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中国受众
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  chinese audience
     RQ3: What are the reasons that Chinese audience distrust media organizations, media practitioners and news coverage?
     RQ3:中国受众不相信媒介机构/新闻从业者以及新闻报道的理由是什么?
短句来源
     RQ6: What would be the factors that affect Chinese audience's judgment about their distrust on media and news coverage?
     RQ6:哪些因素可能会影响中国受众评价媒介不可信的原因?
短句来源
     Under such circumstances, China’s image portrayed by Hong Kong-based media tends to be objective and fair, hence has won acceptance among both western and Chinese audience, thanks to its unique geographic location, historical background, cultural tradition, political and economic status as well as its independent media environment.
     在这种情况下,香港媒体因为拥有独特的地理位置、历史背景、文化传统、政治经济地位和独立的媒介环境,其塑造的中国形象相对趋向客观、公正,也获得了包括西方和中国受众在内的接受。
短句来源
     In the new century, Chinese sports media, especially sports journal shows the new characteristics and the new tendency of development, which is decided by the uniqueness of Chinese audience on the number, interests and the level of attention.
     新世纪以来,中国体育传媒,特别是体育报刊表现出新的特征和发展趋势,这是由与其相对应的中国受众在数量上、兴趣上和关心程度上的独特性所决定的。
短句来源
  “中国受众”译为未确定词的双语例句
     The Study of the Right of Access to Mass Media in Contemporary China
     当代中国受众接近权问题研究
短句来源
     RQ4: What would be the antecedents of Chinese media organization/practitioner credibility index?
     RQ4:哪些因素可能会影响中国受众对于来源(媒介机构/新闻从业者)可信度指标的评价?
短句来源
     RQ5: What would be the antecedents of Chinese news credibility index?
     RQ5:哪些因素可能会影响中国受众对于信息(媒介新闻报道)可信度指标的评价?
短句来源
     A Research on the Function of Media Agenda and Audience Agenda in China
     中国受众与大众传媒议程设置功能研究
短句来源
     The China Audience Agree with the Conclusion That is the TV Play Mold the "myth" Person with the Angel of Civilian's View
     中国受众对平民视角塑造“神话”人物形象的认同
短句来源
  相似匹配句对
     Analysis of audience's psychology to Chinese historical TV play
     中国历史电视剧的心理分析
短句来源
     UNIQUENESS OF CHINESE SPORTS MEDIA AND AUDIENCE
     中国体育纸质传媒及的独特性
短句来源
     On the Female Mass Audience Study of China Since 1994
     1994年以来的中国女性研究
短句来源
     The Study of the Right of Access to Mass Media in Contemporary China
     当代中国接近权问题研究
短句来源
     In this thesis, inspired by J.
     J.
短句来源
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  chinese audience
Waiguo lienü zhuan (Biographies of foreign women), the first systematic introduction of foreign women to the Chinese audience, was compiled by the late Qing writer Xue Shaohui (1866-1911) and her husband Chen Shoupeng (1857-?).
      
It therefore embodies the insight, common to Western systems methodologies, that human relations are integral to the success of interventions-but in a manner that is both philosophically and practically meaningful to a Chinese audience.
      
When I referred to this episode in my lecture in Beijing, the Chinese audience laughed as you do here.
      
We have designed this track specifically for the local Chinese audience.
      


AbstractThe development of electronic medium in China is characterized with the compression in time and space,which leads to the changes in life style,ideas and mode of thinking.So we have two opposite schools about the medium culture.The tendency of a united process of editing,typesetting,proofreading and printing is visible in the discussion about the future of printing medium.

电子媒体在中国的发展呈时间压缩与空间压缩的特征,这给中国的受众带来生活方式、思想观念、思维习惯等一系列变更,因此也形成关于媒体文化研究的批判与赞同两大派别。从他们的对话反观印刷媒体的未来,可见走向编、排、校、发一体化是一种趋势

News reports from court rooms always draw great attention from media receptors in China. The mass media not only satisfies people's need to enjoy their right to know, but also reflects people's criticism of the judiciary. Due to the lack of common understanding and relevant rules, the relation between media and the judiciary is experiencing a period of instability. There are frequent conflicts between freedom of the media and judicial fairness, between media's right to criticize and the judicial dignity, between...

News reports from court rooms always draw great attention from media receptors in China. The mass media not only satisfies people's need to enjoy their right to know, but also reflects people's criticism of the judiciary. Due to the lack of common understanding and relevant rules, the relation between media and the judiciary is experiencing a period of instability. There are frequent conflicts between freedom of the media and judicial fairness, between media's right to criticize and the judicial dignity, between reporting right and court order. Generally speaking, the media is in an advantaged position in these conflicts and carries a lot of expectations of the society. However, once involved in a lawsuit or confronted by the judicial power, it is often in an absolute disadvantaged position. Therefore, an institutional framework needs to be established to balance between the media and the judiciary. the Chinese accounting and how to grasp the opportunity is a worthiness research subject.

中国受众对法庭新闻十分关注 ,媒体在满足公众知情需要的同时亦反映公众对司法的批评。由于缺少共识、缺少规则 ,媒体与司法的关系正处于较不稳定的时期。新闻自由与司法公正、新闻批评与司法尊严、新闻采访与法庭秩序的冲突时有出现。冲突中 ,媒体总体处于强势 ,承载着较多的社会期待 ;而一旦发生诉讼或面对司法权力 ,媒体又处于绝对的弱势。实现平衡的制度框架有待建立

Chinese intelligence-competing TV programs,together with their views,have experienced three stages of innovation.The word'change'has been emphasized in each stage.Bringing forth the newconstantly is not only the essential foundation of develˉoping programs of this kind,but also a worthwhile and everlasting question of Chinese TV study.

从以传播知识为主到传播知识、传递娱乐并重再到以娱乐为主的“拟态环境”的建构 ;从被动参与到竞相报名、层层淘汰选拔的主动参与 ;从受众被动的观赏性参与到传授双方互动的竞争性参与再到受众主动的自娱性参与 ,益智类节目在不断的自我革新中带领着中国受众经历了其自身发展的三个阶段 ,每一阶段的推进都体现了一个“变”字 ,推陈出新这一点恐怕不仅是中国益智类节目得以发展的基础和关键 ,同时也是中国的电视研究不尽的一个重要课题。

 
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