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Abstract This article mainly deals with the socal historical background of and the influences of philosophy and psychology on the "stream of consciousness" literature between the two world wars in England, introduces the main authors and analyzes their main novels and the techniques of "stream of consciousness". 本文主要论述两次世界大战之间英国意识流小说产生的社会历史背景及其所受到的哲学和心理学的影响;介绍和分析了两战之间的英国意识流小说的主要代表作家及其作品;剖析了作品中的意识流技巧 The stream of consciousness theory in psychology, philosophy and literature originated in the West, and great achievements have been made in stream of consciousness novels. However, this type of writing also appears in classical Chinese poetry, either as a spiritual peculiarity of man himself or as a technique of literary creation. The stream of consciousness format was more readily adopted in lyrical poetry. The author analyses ancient Chinese literary works in the light of this modern theory and demonstrates... The stream of consciousness theory in psychology, philosophy and literature originated in the West, and great achievements have been made in stream of consciousness novels. However, this type of writing also appears in classical Chinese poetry, either as a spiritual peculiarity of man himself or as a technique of literary creation. The stream of consciousness format was more readily adopted in lyrical poetry. The author analyses ancient Chinese literary works in the light of this modern theory and demonstrates that stream of consciousness writing not only existed in Chinese classical literature, but also had its own exquisite, highly developed technique and form. The author divides stream of consciousness writing in Chinese classical poems into four types: the natural stream, the swirling stream, the centripetal stream, and the criss cross stream. Stream of consciousness works in the West and in China are identical——a reflection of the common nature of human thought and world literature. 心理学、哲学和文学的意识流理论出自西方 ,以这种理论为指导的意识流小说在西方取得了极高成就 ,但是意识流无论作为人本身的精神特质 ,或是作为一种文学创作方法 ,在中国古典诗词中都得到了充分体现 ,意识流技巧在以抒情为特质的诗歌中更容易被充分采用。本文以现代理论观照中国古代作品 ,用比较的方法 ,以大量的事实从逻辑和学理两方面充分证明 ,中国古典诗词中的意识流不但存在 ,而且在发展过程中形成了极为精妙的、相当完备的意识流技巧和意识流形式 ,本文作者将其划分为顺流、环流、向心流、混流等 4种基本形式。中西意识流在创作和理论方面是相同相通的 ,意识流是中西文学的深层问题 ,反映了人类思维和世界文学的某些共同本质。意识流这一概念对清理中国古典文学遗产有着宏观的透视作用 Epiphany" and "moments of being" are often viewed in close association with James Joyce and Virginia Woolf as the major techniques used in their early short stories which later develop into the full-fledged stream-of-consciousness technique in their fiction writing. The major features of the techniques are compared and contrasted with reference to Joyce's The Dead and Woolfs The Mark On The Wall. 以乔伊斯的《死者》和伍尔夫的《墙上的斑点》为例 ,从主题、人物和叙述结构着手 ,比较分析两位作家早期短篇故事的意识流技巧 ,即精神顿悟与重要瞬间 ,引导对其作品的鉴赏。
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