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   生命意识 在 戏剧电影与电视艺术 分类中 的翻译结果: 查询用时:0.216秒
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Displaying life consciousness and embodying national spirit is the deep implication of Red Sorghum.Its wild calling for the vitality of life embodies common human peculiarity and inner spirit and meets the needs of the complementarity of Chinese culture and Western culture,which is the basic cause for its winning a prize.Some countrymen's depreciating it not only reflects their sense of national inferiortiy and weak psychology,but also shows their loss in artistic judgement.

张扬生命意识 ,体现民族精神是《红高粱》的深刻意蕴 ;对生命活力的野性呼唤 ,体现了人类的共同特质和内在精神 ,满足了中西文化互补的需求 ,是《红高粱》获奖的根本原因 ;部分国人对它的贬毁 ,既暴露了他们的民族自卑感和脆弱心理 ,也折射出了他们艺术判断上的迷失

In 1980s, the film development took a probing look. The directors of the fifth generation, for example Zhang Yimou, held up the flag of objecting to traditional creating rational and rules. They hunted the truth on the aesthetic appreciation and analysed the people's characters on the philosophic appreciation. About their developing rules,they strengthened concept, details, design, plot and characters and so on. This kind of probe created a new film time and it made a great progress for the creative probe.However...

In 1980s, the film development took a probing look. The directors of the fifth generation, for example Zhang Yimou, held up the flag of objecting to traditional creating rational and rules. They hunted the truth on the aesthetic appreciation and analysed the people's characters on the philosophic appreciation. About their developing rules,they strengthened concept, details, design, plot and characters and so on. This kind of probe created a new film time and it made a great progress for the creative probe.However for the public art-film, it is not appropriate to lose a lot of audiences by excessively hunting the philosophic rational of creative subject and the subjectivity of creative methods.

20世纪 80年代我国的电影创作出现了前所未有的大胆探索景象。以张艺谋为代表的第五代导演扛起了反叛传统创作理念、创作原则的大旗 ,在审美观上追求真实 ,在哲学观方面对人进行深刻的剖析 ,表现出自在、坦然的生命意识 ,在创作原则方面 ,大胆地强化观念、细节、造型 ,淡化主题、情节、人物。这种探索创造了一个崭新的银幕时空 ,就探索创新而言 ,无疑具有进步的意义 ,但是作为电影———这种大众的艺术 ,过分追求创作主题的哲学理性、创作手段的主观个性 ,而失去大量观众是不足取的

TV play is a kind of narrative art, yet any narration can reveal the author′s option of value. This article analyzes the narrative characters of TV play 21days by using the latest western narrative theory, that is realistic people and their relations can construct the so called "the anthology of tropes and figure". The figure includes a deep meaning of this TV play: by isolation, people not only control and eradicate SARS, but cure the abnormal and sublimate the normal by using the noble life consciousness.

电视剧是叙事的艺术,而任何叙事都会体现出创作者的价值观念。通过运用最新的西方叙事理论分析电视剧《21天》的叙事特征,即用现实主义的手法描述出来的人物及其关系能构成所谓的"花朵和图案",这种图案蕴含着本剧的深层意义:通过隔离,人们不仅消灭和控制了SARS病毒,而且用高尚的生命意识医治了病态的生命意识,升华了正常的生命意识

 
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