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Based on the whole background of the Literary circles in the New Period, this article brings to light the inner change tracks of the Pioneering novelists' self-consciousness: from the cognitions and conducts on the values of historical and traditional culture and on the nihility of life-consciousness of May the fourth to the options and literary operations on the values of realistic culture and the inaction of life-consciousness of the New Period. The article also gives a summary of the significance and inspiration... Based on the whole background of the Literary circles in the New Period, this article brings to light the inner change tracks of the Pioneering novelists' self-consciousness: from the cognitions and conducts on the values of historical and traditional culture and on the nihility of life-consciousness of May the fourth to the options and literary operations on the values of realistic culture and the inaction of life-consciousness of the New Period. The article also gives a summary of the significance and inspiration to the development literature in this period. 本文站在新时期文坛的整个背景上,深刻揭示出了先锋小说家“自我意识”的内在变化轨迹:从对“五四”历史传统文化价值和生命意识的“虚无”认知与处理到对新时期现实文化价值和生命意识的“无为”选择和文学操作。总结了它对新时期文学发展的教益与启示 Abstract The most important success of modern Chinese poetry in the 20th century is that it has smashed the trammels of ancient Chinese poetry and assimilated the styles of foreign poetry .The greatest fault is that both "smashing" and "assimilating" used to go to extremes. At the end of the 20th century we should examine and finalize the old styles of modern Chinese poetry, especially the form of poetry , and make researches on new useful styles by experiments of poetic form on condition that we do not exclude... Abstract The most important success of modern Chinese poetry in the 20th century is that it has smashed the trammels of ancient Chinese poetry and assimilated the styles of foreign poetry .The greatest fault is that both "smashing" and "assimilating" used to go to extremes. At the end of the 20th century we should examine and finalize the old styles of modern Chinese poetry, especially the form of poetry , and make researches on new useful styles by experiments of poetic form on condition that we do not exclude individualism, idealism and sentimentalism in poetic content and liberalism, aestheticism in poetic form as well as radicalism which is the special characteristic of poetry. 汉诗百年的最大成功是打破了古代汉诗的束缚,吸收了外语诗歌的营养,成为中外诗歌相契合的产物。最大失败是无论是“打破”或者“吸收”都常走极端,对传统汉诗太强调破除而忽视重建;对外来诗歌太强调“横的移植”而忽视在中国国情及汉诗传统下的改造。以致现代汉诗的道路表面上是越来越自由,实质上是越走越窄。只有在不排斥诗歌创作在内容上的个人主义、理想主义、情感主义和在创作形式上的自由主义、唯美主义及诗歌文体特有的先锋性特征的前提下,检验并相对定型已有的诗体,探索实验出行之有效的新的诗体,增强现代汉诗的文体自觉性,拓展现代汉诗的形式种类,相对规范单项诗体,使之既有多种诗体可供应用,每种诗体又都有相对的规范及特定的形式原则。现代汉诗才能结束现在的尴尬局面,更好地进入新的世纪 AbstractThe school of pioneers in literature has assumed a status of elite in modern literature,claiming that they are to save mankind and reestablish values of humanity.However,the theories they stick to,such as the Western irrationalism,cultural aesthetics,metaphysical conception of reality and so on,have led them into a state of ambivalence.Thus the promise of reestablishing humanity becomes disillusioned. 世纪末:先锋的迷遁舒也(中国人民大学中文系)一当旧有的政治工具论意识形态话语日渐消隐,以自身的话语方式重建人文家园便成了历史对文学的必然召唤。一部分人正以现实的态度进行着家园的重建,而文学先锋们则在国门开启之际捡起了现代西方非理性主义。他们一方面以其...
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