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美的生活
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  “美的生活”译为未确定词的双语例句
     Zuodanshi designs beautiful life
     佐丹诗设计美的生活
短句来源
     CREATING BEAUTIFUL LIFE—ON THE REALISTIC SIGNIFICANCE OF THE DEVELOPMENT FOR LIFE CERAMIC ART IN OUR COUNTRY
     创造美的生活——生活陶艺发展的现实意义
短句来源
     Exploring Profundity of Beauty Creating Sweet Life
     探索美的奥妙 创造美的生活
短句来源
     It is necessary for us to follow the aesthetic and philosophical standard-harmony between man and environment, moderate production and consumption, and the rhythm of work and leisure.
     人与环境的和谐、生产与消费的适度、劳动与休闲的节奏,是我们创建美的生活必须把握的美学、哲学尺度。
短句来源
     The lifestyle of modern beauty should not only accord with the law of beauty, but also keep to the philosophical principle.
     现代美的生活方式既要符合美的规律,又要遵循基本的哲学原则。
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  相似匹配句对
     The Beauty of Living
     生活
短句来源
     Breathe Beauty into Life
     还原生活
短句来源
     Life
     生活
短句来源
     Beauty
    
短句来源
     Free Life,Free Aesthetics
     恣意生活,“唯”不定式
短句来源
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Paul Tillich, a well known American existential theologian. He not only proposed 'Ultimate Concern', but also found out many unique theoretical viewpoints in the religious aesthetics. He integrated the beauty and art and theology, put forward the view that beauty and art are the 'deep of life', explained the art style of religion and existentialism.\;

美国现代著名存在主义神学家保罗·蒂里希不仅以创立“终极关怀”范畴而声名卓著 ,并且在宗教美学上也有不少见解独特的理论观点。他将美与艺术和宗教神学相联系 ,提出了艺术与美是“生活的深度”的见解 ,阐述了宗教与存在主义相统一的艺术风格。

WEN Yi-duos interpretation of CHEN Zi-ang, a poet who lived in the prime of the Tang Dynasty, not only carried forward advantages of the traditional research methods, but also eliminated their disadvantages, WEN established CHENs position in the history of the development of Chinese literature and ideology. After a synthetic analysis of CHENs various characters, WEN had a deep understanding of CHENs solitude resulting from his loss of official career in the prime of the Tang Dynasty, paid great attention...

WEN Yi-duos interpretation of CHEN Zi-ang, a poet who lived in the prime of the Tang Dynasty, not only carried forward advantages of the traditional research methods, but also eliminated their disadvantages, WEN established CHENs position in the history of the development of Chinese literature and ideology. After a synthetic analysis of CHENs various characters, WEN had a deep understanding of CHENs solitude resulting from his loss of official career in the prime of the Tang Dynasty, paid great attention to his “sense of the universe" from a philosophical angle, and confirmed that CHEN was a forerunner of the coming prosperity of Tang poetry. WENs theory is distinct from the social criticism of the 20th century, and it even surpasses the aesthetic criticism: “beauty is life”. His foresight of synthetic research in historic culture is reflected in his doctrine that deserves to be studied by modern scholars.

在现代唐诗研究史上 ,闻一多对作为历史人物的陈子昂的评价 ,既承传统研究法之长 ,又去其短 ,以纵横结合的方法 ,在文学史兼思想史的流程中确立陈子昂的历史地位。作为具有现代学术研究意义的是 :看到陈子昂因“不遇”却又生逢唐之即入鼎盛期所产生的伟大孤独感 ,将陈子昂的多种气质进行综合研究 ,又超越人事、世道 ,从哲学高度发现并强调其“宇宙意识” ,以昭示陈子昂是即将到来的盛唐之音的先兆。这就不同于 2 0世纪新兴的社会学批评 ,甚至超越了车尔尼雪夫斯基“美是生活”的美学批评 ,而展示了他一贯坚持的特有的历史—文化综合研究格局

In a sense,ZHOU Yang is a spokesman of the CCP in terms of culture.His esthetics presents a strong sense of politics.From the viewpoint of esthetic ontology,ZHOU Yang thinks highly of Chenichefsky's definition of " beauty is life " and at the same time, criticizes some of his thoughts.ZHOU has an accurate understanding of MAO Ze dong's esthetics and corrects bravely the misunderstandings of MAO Ze dong's cultural thoughts.ZHOU also holds that esthetics is needed in the course of realizing the four modernizations....

In a sense,ZHOU Yang is a spokesman of the CCP in terms of culture.His esthetics presents a strong sense of politics.From the viewpoint of esthetic ontology,ZHOU Yang thinks highly of Chenichefsky's definition of " beauty is life " and at the same time, criticizes some of his thoughts.ZHOU has an accurate understanding of MAO Ze dong's esthetics and corrects bravely the misunderstandings of MAO Ze dong's cultural thoughts.ZHOU also holds that esthetics is needed in the course of realizing the four modernizations.

从某种意义上讲 ,周扬是中国共产党在文化上的发言人 ,他的美学有比较强的党性色彩。在美学本体论上 ,周扬对车尔尼雪夫斯基的“美是生活”的定义 ,给予了很高评价 ,但对他的美学也有所批评 ;他准确把握了毛泽东的美学体系 ,并且大胆纠正了对毛泽东文艺思想的错误理解 ;周扬还提出了四化建设需要美学。

 
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