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唐宋派     
相关语句
  tang and song school
     Textual Criticism of the Tang and Song School
     唐宋派考论
短句来源
     Xia Congpu clearly put forward the concept of Tang and Song School in 1922. The concept was set in Guo Shaoyu's The History of Chinese Literary Criticism, which was first published in 1947. Tang and Song School was formed in 1533 and matured in 1536.
     夏崇璞在1922年明确提出“唐宋派”的概念,这一概念至郭绍虞在初版于1947年的《中国文学批评史》中才得以定型。 唐宋派形成于1533年,成熟于1536年。
短句来源
     His individualism focusing on self-expression and self-catharsis is also fully manifested in this doctrine based on naturalness and focusing on "real",which has built a bridge across the theories of natural colour held by the Tang and Song School and the Gongan School.
     以自我表现与自我宣泄为核心的个性意识,也全面地展现在他本于自然之旨并以“真”为核心的“本色论”中,是唐宋派本色论到公安派本色论的桥梁。
短句来源
  tang-song school
     This paper is an attempt to analyze the evolution, the system and the value of the literary concepts of the Tang-Song school(唐宋派) based on the study of their theories and works.
     本文采用文学思想史的研究方法,结合唐宋派的理论主张与创作实践,全面探析其文学思想的演变过程、结构体系与理论价值。
短句来源
     but from early and late Seven Persons, Tang-song School, to later schools, they all were influenced by Qin-Han and Tang-Song literatures, that consists of background of the development of Ming literature.
     明代文学流派众多 ,无论是前后七子、唐宋派 ,还是明末诸派 ,基本上都笼罩在从秦汉到唐宋的影响之中 ,构成整个明代文学思潮发展的背景。
短句来源
     On Relations between the Tang-Song School and the Former "Seven Literary Giants"
     唐宋派和前七子派关系原论
短句来源
     It intends to point out the complexity and compatibility of Wang’s concept and its founding role for the Tang-Song school.
     王慎中“文以明道”思想的理论内涵,主要强调其本身具有的矛盾性与包容性,及其对唐宋派文学思想的奠基性作用。
短句来源
     And the multi-dimensional mentality of the scholars demanded multivariate literature landscapes,among which the Tang-Song School was just one of the outcomes of the multi-directional shifting.
     多元化的心态需求导致多元化文学景观的出现,唐宋派仅为当时诗文多向位移活动中之一种而已。
短句来源
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  the tang-song school
     This paper is an attempt to analyze the evolution, the system and the value of the literary concepts of the Tang-Song school(唐宋派) based on the study of their theories and works.
     本文采用文学思想史的研究方法,结合唐宋派的理论主张与创作实践,全面探析其文学思想的演变过程、结构体系与理论价值。
短句来源
     On Relations between the Tang-Song School and the Former "Seven Literary Giants"
     唐宋派和前七子派关系原论
短句来源
     It intends to point out the complexity and compatibility of Wang’s concept and its founding role for the Tang-Song school.
     王慎中“文以明道”思想的理论内涵,主要强调其本身具有的矛盾性与包容性,及其对唐宋派文学思想的奠基性作用。
短句来源
     And the multi-dimensional mentality of the scholars demanded multivariate literature landscapes,among which the Tang-Song School was just one of the outcomes of the multi-directional shifting.
     多元化的心态需求导致多元化文学景观的出现,唐宋派仅为当时诗文多向位移活动中之一种而已。
短句来源
     As a result of a phenomenal change in political and academic patterns,the Tang-Song School presented different personality and literary pursuits from the former "Seven Literary Giants" at different stages.
     以为唐宋派的不同成员在不同发展阶段,呈现出与前七子派不同的人格和文学追求,其根本原因在于其置身的政治学术格局及由此影响的士人心态与前七子派相比有了巨大变异。
短句来源
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  “唐宋派”译为未确定词的双语例句
     The fourth chapter discusses the relationship between Gui Youguang (归有光)and the Tong-Song school.
     第四章论述归有光的文学思想及其与唐宋派的关系。
短句来源
     Analyzying the literature theory by Wang Shenzhong who was the Tangsong clique leader
     唐宋派诗文首领王镇中之文学理论
短句来源
     The first chapter reviews the backgrounds, the motives of the initiators and the time indicators to give an overall account of the formation of the concepts“Wen Yi Ming Dao”(writing for Dao/文以明道) and“Shi Fa Tang Song”(learning from the rules of the Tang and the Song dynasties/师法唐宋) and expounds the connotation of former proposed by Wang Shenzhong(王慎中).
     第一章论述唐宋派“文以明道”与“师法唐宋”文学思想的形成过程,以及王慎中“文以明道”思想的理论内涵。 关于过程的描述,主要突出唐宋派文学思想的生成背景、创始者的主观动机以及一些具体的时间与时段;
短句来源
     The third chapter elaborates the major development stage of the literary concepts of the Tong-Song school by probing Mao Kun’s(茅坤) mind on Tang’s literary concepts, the concrete meaning of“Shi Fa Tang Song”and the course of its evolvement.
     第三章论述茅坤对唐顺之文学思想的独特理解与接受,以及唐宋派“师法唐宋”思想的具体内涵与变化过程,并在此基础上描述唐宋派文学思想发展的主体过程。
短句来源
     At the same time, Xu Wei laid stress to the person' s nature and one' s free personality, rendering immediate influence upon the development both of the School of Tang and Song, and of the School of Gong' an(公安派).
     同时,徐渭在学术思想上重视人的自然本性,人格风范上体现出的狂狷精神,和诗文创作中对个性的张扬,构成了对唐宋派的发展,并对公安派产生了直接的影响。
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Classic spirit penetrated Ming and Ching Dynasty. There were many schools in Ming literature. but from early and late Seven Persons, Tang-song School, to later schools, they all were influenced by Qin-Han and Tang-Song literatures, that consists of background of the development of Ming literature. Based on thought of Ming, classicism in Ching literature shifted from insight to objective and scholastic learning. This objectivity of classicism reserved great legacy of Chinese literature that moderns understand...

Classic spirit penetrated Ming and Ching Dynasty. There were many schools in Ming literature. but from early and late Seven Persons, Tang-song School, to later schools, they all were influenced by Qin-Han and Tang-Song literatures, that consists of background of the development of Ming literature. Based on thought of Ming, classicism in Ching literature shifted from insight to objective and scholastic learning. This objectivity of classicism reserved great legacy of Chinese literature that moderns understand and appreciate.

就经典意义上的明清文学类型而言 ,始终贯穿着古典主义精神。明代文学流派众多 ,无论是前后七子、唐宋派 ,还是明末诸派 ,基本上都笼罩在从秦汉到唐宋的影响之中 ,构成整个明代文学思潮发展的背景。清代文学的古典主义建筑在对前代思想总结的基础之上 ,将前代那种古典的精神境界转化成为实实在在的学问 ,使之客观化、学术化。正是这种古典精神客观化的发展 ,使得中国文学史上的优秀遗产得以保存并被现代人所理解和欣赏

Summary: (1) the embryonic appellation of Tang Song Ba Da Jia first appeared in the Southern Song period. By the middle of the Yuan Dynasty, this appellation was formally used in Mao Kun's Tang Song Ba Da Jia Wen Chao (The Selected Works of Tang Song Ba Da Jia) . (2) The school pro Tang Song style with Mao Kun as the representative figure advocated the style of prose writing of Tang Song Ba Da Jia to the need in competition in literature circles of the time. (3) The proposal of the appellation was...

Summary: (1) the embryonic appellation of Tang Song Ba Da Jia first appeared in the Southern Song period. By the middle of the Yuan Dynasty, this appellation was formally used in Mao Kun's Tang Song Ba Da Jia Wen Chao (The Selected Works of Tang Song Ba Da Jia) . (2) The school pro Tang Song style with Mao Kun as the representative figure advocated the style of prose writing of Tang Song Ba Da Jia to the need in competition in literature circles of the time. (3) The proposal of the appellation was questioned time and again in the Ming and Qing Dynasties; but, indeed, the prose writing of the proposed eight masters were representing the highest level in the Tang and the Song Dynasties. It is generally accepted that the varied characteristics embodied in their works had for long served as models for students to do exercises in composition.

“唐宋八大家”之称在南宋己见雏型 ,但正式提出则晚至明朝中叶。以茅坤为代表的“唐宋派”力倡“唐宋八大家”,是当时文坛斗争的需要。虽然“八大家”的提法在明、清时期不时遭到非议 ,但因其的确代表了唐宋时期散文理论与创作的最高水平、具有特色各异的风格且为学者提供了习文范式而获得学界的广泛认同

As a Ming Dynasty's famous literary man,the 'Tangsong clique' leader,Wang Shenzhong put forward his different opinions bravely when the previous Sevenmen's theory were sweeping across literary circles.Wang combined with his literary experience and literary practice,and set forth literary theories such as 'Say what you want to say''Say to yourself''Change freely''Combine literary and morality'and so on, which push ahead the creation of antique prose. This article elaborates on the origin of Wang's theories and...

As a Ming Dynasty's famous literary man,the 'Tangsong clique' leader,Wang Shenzhong put forward his different opinions bravely when the previous Sevenmen's theory were sweeping across literary circles.Wang combined with his literary experience and literary practice,and set forth literary theories such as 'Say what you want to say''Say to yourself''Change freely''Combine literary and morality'and so on, which push ahead the creation of antique prose. This article elaborates on the origin of Wang's theories and those theories'expression and bow to make use of them.This article also combnines Tangsong clique's influence to discuss Wang's important function in the history of Chinese literary theory.

明代著名文学家、唐宋派诗文首领王慎中 ,在前七子复古主义大潮席卷文坛时 ,勇敢地举起反拟古大旗 ,提出自己的不同见解 ,并结合自己的文学经验和文学实践 ,提出了“道所欲言”、“自为其言”、“变化自得”、“文道合一”等文学理论 ,推动了我国古代散文创作的进一步发展。分析了王慎中的文学理论来源及其表现和运用 ,并结合唐宋派的影响 ,论述他在中国文学理论史上所起的重要作用。

 
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