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自由舞台
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  相似匹配句对
     freedom;
     自由 ;
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     Freedom
     自由
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     The Stage
     舞台上下
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     The Stage for Talents
     人才的舞台
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“YI·TAI”,a Chinese old book,says,“TAI,go with small things;Come back with great bene- fits.That's Okay.Thus heaven and earth associate and all things circulate.”In the long process of the devel- opment of the spoken music family of Chinese traditional operas only based on“ZHI”(including sound,ver- sion tune and modes-same as below),anybody who possibly and willingly takes party in it,can have scope for his/her artistic talents(singing the rigid songs in an active and flexible way).And he/she gains enjoyment...

“YI·TAI”,a Chinese old book,says,“TAI,go with small things;Come back with great bene- fits.That's Okay.Thus heaven and earth associate and all things circulate.”In the long process of the devel- opment of the spoken music family of Chinese traditional operas only based on“ZHI”(including sound,ver- sion tune and modes-same as below),anybody who possibly and willingly takes party in it,can have scope for his/her artistic talents(singing the rigid songs in an active and flexible way).And he/she gains enjoyment on the free stage by giving vent to his/her feelings.“ZHI”,the Chinese musical note,was changed in many ways in the Eight-Dialect Districts of China,which is a mass unconscious behavior.And it makes the spoken music of Chinese traditional operas develop prosperously and ever lasting.It is called a briefly created model of the agricultural civilization of China,as“going with small things;coming back with great benefits,from one to many in business dealings.”As“QIONG(poor),BIAN(change),TONG(unimpeded),JIU(lasting)”when heaven and earth associate.

《易·泰》:“泰,小往大来,吉亨,则天地交而万物通也。”在仅仅以“徵”(含音、腔句、调式——下不赘)为核心的口语戏曲音乐大家族发生发展的漫长过程中,任谁只要其可能和愿意参与,均为其随意施展艺术才能(冷歌热唱),抒发内心情感得尽精神享受的自由舞台。八大方言区对“微”的众多“乡语改调”,以集体无意识行为,使口语戏曲音乐发展能小往大来“‘一’之‘多”’,繁荣昌盛、经久不衰,堪称华夏农业文明简约美创造的典范。其“‘一’之‘多”’也确属一种小往大来、天地相交似的“穷、变、通、久”。

At the turn of the 20th century, Berlin was the centre of German naturalism, while Vienna, with the forces of impressionism and symbolism, became the new world for modernism of literature in German. Hermann Bahr is the only critic and writer who participated in both literary activities taken place in these two centres. He published a series of theoretical essays and fictions in both cities, promoting the fresh style of Viennese Modernism, and making it a balancing power opposing the naturalism centred around...

At the turn of the 20th century, Berlin was the centre of German naturalism, while Vienna, with the forces of impressionism and symbolism, became the new world for modernism of literature in German. Hermann Bahr is the only critic and writer who participated in both literary activities taken place in these two centres. He published a series of theoretical essays and fictions in both cities, promoting the fresh style of Viennese Modernism, and making it a balancing power opposing the naturalism centred around Berlin, thus laying down the groundwork for the development of modernist literature in German.

19世纪末20世纪初,柏林是德国自然主义文学的中心,而维也纳则以印象主义或象征主义开辟了德语现代派文学的新天地。赫尔曼.巴尔是唯一一位直接参与了这两个中心的文学活动的批评家和作家。在柏林,他是自然主义最主要的杂志《自由舞台》的编辑;在维也纳,他成为“青年维也纳”的组织者和宣传者。他在柏林和维也纳发表了一系列理论和批评文章,使维也纳现代派以创新的风格出现在德语文坛上,与柏林的自然主义形成鼎立的局面,为德语现代派文学的发展奠定了深厚的基础。

 
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