。
短句来源
    It also includes two aspects, first, the author inquires into the changing process from ancient Jing Shu (经疏) to the method of the annotation of poetry.
    本章分二节,第一节讨论诗歌解释方法与古代诗史互证传统的形成,萁中包括两个部分:首先考察从古代经疏到诗注方法的嬗变过程;
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Cao Cao'S Poem was a breakthrough of the fetters of Han classicalism and a pour oforiginal Confucianist sense of grand society and social concern into his poetic creation with amasculine style and lOfty vision. With this contribution, early Confucianism as an awakeningChinese rationale found its poetic expression in the history of Chinese poetic literature eversince Cao Cao'S poetry established its high position.

曹操诗歌在中国诗史上的最大价值是突破了两汉经学的樊篱,第一次把原始儒学的天下意识与忧患意识注入于诗歌创作,开创了悲壮雄健的诗风和阔大雄奇的意境。从而,使标志着中国民族理性觉醒的原始儒学精神转化为具有动天地、感鬼神之艺术魅力的诗篇,为中国诗史开一坦途。

This paper, in the sequence of time and location, gives a brief account of the various styles and characteristics of Du Fu' s landscape pomes in six stages.1. Lofty sentiments in Mount Tai; 2. Anxieties in Ci' en Temple; 3. Oath on the Phoenix Platform; 4. Sad feeling in Cheng Du; 5. Agony in Baidi City; 6. Sorrows and tears nearby Dongting Lake. Du Fu's landscape poems reached the hing achievement, however,they are never attached to great importance to. The reason is that Du Pu's pomes that can be taken as...

This paper, in the sequence of time and location, gives a brief account of the various styles and characteristics of Du Fu' s landscape pomes in six stages.1. Lofty sentiments in Mount Tai; 2. Anxieties in Ci' en Temple; 3. Oath on the Phoenix Platform; 4. Sad feeling in Cheng Du; 5. Agony in Baidi City; 6. Sorrows and tears nearby Dongting Lake. Du Fu's landscape poems reached the hing achievement, however,they are never attached to great importance to. The reason is that Du Pu's pomes that can be taken as amirror of the times he lived in and his honour of "Poet - sage" trammels traditional research.

本文以时地为序,从纵向方面勾勒了杜甫山水诗6个阶段的不同的内容风格特点:1.泰山豪情;2.慈恩寺塔“百忧”;3.凤凰台自誓;4.成都楼伤感;5.白帝城“血痕”;6.洞庭湖畔眼泪。杜甫山水诗有着巨大的成就,但不受重视,其原因是受“诗圣”、“诗史”等传统研究思想束缚。

Li He is a famous poet in the Chinese poem history, not even in the MiddleTang times. There are three distinguishing features in his poetry anthology—— more ugly imageries, more descriptions on women, more ballads but less poems with strict tonal patterns and rythme schemes. The author point out that Middle-Tang's society background and culture phychology, Li He's person experience and asthetic tendency cause to this style of writing. In the last, the author analyse the cause of Li He's great influence in the...

Li He is a famous poet in the Chinese poem history, not even in the MiddleTang times. There are three distinguishing features in his poetry anthology—— more ugly imageries, more descriptions on women, more ballads but less poems with strict tonal patterns and rythme schemes. The author point out that Middle-Tang's society background and culture phychology, Li He's person experience and asthetic tendency cause to this style of writing. In the last, the author analyse the cause of Li He's great influence in the later ages.

在中国诗史上,李贺诗歌有着鲜明的特点———在意象上写“丑”的诗多,在题材上写女性的诗多,在体裁上歌行多而少律绝。本文剖析了这三个方面与中唐的社会背景、文化心理及李贺的个人遭际、审美倾向之间的联系,并指出了其垂范后世的意义。

 
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