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特质
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  characteristics
    On the Personal Characteristics of Painting Arts
    走进心灵的家园——试论绘画艺术表现上的个性特质
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    An Analysis of the Rational Characteristics of German Modernistic Design
    德国现代主义设计的理性特质分析
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    Insights into the Cultural Characteristics Embodied inInfo-era Public Poster Ads
    感悟信息时代公益海报蕴涵的文化特质
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    Comments on the Characteristics and Differencesto Nature between Chinese Paivtings and Western Paintings
    论中西绘画观照自然的特质与差异
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    Comments on the cultural characteristics of Yao ancient costumes
    浅析瑶族古代服饰的文化特质
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    Symbol, Apperception or Decoration——Description on the Chinese Art of Color
    象征·类化·装饰——中国色彩艺术的特质描述
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    Traditional Features of Calligraphic Art and Views on Esthetics of Calligraphy
    书法艺术的传统特质与书法美学的文化观照
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    On Distinct Quality of Modern Fiber Art
    论现代纤维艺术的特质
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    Discuss the Spiritual Impression of Realism Drawing
    试论现实主义绘画的精神特质与表现技法
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    special features of contemporary watercolor painting
    当代水彩艺术的特质
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  characteristics
Tilting modules for classical groups and howe duality in positive characteristics
      
Semistable principal bundles-II (positive characteristics)
      
Because of their complimentary pharmacokinetic characteristics, the isomeric mixture of arteether can be therapeutically more beneficial than β- isomer used alone.
      
Numerical simulations are carried out to test the feasibility and to study the general characteristics of the technique without the real measurement data.
      
In this paper, we use geometric characteristics to give necessary and sufficient conditions under which a PQSΓ with three non-degenerate singular points can be transformed into two different definite forms.
      
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In the process of pursuing painting arts, in perceiving the outer world and in revealing the inner world,painters have quite varied ways to show us the behaviors and states of different regions, nationalities and epochs, distinct background of culture and believe, as well as the difference in personality, physiology and psychology. It is only due to the personal characteristics that give human beings a common standard of aesthetics in general sense on the one hand, and a multi-leveled and multi-graded personal...

In the process of pursuing painting arts, in perceiving the outer world and in revealing the inner world,painters have quite varied ways to show us the behaviors and states of different regions, nationalities and epochs, distinct background of culture and believe, as well as the difference in personality, physiology and psychology. It is only due to the personal characteristics that give human beings a common standard of aesthetics in general sense on the one hand, and a multi-leveled and multi-graded personal aesthetic taste on the other hand. And the artistic creation is none other than the product of artist's personality and aspiration. Investigating and revealing the role of artist's personal characteristics in the process of artistic creation will further promote the study of human beings on themselves. As a result it will further deepen the artistic creation.

在人类从事绘画艺术的过程中 ,不同的地域、民族和时代 ,有着不同的文化与信仰 ,更由于个性、生理、心理差异 ,在他们感触外部世界与揭示内心世界的时候 ,其方式、行为与状态更是千差万别。正是由于人类个性特质 ,才使得人类在具有普遍意义上共同认可美的好的 ,同时 ,也生发着多层次、多品位的个性审美趣味。而艺术创造正是艺术家们个性特质、灵感的产物。研究、揭示这种特质在艺术创造中的作用 ,将更进一步推动人类对自身的发现 ,从而不断深化艺术创造

From the diachronical perspective of art transference and the synchronical angle of the aesthetic feature of wood cut, the present paper elucidates CHEN Tian- ran′ s road of art reacting to and throbbing with the pulse of our times and the beauty of simplicity, of a poetic mood and of a calligraphic- stroke style. By uncovering such dimensions as CHEN′ s circumstances of growth, cultural root, intellectual power, and his artistic cultivation, the paper analyzes the cause for the formation of his artistic features...

From the diachronical perspective of art transference and the synchronical angle of the aesthetic feature of wood cut, the present paper elucidates CHEN Tian- ran′ s road of art reacting to and throbbing with the pulse of our times and the beauty of simplicity, of a poetic mood and of a calligraphic- stroke style. By uncovering such dimensions as CHEN′ s circumstances of growth, cultural root, intellectual power, and his artistic cultivation, the paper analyzes the cause for the formation of his artistic features and the experience of his success.

从纵向、历时性的艺术转换与横向、版画的美学特质两个视角 ,论述陈天然感应时代脉搏的艺术道路及体现其个性品格的质朴美、诗境美、书法笔意美三大特征。通过其成长环境、文化之根、智能结构、艺术修养等多侧面,分析其特色形成的 基因及成功的经验。

Influenced by the dark political atmosphere and highly developed feudal economy as well as seeds of capitalism in the last years of the Ming Dynasty, human nature had long been depressed, which made people long for freedom. The appearance of Wang Yangming's xinxue(心学 ) at that time had directly influenced the romantic trend of thoughts in art and literature represented by Li Zhi, Tang Xianzhu and the three Yuan brothers in Gong'an County of Shandong province. It combined with the life experience of the author...

Influenced by the dark political atmosphere and highly developed feudal economy as well as seeds of capitalism in the last years of the Ming Dynasty, human nature had long been depressed, which made people long for freedom. The appearance of Wang Yangming's xinxue(心学 ) at that time had directly influenced the romantic trend of thoughts in art and literature represented by Li Zhi, Tang Xianzhu and the three Yuan brothers in Gong'an County of Shandong province. It combined with the life experience of the author who had an individualized calligraphy style and a peculiar kind of subjective art thought appeared. In the reign of Emperor Jiajin, individualized calligraphy style emphasizing individuality, performance and emotions came into being and aesthetic characteristics such as simplicity, thickness, classic elegance and charm also came into existence.

在晚明黑暗的政治、高度发达的封建经济与资本主义生产萌芽的双重影响下,由于长期的人性压抑使人向往自由与解脱。王阳明“心学”思想的出现,直接影响了以李贽、汤显祖与公安三袁为代表的重个性解放的浪漫主义的文艺思潮,与晚明个性化书法风格作者的人生经历与生活历程相结合,形成了独特的主观艺术思维,从嘉靖开始,出现了尚个性、尚表现、重情感的个性化书法风格,并形成了拙朴、厚重、古雅、姿媚等审美特质

 
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