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现代话剧
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  modern drama
     The Study of Chinese Modern Drama's Poetic Spirit
     中国现代话剧艺术的诗性精神研究
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     On Influence of Western Romanticism on Chinese Modern Drama
     论西方浪漫主义思潮对中国现代话剧创作的影响
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     Thunder Storm written by Cao Yu in 30's of last century marks the maturity of the modern drama of ours as well as the other dramas.
     20世纪30年代曹禺的《雷雨》等话剧创作标志着我国现代话剧艺术的成熟。
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     Poetic spirit is one of the important aesthetical properties of Chinese modern drama.
     中国现代话剧艺术在曲折复杂的发展历程中,于编剧和演剧两方面逐渐形成、确立了诗性的美学品格。
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     Contrast and Absorb:relationship between modern drama and traditional opera
     参照与借鉴:现代话剧与戏曲的关系
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  “现代话剧”译为未确定词的双语例句
     The Set of Political Thought and the Tragic Spirit of Modern Chinese Drama
     政治思维定势与中国现代话剧的悲剧精神
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     Drama “Thunder Storm”, written by Cao Yu in 1933, is one of the modernclassical Chinese dramas.
     1933年曹禺先生创作的话剧《雷雨》,是中国现代话剧经典之作,自它问世以来,就引起了广泛的研究和争议。
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     On the Mode of Political Thinking of Modern Chinese Dramatists
     论中国现代话剧作家的政治思维定势
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     China's Modern Dramas in Recent Forty Years
     中国现代话剧40年
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     In this thesis, we conduct our studies in the view of drama's professional development referring to both backgrounds of China's social situation and the development of Spoken-drama.
     本文以话剧职业化发展的角度,依循时代社会文化环境与现代话剧职业化发展的历史背景两方面为参照,系统地、全面地概述中国旅行剧团职业进程的历史脉络。
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  相似匹配句对
     China's Modern Dramas in Recent Forty Years
     中国现代话剧40年
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     Early Acting of Chinese Modern Spoken Drama
     中国现代话剧演技的初步探索
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     Modern and Warm
     温暖的现代
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     The Modern Residence
     现代家居
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     Modern Drama From Dreams of the Red Mansion
     “红楼”话剧
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  modern drama
Buckley, Matthew S., Tragedy Walks the Streets; The French Revolution in the Making of Modern Drama
      
Toward a syntactic differentiation of period style in modern drama: Significant between-play variability in 21 english-language
      
One needs to bring so many factors into play at once that one non-traditional but more promising path might be through reflection on the modern novel-or modern drama or poetry or film or even modern painting.
      
Read orally as a class a modern drama and understand the significance of dialogue and stage directions.
      
This course will focus on the most popular mode of the early modern drama, the Revenge Tragedy.
      


Chen Baichen's satirical domeies sparkle with distinction in the creations of modern Chinese drama. From his "Congratulatoins on Getting Rich" and "People in the Age of Turmoil", to "No Urinating" and "Picture of Official Promotion", the satirical style of Chen Baichen's comedies becomes a complete system. Its basic features are sharpness, enthusiasm, brightness and pungency. These features are reflected not only in the subject matter and themes of his works, whick are full of fighting spirit of strong satire...

Chen Baichen's satirical domeies sparkle with distinction in the creations of modern Chinese drama. From his "Congratulatoins on Getting Rich" and "People in the Age of Turmoil", to "No Urinating" and "Picture of Official Promotion", the satirical style of Chen Baichen's comedies becomes a complete system. Its basic features are sharpness, enthusiasm, brightness and pungency. These features are reflected not only in the subject matter and themes of his works, whick are full of fighting spirit of strong satire to old Chinese bureaucratic politics, but also in his art style, i.e. with the structure and scenes of comedy conceptions, and by using the popular dialogue and details which are often in a cartoon style, his works present us a picture of laughable and hateful officialdom, which can be called the "Picture of Buffoon Group".

在中国现代话剧创作中,陈白尘的讽刺喜剧是独放异彩的。从《恭喜发财》、《乱世男女》,到《禁止小便》、《升官图》,陈白尘喜剧的讽刺风格渐成体系。其基本特色为:敏锐热情,明朗泼辣。这不仅体现在作品的题材与主题方面,具有鲜明强烈的讽刺旧中国官僚政治的战斗精神;也体现在艺术形式方面,通过充满喜剧情境的结构、场面,和通俗的、漫画式的语言和细节,勾画出一幅幅可笑可憎的官场“群丑图”。

Modern Chinese dramatists' thinking set of political type mainly shows in the tragic creations that since the end of 1920's, the different qualitative forces, which were cultivated by the history optimism and the spirit of the golden mean and harmony in national tradition, have caused the deelining in the tragic spirit of modern Chinese drama.

本文认为中国现代话剧作家的政治思维定势,在悲剧创作中表现为,从二十年代末起,创作主体因此而遵奉的历史乐观主义,结合着同是因此而被唤醒、激活的民族传统的中庸和谐精神所生成的异质力量,导致中国现代话剧悲剧精神的沉落。

"Style"not only means the formal characteristics of art,but also implies the aesthetically mental structures, the spirit of the times and the social orientadon of cultural values to a certain degree. Chinese modem drama developed from the early wenmingxi,or new culture drama, into the May 4th Movement modem drama, until the revived modem drama since the early 1980' s. Through multiple replacement of styles during this process, this thesis attempts to present an analysis of how the various historic states and...

"Style"not only means the formal characteristics of art,but also implies the aesthetically mental structures, the spirit of the times and the social orientadon of cultural values to a certain degree. Chinese modem drama developed from the early wenmingxi,or new culture drama, into the May 4th Movement modem drama, until the revived modem drama since the early 1980' s. Through multiple replacement of styles during this process, this thesis attempts to present an analysis of how the various historic states and their distinct discourse systems exert influences on the narrative pattern of Chinese modem drama. It further provides a perspective for examining the transmutation of Chinese cultural connotations within this century.

“文体”不仅意指艺术的形式特征,而且隐含着一定的审美心理结构、时代精神和社会的文化价值取向。本文试图通过中国话剧从早期的文明新戏,到五四以后诞生的现代话剧,再到当代新时期话剧,期间的几次文体更替,分析不同历史时期、不同话语体系对话剧叙述方式的影响,并透视出中国近百年来文化内涵的演变。

 
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