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唐诗研究
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  studies of tang poetry
     Studies of Tang Poetry in Literary Criticisms of Northern Song Dynasty
     北宋几种文学批评形式中的唐诗研究
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     The studies of Tang poetry in the prefaces, postscripts and letters written by the Northern Song's literary scholars included the two following aspects: One was a historical study and reviews of the development of Tang poetry, the other was various criticism of different Tang poets and analyses of the characteristics of their writings.
     北宋文人序跋书信中的唐诗研究主要体现在两个方面:一是对唐诗历史发展的观照和论评,二是对唐诗人的不同推重、批评及对其各自创作特征的剖析;
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  the study of tang poems
     Abstract The ideas about the literary prosperity of the Tang dynasty advocated by Lin Geng have been the basic theoretic categories in the study of Tang poems.
     近几十年来,林庚的盛唐气象理论一直是唐诗研究的基本理论范畴。
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     He had achieved great on the study of Chinese ancient literature, especial for the study of Tang Poems and the writing of poetry.
     先生在中国古代文学研究尤其是唐诗研究,以及诗词创作上,取得了累累硕果。
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  study on tang poetry
     LIN Geng's Study on Tang Poetry
     林庚先生的唐诗研究
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     His study on Tang poetry fully embodies the combination between macroscopic literary history cognition and microcosmic Tangpoetry analysis.
     他的唐诗研究充分体现了宏观文学史认识与微观唐诗作品分析结合的特色;
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  “唐诗研究”译为未确定词的双语例句
     The Study of Tang Poetry in Korea since 1950: Historical Vagaries
     1950年以来韩国唐诗研究之动向
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     But in the books published in recent years, he has been referred to as Master of Poetry or both.
     然而近年来出版的一些工具书或唐诗研究专著,却或取“诗夫子”之说,或以“诗夫子”为主而将“诗天子”作为一说并存。
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     Valuating the study of South Tang Dynasty's poems
     南唐诗研究述评
短句来源
     WEN Yi-duos interpretation of CHEN Zi-ang, a poet who lived in the prime of the Tang Dynasty, not only carried forward advantages of the traditional research methods, but also eliminated their disadvantages, WEN established CHENs position in the history of the development of Chinese literature and ideology.
     在现代唐诗研究史上 ,闻一多对作为历史人物的陈子昂的评价 ,既承传统研究法之长 ,又去其短 ,以纵横结合的方法 ,在文学史兼思想史的流程中确立陈子昂的历史地位。
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     The studying of Tang poetry has a large area, But it still has few articl to discuss the title of examinational poetry of Tang Dynasty.
     唐诗研究范围很广,但对唐人应试诗题的研究,却仍较少有人涉及。
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Based on the study of the works of Wang Fanzhi and Han Shan, both poetsand monks, as well as part of the Tang-Dynasty poetry, the evolutional stagesand chronicles of three functional Chinese words, "liao" , "zhe" and "de" aregiven specific analysis one by one. The purpose in so doing is an attempt todescribe their evolution orbits by which to derive some rules governing the evo-lution, thus to complement and revise the theories of the fore-runners.

本文通过对王梵志诗和寒山诗及部分唐诗的研究,具体分析了“了”、“着”、“得”3个虚词各自的演变阶段和年代,试图描述其轨迹,寻找其规律,以补充和修正前人说法之不足。

Abstract The ideas about the literary prosperity of the Tang dynasty advocated by Lin Geng have been the basic theoretic categories in the study of Tang poems. However, Lin Geng misinterpreted the literary prosperity of the Tang dynasty by taking the culture as the literature in the prosperous Tang times and misinterpreted the Li Bai's personality and affection characteristics accordingly. In fact, the basic feature of prosperous literature in the Tang times was not the youth and romanticism but the solemn and...

Abstract The ideas about the literary prosperity of the Tang dynasty advocated by Lin Geng have been the basic theoretic categories in the study of Tang poems. However, Lin Geng misinterpreted the literary prosperity of the Tang dynasty by taking the culture as the literature in the prosperous Tang times and misinterpreted the Li Bai's personality and affection characteristics accordingly. In fact, the basic feature of prosperous literature in the Tang times was not the youth and romanticism but the solemn and stirring style.

近几十年来,林庚的盛唐气象理论一直是唐诗研究的基本理论范畴。林庚以“青春浪漫”作为盛唐气象的基本内涵,认为李白是这种气象的典型代表。这是对盛唐气象的误读,他将盛世文化等同于盛世文学,由此误解了李白的个性和情感特质。盛唐文化对文学的作用是通过诗人这一中间环节实现的,而李白的浪漫并不是飘逸豪放,而是沉雄悲壮,与杜甫的情感和人格在实质上基本相同,只是表现形式不同而已,因而盛唐气象的基本特质也不是青春浪漫,而是雄浑悲壮。

Studies of Tang poetry changes in thinking ways,study method and etc,making great achievement.It can be divided into three stages and presents times characteristics.

20世纪的唐诗研究经历了思想观念的更新、研究方法的转变等一系列重要变化 ,取得了辉煌成就 ,可以划分为三大阶段 ,呈现出时代性的特征

 
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