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自觉意识
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  “自觉意识”译为未确定词的双语例句
    On the Self-Consciousness in the Creation of Liang Si Gong Ji
    从《梁四公记》看唐前期小说创作的自觉意识——兼论小说主题、创作背景及创作动机
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    The tragic spirit of Chinese classical literature is characterized by worrying consciousness and voluntary consciousness, which are controlled by the independent will of Chinese intellectuals and are connected with the Confucian philosophy.
    所谓“忧世之怀”,是指对现实存在的忧患之情。 中国文人独立意志支配下的忧患意识和自觉意识,是中国古典文学悲剧精神的主要特点,它与儒家哲学相联系。
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    Because of the tortuousdevelopment of mass culture in China and the speciality of the culturalcommodity, the writing experience and consciousness of writers develops indifferent levels; thus mass literature in China is still immature.
    而由于大众文化在中国发展的曲折性,以及文化商品进入市场后在财经经济与文化经济中同时流通的特殊性,使得作家的创作实践与自觉意识并不同步发展,因而中国当代大众文学呈现的仍然是一种并不成熟的状态。
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    On the Body Consciousness in Tie Ning′s Novels
    正视与倾听——铁凝小说的身体自觉意识
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    As a kind of genre, novel has been have strong conciousness to break through and deviate traditional style convention from its birth day .
    长篇小说作为一种文类文体,从其诞生之日起,就内蕴着强烈的文体自觉意识,成为对传统文体惯例的冲破与偏离的先锋。
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  self consciousness
Psychological evaluation consisted of three standardized self-administered questionnaires: the Eysenck's Personality Questionnaire, the Profile of Mood States and the Self Consciousness Scale.
      
Universal Self Consciousness mysticism and the physical completeness principle
      
Philosophers promoting a version ofUniversal Self Consciousness mysticism(including Wainwright, Alston, Hick, Wilber andForman) take it that their interpretations ofmysticism are consistent with currentscientific findings.
      
Self knowledge and self consciousness: Thoughts about oneself
      
Proposition 4 -Comprehend cultures to a high level of organizational self consciousness.
      
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The concerned subjects and major expressive contents are displayed by the following aspects: a variety of realistic scenes in the Dunhuang’s local inscription; the living condition and means of people’s behaviors at different levels; many love stories and the records of actual report. Additionally, the artistic features are showed by the next three approaches of creation: the subject lack consciousness resulted from aesthetic ideals in pluralistic...

The concerned subjects and major expressive contents are displayed by the following aspects: a variety of realistic scenes in the Dunhuang’s local inscription; the living condition and means of people’s behaviors at different levels; many love stories and the records of actual report. Additionally, the artistic features are showed by the next three approaches of creation: the subject lack consciousness resulted from aesthetic ideals in pluralistic state of chaos; the diversified appearance at an immature level and the narration in detail and parellelism.

本文从敦煌民间词所包纳的宽阔纷繁的现实场面,各不同社会阶层人士的生活境遇、行为方式、大量的爱情描写以及及时记事等四个方面,论述其有关题材范围和主要表现内容。并分析由其混沌多元状态的美学理想导致的主体自觉意识的缺乏,处于不成熟低级层面上的多样化面貌,与缘调切题、铺叙排比的制作方法等三点上显示出的艺术特征。据以总结这种新兴音乐文学样式——曲子词萌生初发阶段的文化功用多元取向与实验、创新性质

Retrospection on Academic History of Chinese Literature in the 20th CenturyWith the process of greatest transformation in China, the academic history in the 20th century complicated. It is a process of the end of classical academic, and that of completion of modern one. During thecentury of national disasters and social disorder, academia went through the mill. There were many lessons. As to literature academia, in the beginning of the century, masters appeared and learning flourished affected by the change...

Retrospection on Academic History of Chinese Literature in the 20th CenturyWith the process of greatest transformation in China, the academic history in the 20th century complicated. It is a process of the end of classical academic, and that of completion of modern one. During thecentury of national disasters and social disorder, academia went through the mill. There were many lessons. As to literature academia, in the beginning of the century, masters appeared and learning flourished affected by the change of ideas and the transformation of culture. In the 50-70s of the century, social disasters caused learning devastated, and in the recent 20 years, opening-up and thought liberation led to literature studies prosperity in the background of the dialogue between the East and the West. At the turn of the century, reflection of academia last century becomes a consciousness or a focus of Chinese literature studies to which this Journal has contributed. In this Issue, a group of articles dedicated to history of literature, Pianwen, Gongti poem and the theory of drama are published.

随着中国历史发生最伟大的变革 ,2 0世纪的学术文化史也呈现出斑斓而复杂的特点。大体而言 ,是一个由古典型的终结到古典向现代转型再到现代型完成的过程。但是 ,2 0世纪又是一个历经风雨和曲折的时代 ,在民族的磨难和社会的动荡之中 ,学术文化亦受到严重的摧残 ,这其中自有许多教训应当吸取。就文学学术史而言 ,世纪之初的文化转型促使文学研究观念变革 ,带来了最初的繁荣 ,并在本世纪的前半期形成大师辈出的局面。本世纪的后半期 ,先是由于众所周知的原因 ,造成文化学术的荒芜 ,而至近 2 0年 ,随着改革开放和思想解放的大潮 ,促使文学研究在东西文明对话和中外文化交流的背景上出现了更为繁盛的局面。在新的世纪之交 ,对 2 0世纪百年学术的回顾 ,已成学术界的自觉意识 ,本刊近年亦常致力于此 ,本期再就文学史、骈体文、宫体诗以及戏曲理论等学术热点问题推出一组学术史世纪回顾的论文 ,希望能在总结经验的基础上为推进新世纪文学研究的发展尽一份绵薄之力。

The article firstly observes the theoretical values of the “methodology” in Du Fu's poetical works and a series of his concepts close to the “methodology” in immanent connotation, in order to make clear the theoretical richness in the “methodology” in Du Fu's poetical Works and its consistency with the practice. In particular, it gives some new explanations to those concepts of “poetic regulations” or “regulation”,regarding them not mean tonal pattern and thyme scheme, but mainly to be a theory of the “methodology”...

The article firstly observes the theoretical values of the “methodology” in Du Fu's poetical works and a series of his concepts close to the “methodology” in immanent connotation, in order to make clear the theoretical richness in the “methodology” in Du Fu's poetical Works and its consistency with the practice. In particular, it gives some new explanations to those concepts of “poetic regulations” or “regulation”,regarding them not mean tonal pattern and thyme scheme, but mainly to be a theory of the “methodology” in Du Fu's poetical works. The article explores the aesthetic signification of Du Fu's methodology for the purpose of poetic creation too, concluding that Du Fu proposed his “methods” not for the beginners, but really for the purpose of cultivating a self-consciousness in attaining the most wonderful artistic creation state. Finally, the article traces back to the origin of Du Fu's methodology for the purpose of poetic creation and its tremendous influence upon the posterior poetics.

本文首先考察杜诗中“法”及与’“法”内涵相近一系列概念的理论 价值,从而明确杜甫诗法论理论上的丰富性和实践上的一贯性。尤其是对他所 用的’“诗律”“徽”等概念提出新的解释,认为它们在杜甫那里是一种诗法论。“ 而非简单的声律论。文章还探讨了杜甫诗法论的美学意蕴,认为杜甫的“法” 不是指导初学的门径之法,而是达到最完善的艺术创造状态的一种自觉意识。 最后追溯了杜甫诗法论的渊源及对后世诗学的巨大影响。

 
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