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巫歌
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  “巫歌”译为未确定词的双语例句
     Is Qu Yuan's Jiuge Originated in the Ba Ethnic Folksongs? the Songs of Heaven-Sacrifice——On the Close Tie Between Qu Yuan and the Ba Ethnic Culture
     由屈原《九歌》源于巴巫歌看屈原与巴文化的关系
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     Including the influence of The Book of Songs,The Songs of the South was also nourished by the prases of various exponents during the warring states and the aboriginal culture in the land of Chu
     除受《诗经》的影响外 ,《楚辞》还受战国诸子散文及楚国土著文化“楚歌”、“巫歌”和“楚声”等文化乳汁的滋养
短句来源
     Xiang xi folk song is a kind of ghost culture,characterized with the popularity of witchcraft ,which is a kind of primitive witch song .
     湘西民歌是一种巫风尤盛的附魅文化,一种原始巫歌
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  相似匹配句对
     song
    
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     THE SONG OF KOALA
     考拉的
短句来源
     Decipherment ofthe Inscription“巫”
     释“
短句来源
     The Wufeng in Chu state is combined with other artistic forms such as song, dance, music, etc.
     楚国的风结合了、舞、乐等艺术形式。
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     The Yue Wizard of Han Dynasty
     两汉的"越"
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《Jiuge》 was the music of Xia Dynasty,in which the character J iu was not a numeral but a totem of snake and dragon.《Jiuge》 should be the song offered to gods and ancestors.After Xia Dynasty,Yu regarded it “the Heavenly I mperial Music”,entirely different from the 《Jiuge》 in Xia.The 《Jiuge》 in Zh ou Dynasty was an imitation of the ancient service,and the 《Jiuge》 in the Stat e of Chu was the lingering sound of the original wizard song.

禹乐《九歌》之九本非数字,而是禹族龙蛇图腾。《九歌》本是龙歌──禹族祭祀图腾、宗神之歌;夏后禹时升格为“天帝乐”,夏启“窃以下用”。夏《九歌》南辕北辙:周《九歌》──托古隆礼之赝品;楚《九歌》──原始巫歌之余韵。

The coherent relations between The Songs of the South and The Book of Songs can be found from three factors as follows,cultural spirit,artistic form and technique of expression.Including the influence of The Book of Songs,The Songs of the South was also nourished by the prases of various exponents during the warring states and the aboriginal culture in the land of Chu

从“文学精神”、“艺术形式”和“表现手法”等三个方面可以发现《楚辞》对《诗经》的承传事实。除受《诗经》的影响外 ,《楚辞》还受战国诸子散文及楚国土著文化“楚歌”、“巫歌”和“楚声”等文化乳汁的滋养

The tradition of Chinese poetic prose is rooted in the custom of witch prostitution in the southern part of Chu. As a main feature of the then literature, witch prostitution is used to entertain Gods. The people of Chu had established a system of entertaining Gods with such beautiful things as flowers, grass, songs, dance, wine, and music, all of which were auxiliary to the central figure, the beautiful woman. The artistic crystallization of such an aesthetic system is Jiu Ge, the starting point of Chinese poetic...

The tradition of Chinese poetic prose is rooted in the custom of witch prostitution in the southern part of Chu. As a main feature of the then literature, witch prostitution is used to entertain Gods. The people of Chu had established a system of entertaining Gods with such beautiful things as flowers, grass, songs, dance, wine, and music, all of which were auxiliary to the central figure, the beautiful woman. The artistic crystallization of such an aesthetic system is Jiu Ge, the starting point of Chinese poetic prose. The author, Qu Yuan, turned to witchcraft for help after he failed politically, and naturally adopted the Chu method of entertaining Gods by sacrificing beautiful things, and thus foreshadowing his masterpiece Li Sao. As a record of the witchcraft process, Li Sao inherits and further develops the aesthetic taste of Jiu Ge, and becomes the most beautiful poetic prose in the history of Chinese literature, signaling the formation of the Chinese poetic prose. The search for artistic beauty from Han to the Six Dynasties is the continuation of this tradition started from Li Sao

中国美文传统植根于南楚巫娼习俗。巫娼习俗的特点是以性爱娱神 ,楚人以美人为核心 ,以美花、美草、美歌、美舞、美酒、美乐为辅助手段 ,形成了一个以美娱神的系统。《九歌》就是这种巫娼习俗的艺术结晶 ,它是中国美文的起点。屈原由于政治失意而求助于巫术 ,因此要自然地沿用楚人以美娱神的方式 ,自觉地借鉴祭神巫歌的特点 ,《九歌》就是在这样特殊情境下成为《离骚》的先驱作品。《离骚》是巫术过程的记述 ,它全面地继承并发展了《九歌》的求美情趣 ,创造了惊采绝艳、难与并能的美文极致 ,标志着中国美文传统的形成。汉魏六朝对艺术美的追求就是楚骚求美传统的继续。

 
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