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三国演义
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  three kingdoms
    The "Court Model" of Cultural Infulence──The Romance of Three Kingdoms in Thailand
    文化影响的“宫廷模式”──《三国演义》在泰国
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    On the Artistic Nature of A Romance of the Three Kingdoms
    超越之奇与超验之美——《三国演义》艺术论之一
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    The Reconstruction of Confucian Ethics and the Novel Romance of the Three Kingdoms
    儒家伦理道德重建与《三国演义
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    The Beauty of the Structural Art of "The Romance of Three Kingdoms" -Concurrently on the life Curve of Liu-Shu Group
    《三国演义》的结构艺术之美——兼论刘蜀集团的生命曲线
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    From Historical Creation to Creating History ——-Guwangyan and Romance of the Three Kingdoms, Inheritance and Development
    从历史演义到演义历史——《姑妄言》对《三国演义》的继承和发展
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  romance of three kingdoms
    The "Court Model" of Cultural Infulence──The Romance of Three Kingdoms in Thailand
    文化影响的“宫廷模式”──《三国演义》在泰国
短句来源
    The Beauty of the Structural Art of "The Romance of Three Kingdoms" -Concurrently on the life Curve of Liu-Shu Group
    《三国演义》的结构艺术之美——兼论刘蜀集团的生命曲线
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    : This article discusses five aspects in the research of "The Romance of Three Kingdoms" in this new century. 1.Research of differen t editions must be deepened.
    本文探讨新世纪《三国演义》研究之五个方面:1必须以不同版本研究的深化为基础;
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    RESEARCH OF 《THE ROMANCE OF THREE KINGDOMS》 FACING TO THE NEW CENTURY
    面向新世纪的《三国演义》研究
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    Commentary on Researches of Compiling-Period of Romance of Three Kingdoms and Its Author's Times
    《三国演义》成书年代和作者生活时代研究述略──《三国演义》文献学研究之一
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  “三国演义”译为未确定词的双语例句
    Zhuge Liang and the Jieting Battle
    诸葛亮与街亭之役——读《三国演义》札记之三
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    Three Kindoms and Sunzi's View on Military Strategy—— Part One of the Study on the Relation of Chinese War Novel and Military Culture
    《三国演义》与《孙子兵法》——中国战争小说与兵学文化关系研究之一
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    Criticism to the Casual Criticism to The Romance of the Three Kingd oms
    珍视名著——对《三国演义》随意性批评的批评
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    Valuing Code of Brotherhood and Regarding Humanity as Foundation
    以“义”为先以“仁”为本——简析《三国演义》的道德观与政治观
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    On Huang Zhengfu's Edition of Sanguo Yanyi
    关于《三国演义》的黄正甫本
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  three kingdoms
An investigation of thirty objects from all three kingdoms of life (from archaea and bacteria to mammals, including humans) has shown that AE account for 30-90% of the total cellular 3' → 5'-exonucleolytic activity.
      
Extant Korean historical documents are used as the source to acquire a general historical background on the ancient Korean "Three Kingdoms." The archaeological manifestation of warfare is examined.
      
The time from the mid-late Eastern Han Dynasty to the early period of the Three Kingdoms witnessed the simultaneous use of both bamboo and paper and the transition from the former to the latter as the preferred medium for literature.
      
The gene was isolated and its deduced peptide sequence of 247 amino acids showed up to 54% identity with the IGPD enzymes of organisms comprising all three kingdoms.
      
Positions conserved across the three kingdoms are thought to represent archetypical features of tRNAs which preceded the divergence of these kingdoms.
      
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"Chibi Campaign" was a great campaign in the history of China. However, since the appearance of "The Romance of Three Kingdoms" written by Luo Guangzhong, the Campaign waged in Chibi and many of its characters involved, as were spread far and wide among the people, have been distorted beyond recognition. The essay is an effort to elaborate on Liang Xing's cineplay "Chibi Campaign" from such angles as the creation of historical play, the momentum of the play, and the character-depiction, with a view to highlighting...

"Chibi Campaign" was a great campaign in the history of China. However, since the appearance of "The Romance of Three Kingdoms" written by Luo Guangzhong, the Campaign waged in Chibi and many of its characters involved, as were spread far and wide among the people, have been distorted beyond recognition. The essay is an effort to elaborate on Liang Xing's cineplay "Chibi Campaign" from such angles as the creation of historical play, the momentum of the play, and the character-depiction, with a view to highlighting its artistic features and achievement. At the same time. the play is also examined in a general way in the context of, the whole repertoire of the playwright.

罗贯中写《三国演义》之后,历史上的赤壁之战及其人物就面目全非。本文论述了梁信的电影文学剧本《赤壁之战》还历史本来面目的创作思想和人物塑造等方面的艺术特色,高度肯定了梁信电影剧作的思想和艺术成就。

Abstract Za Ju of the Yuan Dynasty, or the Yuan play, exercised a great influence on the novel The Romance of the Three Kingdoms.Its aesthetic value,the explanatory verse on the title of the play, the system of consecutive episodes and the stylized performance facilitate the fluent narration and description,the formation of the episodic structure, and the archetypal characterization of the novel. The beauty of smoothness and ease embodied in the creation of Za Ju in particular, broke the limitation by the traditional...

Abstract Za Ju of the Yuan Dynasty, or the Yuan play, exercised a great influence on the novel The Romance of the Three Kingdoms.Its aesthetic value,the explanatory verse on the title of the play, the system of consecutive episodes and the stylized performance facilitate the fluent narration and description,the formation of the episodic structure, and the archetypal characterization of the novel. The beauty of smoothness and ease embodied in the creation of Za Ju in particular, broke the limitation by the traditional Chinese aesthetic values and played an important role in the making of the first full-length episodic novel in China.

元杂剧的审美观、题目正名和连本戏的体制、程式化的表演等,对小说《三国演义》的酣畅叙述描写、章回体结构的形成、类型化的人物塑造等都有重要影响,尤其元杂剧的酣畅美是对中国传统审美观的突破,对该小说成为中国第一部长篇章回小说起了重要作用.

The aesthetic pursuit in character portraying in The Romance of the Three Kingdoms differs from the common run . Grasping the characters' features, making individual personality prominent, good at describing characters' look, adding an apt word to clinch the point,written in a pithy style, vivid expression, based on life ,and complicated and unified in plot—— these are the few points we should carefully study and pay attention to.

三国演义》的肖像描写有着与众不同的审美追求,而把握特征、突出个性、善写眼神、画龙点睛、简笔勾勒、写意传神,立足生活、曲折统一,则是其中最主要的几点,应该予以研究与重视。

 
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