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文学遗产
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  literary heritage
     The study, based on the two models——features of literary heritage tourism destination and product development of literary heritage tourism destination, understands the group features of tourists visiting literary heritage destinations, their travel purposes, their understanding degree of the scenic spots beforehand, their perception of the destinations as well as their satisfaction degree through questionnaire and analysis of EXCEL software data.
     笔者以文学遗产旅游地特征模型和文学遗产旅游地产品开发模型为依托,通过问卷调查和EXCEL软件进行数据分析,研究造访文学遗产地游客群体特征、旅游目的、对景点事先了解程度、旅游者对文学遗产旅游地的感知和旅游者对旅游地满意度等。
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     Chinese literature in Japan is a literary heritage of treasure.
     日本汉文学是一笔数量十分可观的文学遗产
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     All his works are not only the literary heritage of Guangxi but also part of literary heritage of our country.
     这些不仅是广西珍贵的文学遗产,也是我国珍贵的文学遗产的一部分。
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     In the evolution of the Chinese novel of the 20th century, the epic consciousness that was "brought" from the western literary heritage was carried throughout.
     在 2 0世纪中国长篇小说的发展过程中 ,从西方文学遗产里“拿来”的史诗意识贯穿始终。
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     George Orwell, no doubt an indelible figure in the history of the 20th British literature, is noted by his legendary life as well as the rich literary heritage he has left to us during his short life.
     乔治·奥威尔(George Orwell)是英国二十世纪小说史上不可跳过的一个小说家,这不仅是由于他那极具传奇性的一生,更在于他短短的一生中留给我们的丰富的文学遗产
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  literary inheritance
     The Zati Poetry (杂体诗) has a long history. Its a great literary inheritance .
     杂体诗源远流长 ,是一笔不小的文学遗产
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  “文学遗产”译为未确定词的双语例句
     Based on dialectical materialism outlook of art and literature and on properly understanding Chinese literature heritage,this paper points out the theory of "common names for typical issues" to explain four aspects of new poetic theory and makes comment on He Qifang's main academic thoughts,and his theoretical contribution.
     本文从坚持辩证唯物主义文学观、正确对待民族文学遗产、提出“典型共名”说、阐释新诗理论四个方面,对何其芳的主要学术思想和理论贡献进行了尝试性的评析和探讨。
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     Based on the idea of protection, rearrangement, making-use-of and acceptance it's good for us to carry out a horizontal comparison to contemporary Hakka's literature so as to understand its personality, sumptuousness and its whole style and features.
     客家文学的批评与研究应站在全球化高度予以俯览,在对历代客家文学遗产进行保护、整理、借鉴和接受的基础上,应对当代客家文学作横向的比较研究,保持开放的研究视野,注重其个性、丰富性和整体风貌,特别是在客家文学不景气情况下更应给予多方关注。
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     The Artistic Criteria concerning The Dragon Carved in the Heart of Literature, thesis that written by Wang Yunxi, enlightened me directly.
     王运熙先生《文心雕龙的艺术标准》的学术论文(《文学遗产》2005年第5期),给了我直接的思想启迪。
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     On the principles and methods of researches of literary heritages
     《文学遗产研究的理论与方法》摭谈
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     However, what we are aiming to make certain in this dissertation is not merely the obvious influence fact, and in what a degree that Kafka’s heredity has been discovered would be a more significant and fruitful seeking.
     然而,仅仅证明这种毫无疑义的影响事实并非本论文研究的出发点,而恰恰是在这种影响研究的事实之上,去清点卡夫卡所遗留下的这笔文学遗产被发掘的深度,被继承的可能性,以及被再创造的程度,可能才是研究目的所在。
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  literary heritage
Poetry by Arab women has often been neglected to a point, that many thought of it as hardly playing any role at all in the Arabic literary heritage, an exception being pre-Islamic marā?ī.
      
This article examines adaptations in their capacity of preserving literary heritage.
      
It describes how the Middle Dutch beast epic Reynard the Fox lost its position in literature for adults and became part of a literary heritage that was no longer read but only studied for its historical value.
      
Rescuing America's literary heritage: The story of the library of America
      
The Library of America is a nonprofit publishing company whose mission is to renew and preserve the literary heritage of the United States.
      
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Being put into the time-dimension of 21st century and on the stereo coordinate point of Chinese classical literary theory, “may 4th” new liteary tradition and the modern western contemporary literary theory, the system of 21st Chinese literary theory will be made up. This theoretical system will be composed of nine interrelated and dependent parts: literary legacy, realistic motivation, cultural background, ontology, taxonomy, teleotogy, creation, effect and value.

21世纪中华文艺理论体系是在中国古典文论、“五四”新文学传统和西方现当代文论的立体坐标点上,加入“21世纪”的时间维度,这一理论体系由文学遗产论、现实动因论、文化史背景论、本体论、层次论、目的论、创作论、效应论、价值论九个相互关联而又各自独立的部分所组成,出发点是对古今中外文艺理论的反思,由此展开以生命学科为核心,以生命诗学为内容的21世纪中华文艺理论体系的建构

This paper displays the typical style and characteristic features of ancient Chinese Taoist health-preserving and self-cultivation poetry and Ci verse in two aspects: the poetic media of the self-cultivation world and the self-cultivation poetly and Ci verse by scholars. It is pointed out that as a unique literary category, health-preserving and self-cultivation poetry and Ci verse are both a self-cultivation theoretical medium summing up the religious cultivation experiences by Taoist priests and a tool for...

This paper displays the typical style and characteristic features of ancient Chinese Taoist health-preserving and self-cultivation poetry and Ci verse in two aspects: the poetic media of the self-cultivation world and the self-cultivation poetly and Ci verse by scholars. It is pointed out that as a unique literary category, health-preserving and self-cultivation poetry and Ci verse are both a self-cultivation theoretical medium summing up the religious cultivation experiences by Taoist priests and a tool for scholars to express their feelings and aspirations and to manifest their delight of life, thereby having abundant cultural implications to become a literary heritage deserving great credit.

本文从“丹道世界的诗歌媒体”和“文人笔下的内丹诗词”两个方面,展示了中国古代内丹养生诗词的风貌与特点,指出内丹养生诗词作为一种独特的文学类型,它既是道士阐述内丹理论,总结修道经验的媒介,又是文人抒发胸臆,表现生活情趣的工具,因而具有丰富的文化内涵,是一份值得我们珍视的文学遗产

South and North Korea use the same language, share the same cultural tradition and literary heritage. Nevertheless, the literatures of the two countries in the last 50 years display differently in subject matters, artistic techniques and characterizations. This is due to, on the one hand, the different social lives under the different social systems; on the other hand, the two countries different ideologies and different literary concepts.

朝鲜、韩国虽然使用共同的语言和文字、拥有共同的传统历史文化和文学遗产 ,但近 5 0年来两国文学在创作主题、创作手法和人物形象等方面却呈现出不同的状态。这一方面是源于两国不同的社会制度和不同的社会生活 ,另一方面也是源于两国不同的意识形态和不同的文学观

 
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