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新文学运动     
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  new literature movement
     Between the myth of literature & Society reality──On the"Five Four" new literature movement and Brief exposition on the republic of China(1912-1949)
     文学“神话”与社会现实之间──“五四”新文学运动与民国社会简论
短句来源
     The new Chinese literature in southeast Asia is the first oversea Chinese literature entioy as well as the first literature branch of May 4 New Literature Movement outside China.
     海外华文文学的第一个文学实体———南洋地区华文新文学,既是中国五四新文学运动在国境之外的第一个文学分支,又开始具备自己独特的人文品格和文学特点;
短句来源
     The first half of 20 th is an important and special stage(sprout period) for overseas Chinese literature,for it is not only the echoes and feedback of May the Fourth New Literature Movement in China,but also the enlightment for the overseas Chinese literature.
     海外华文文学的滥觞时期 ( 2 0世纪上半叶 ) ,是一个重要而又特殊的文学时期 ,它既是对中国国内五四新文学运动的呼应与反馈 ,又是对海外华文新文学的启蒙与滥觞。
短句来源
     This aiticle introduces the neoteric Tongcheng School's author,the neoteric Tongcheng School and May 4th New Literature Movement,the theory and position of the neoteric Tongcheng School's old articles which were researched since 1990.
     文章从近代桐城派作家、近代桐城派与五四新文学运动的关系、近代桐城古文理论与地位等方面对1990年以来学界对近代桐城派的研究作一梳理。
短句来源
     The New Literature Movement during the May 4th Movement (1919) gave aesthetic features to prose, enabling it to become one of the literary genres like fiction, poetry and drama.
     五四新文学运动赋予散文以审美特征 ,使之成为与小说、诗歌、戏剧相并列的文学创作体裁之一。
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  the new literature movement
     The New Literature Movement during the May 4th Movement (1919) gave aesthetic features to prose, enabling it to become one of the literary genres like fiction, poetry and drama.
     五四新文学运动赋予散文以审美特征 ,使之成为与小说、诗歌、戏剧相并列的文学创作体裁之一。
短句来源
     The New Literature Movement led to long low appraisals by contemporary scholars strained in the dispute over the superiority of Tang poetry to Song poetry.
     受新文学运动的影响 ,现代学者对于宋诗的评价长期偏低 ,并为唐、宋诗优劣论所困。
短句来源
     In A Look into the Development of the New Literature Movement in Henan (A Research on Henan Writers in the New Period, Henan University Press, 1997), the author gives an account of the three features of Henan New Literature Movement, i.e. its lacking of local Henan writers and literary organizations in the movement, the short creation period and the indistinctness of artistic characteristics.
     在《对河南新文学运动发展状况的考察》一文中 ,笔者论述了河南新文学运动的三个特点 :即新文学史上河南籍作家少 ,文学社团少 ,作家创作的时限短以及艺术特点不够鲜明等。
短句来源
     The confrontation between the value presetting of group political behaviour and the practical deviation of individual literature formed a basic contradiction in the new Literature Movement during the period of the May 4 Movement, and has lasted throughout the 20th century. Such a confrontation shows the differentiation and conflict between the May 4 spirit and the mode of thought during that period.
     作为群体政治行为的价值预设和作为个体文学行为的实践偏离之间的冲突,构成了“五四”前后新文学运动的一种基本矛盾,并贯串于整个20世纪民族文学的进程中,其实质反映了五四精神跟“五四”时期思维模式的差异和冲突。
短句来源
     Hu Shi's advocacy of the replacement of the classical Chinese with the vernacular Chinese ultimately led to the new literature movement and new culture movement. His research and his exploration of the language study methods had a profound impact on the development of modern Chinese linguistics.
     胡适倡导的以白话代替文言的语言变革最终导致了新文学运动和新文化运动的发生,胡适进行的语言研究和他对语言研究方法的探索对中国现代语言学的发展产生了深刻的影响。
短句来源
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  “新文学运动”译为未确定词的双语例句
     It analyses the previous theories, points out their obstruction or enlightenment to civilian consciousness of mass culture: The criticism to light literature suppressed its commercial property and mundane value in a certain extent, and made investigators can't recognize the civilian consciousness of mass culture correctly.
     其一,分析已有的大众文化理论,指出诸种理论资源对大众文化平民意识属性的遮蔽或启发:①中国新文学运动对鸳鸯蝴蝶派小说和新武侠小说的批评,在一定程度上压制了现代通俗文学的商品性特征和世俗价值内涵,并从传统文化心理上影响了中国学人的早期大众文化研究,使他们迟迟不能以正确的心态来认识大众文化的平民意识属性。
短句来源
     Language is the breach of Literature's Revolutionary, but it usually covered literature.
     新文学运动以语言为突破口,但对语言的探讨却往往遮蔽了对文学本体的探讨。
短句来源
     Bing Xin(1900---1999) was one of the pioneering figures and the last senior writer in the May Fourth New Cultural Movement, and also the first authoress in modern China.
     冰心(1900—1999)是中国新文学运动的第一代开拓者之一,是五四新文学运动的最后一位元老,也是中国现代女作家的开山鼻祖。
短句来源
     The author insists on pursuing the technicality, scientificalness, veracity, objectivity in understanding and introspecting history.
     该书以宏大的手笔 ,学理探索的形态 ,展现了中国新文学运动将近一个世纪的历史画卷 ,坚持了认识与反思历史的学术性、科学性、准确性和客观性的追求。
短句来源
     Being part of modern Chinese literature,Taiwan literature emerged and developed under the direct influence of China new - vernacular literature movement.
     台湾文学是中国现代文学的一部分,是在中国新文学运动的直接影响下产生和发展的。
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  new literature movement
The avant-garde elements in the May Fourth New Literature Movement
      


This paper generalizes the literature phenomena in Hong Kong during the period from the last years of Qing Dynasty to the eve of Sino-Japanese War (about 1874-1936 A.D.) and discusses the process of its germination and sprouting. The paper divids this period into three stages. The first stage is the last years of Qing Dynasty. Some newspapers in vernacular Chinese were published ' then and the new-vernacular literature was born at the right moment, which was characterized by a nature of nationalism for its being...

This paper generalizes the literature phenomena in Hong Kong during the period from the last years of Qing Dynasty to the eve of Sino-Japanese War (about 1874-1936 A.D.) and discusses the process of its germination and sprouting. The paper divids this period into three stages. The first stage is the last years of Qing Dynasty. Some newspapers in vernacular Chinese were published ' then and the new-vernacular literature was born at the right moment, which was characterized by a nature of nationalism for its being against imperialists on the one hand and being against the reign of Manchurian government on the other. The second stage is the initial years of the Republic. The new-vernacular literature thoughts were quietly taking shape on this small island in spite of the clamour and attacks coming from the literary school of National Cultre Heritage and all others who represented the thoughts of the conservative literary schools. And, then, came the sprouting stage. Under the influence of May 4th New Culture Movement and of the new-vernacular literature works, the literary writers and scholars in Hong Kong, with Lu Xun's encouragement, advanced through hard struggle and finally pushed the green shoots up out of the mud and soil and an army of new-vernacular literature thus appeared all of a sudden.

本文概述了从清朝末年到中国人民的抗日战争前(约1974—1936)香港的文学现象,探讨香港文学萌芽生发的过程。香港文学的萌芽生发时期可大致分为三个阶段,即:晚清,华文学报纸出现,文学亦随之应运而生,它具有反帝反清的民族意识;民初,国粹派和一切旧文学、旧文化思想势力喧嚣攻击新文学运动,而新文学和新思潮却在这个小岛悄悄诞生;在五四运动和新文学的影响下,在鲁迅先生的鼓舞下,香港新文学作者努力学习,在与旧文学势力、封建文化势力的斗争中,顽强奋斗,破土而出,异军突起。

Chen Xueshao is an obscure woman write who found herself during the New Cultural Movement. Inspired by the May 4th spirit she published severl anthologies of prose.After returning from her studies in France she met with the help of Lu Xun and Mao Dun and made great strides in her creative activity. She went to Yanan in 1938, and with the helpof Zhou Enlai she underwent significant changes in the theme and style of her writing. She was subjected to cruel persecution from the time of the Anti-Rightist Struggle...

Chen Xueshao is an obscure woman write who found herself during the New Cultural Movement. Inspired by the May 4th spirit she published severl anthologies of prose.After returning from her studies in France she met with the help of Lu Xun and Mao Dun and made great strides in her creative activity. She went to Yanan in 1938, and with the helpof Zhou Enlai she underwent significant changes in the theme and style of her writing. She was subjected to cruel persecution from the time of the Anti-Rightist Struggle right through the Cultural Revolution. With the dawn of the new era, she was seized with a new zeal for literary creation, which found. expression in her descriptions of the arduous path of exploration and pursuit the Chinese intellectuals had traversed. The present article contains a detailedand accurate introduction and a fair assessment ofher literary career, highlighting the

陈学昭是新文学运动中成长起来却鲜为人知的女作家。在“五四”精神感召下出版过多种散文集。留法归来后得到鲁迅、茅盾的帮助,创作大有进步。1938年去延安,在周恩来帮助下创作题材与风格有重大变化。自“反右”至“文革”受到残酷迫害。新时期焕发了创作热情,描写了中国知识分子探索与追求的艰难历程。本文对陈学昭的创作道路和各时期的创作特点,以及思想、艺术成就,做了较为翔实的介绍和公允的评价,庶几能给当代文学研究提供一点新的信息。

Being part of modern Chinese literature,Taiwan literature emerged and developed under the direct influence of China new - vernacular literature movement. The local literature which plays a leading role in modern Taiwan literary circle has the fine tradition of May 4th literature. The conception "One nation,Two systems" opens a wide way for the confluence of the literature of the two sides of Taiwan Straits. Confluence is an inexorable historical trend.

台湾文学是中国现代文学的一部分,是在中国新文学运动的直接影响下产生和发展的。在现代台湾文坛占主导地位的“乡土文学”,有着五四文学的优良传统。“一国两制”的构想为海峡两岸文学合流,开辟了无比广阔的道路。合流是历史的必然。

 
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