In order to improve his sons' literary cultivation and learn a poem composition for the convenience to his sons to quote the An allusions from literary references and check matters, Tang XuanZong 唐玄宗 ordered Xu Jian 徐坚 and other ministers to edit a book with rich poems and articles called ChuXueJi 初学记. It is Less than YiWenLeiJu 艺文类聚 in content, but higher than YiWenLeiJu 艺文类聚. in quality.
During the modern transferring from the traditional “criticism of poems and articles” to “Chinese literary criticism”, the western literary thoughts,as an “another”, play a critical role of an important driving force .
By making careful textual research of historical records, especially by analyzing the description of Longxi earthquake of "Houhan Shu", by studying the historical background exposed by historical records at that time, Zhang Heng′s biography, his poems and place names of Han Dynasty, by comparing 5 earthquakes occurred in Ming-Qing dynasties and their attenuation of seismic intensity, the authors have come to the conclusion that the Longxi Earthquake should take place on December 13, 134 AD (Yangjia 3 year).
This article will review Wang Wan's achievements on prose and poems during the special historic period-early Qing Dynasty, hope this could be the cut-in point of further research into the literature of early Qing Dynasty.
Zhou Zuoren gives his attention to children and children's literature all his life : his so many the theories of children's literature , Prose and poems with childish heart and taste, and the translations of children's stories , naturally , show his children consciousness latently and obviously.
The adoration and interpretation of the Tao Yanming's poems and writings by the literati in the Song Dynasty show the interaction between the culture spirit of an age and the literature in its spreading and acceptance.
His life and work have been summarized as 'to love, to wander'; in a way he has been a perennial wanderer and pilgrim, roaming around in many places of the world and being home, finally, in his poems.
In all his poems, the Carthaginian Dracontius presents Orpheus only once, in a preface dedicated to his magister Felicianus (Romulea1) and allegorically constructed: as Orpheus charmed animals (vv.
The fact that Li Bai uses the word bai 白 (white) frequently in his poems and that he often thinks of the legend of Ge You, goat rider, demonstrate that he is deeply influenced by the Qiang people and their culture.
His poems - as ever sidenoted - are tensed between the topicality of the work of art in question, and Kant's aesthetic which involves 'the free play of the cognitive faculties'.
His poems ex Graeco thereby reflect the serious tone and didactic themes of his other poems.