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   戏曲创作 在 戏剧电影与电视艺术 分类中 的翻译结果: 查询用时:0.995秒
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戏曲创作    
相关语句
  opera creation
    The theories determine the modernized orientation of the traditional opera creation in the new historical period and they investigate how to settle the crisis of traditional opera in the new period.
    本文拟以新时期几次重要的戏曲创作思潮及其影响下的剧本创作理论为重点,通过对其主要理论观点及典型作品的分析研究,梳理在新时期“用什么方法”“创造什么样的戏曲”的基本概况,并对其形成的社会文化原因进行探讨。
短句来源
    The nature of the rhythm in the performance of the traditional Chinese opera bestows on its unique individuality, but also raises requirements for the opera creation.
    戏曲表演节奏的特点赋予了戏曲独特的个性 ,但也对戏曲创作提出了特殊的要求 .
短句来源
    nongovernmental professional theatrical company is too much and not regular, opera creation and perform market serious come apart;
    民间职业剧团过多且不正规,对传统艺术的保护和传承造成了伤害; 戏曲创作与演出市场严重脱节,得奖剧目得不到普及推广;
短句来源
  dramatic creation
    On Jiang shiquans Dramatic Creation durihg the Huaya Period
    引俗入雅——试论蒋士铨花雅时期的戏曲创作
短句来源
    The Playwright's Sex and His Dramatic Creation
    作家性别与戏曲创作
短句来源
  theatrical creation
    On JIANG Shi-shuan's Theatrical Creation
    崇雅归正——试论蒋士铨的戏曲创作
短句来源
查询“戏曲创作”译词为用户自定义的双语例句

    我想查看译文中含有:的双语例句
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  dramatic creation
This dramatic creation of stalking as a legal category invites inquiry into not only its legal but also its meta-legal implications.
      


The approach to the command of rhythm is by means of deep experience, control of pattern and a good sense of contrasts. The nature of the rhythm in the performance of the traditional Chinese opera bestows on its unique individuality, but also raises requirements for the opera creation.

戏曲表演节奏的处理方法主要是通过深刻体验、驾驭程式、善用对比来进行 .戏曲表演节奏的特点赋予了戏曲独特的个性 ,但也对戏曲创作提出了特殊的要求 .

The research in china classical tragedies hasn't established an independent and theoretic system that was accepted,and the differentiation on works has no thad a marked effect,which show that the classical tragedies do not belong to independent style on theory and differentiation.The basic reason for having not made substantive progress on research in tragedies is the sense of tragedies don't agree with the creative practice and the theory of classical opera.Research in tragedies means not quite to the classical...

The research in china classical tragedies hasn't established an independent and theoretic system that was accepted,and the differentiation on works has no thad a marked effect,which show that the classical tragedies do not belong to independent style on theory and differentiation.The basic reason for having not made substantive progress on research in tragedies is the sense of tragedies don't agree with the creative practice and the theory of classical opera.Research in tragedies means not quite to the classical tragedies,and it is better to abandon.We can use"tragedy"on fuzzy sense.

中国古典 悲剧 研究没有建立起公认可行的独立理论体系 ,在具体作品的鉴别上也成效甚微 ,表明古典 悲剧 在理论和作品区分上都不具备独立文体品格 . 悲剧 研究难以取得实质进展的根本原因在于 悲剧 观念与古典戏曲的创作实践及理论总结不符 , 悲剧 研究对古典戏曲研究意义不大 ,应予放弃 .我们可以在模糊意义上使用 悲剧 一词 .

From the middle period of the Ming Dynasty to the beginning of the Qing Dynasty, the development of the traditional opera was deeply influenced by the trend of thought in literature and art. In the field of the traditional opera, more and more dramatists proposed that the composition of the traditional opera should be reality, simplicity and spontaneousness, and abandon shamness,over elegance and pretentiosness. The romanticism that promoted the liberation of the ego began to prevail, and the popularization...

From the middle period of the Ming Dynasty to the beginning of the Qing Dynasty, the development of the traditional opera was deeply influenced by the trend of thought in literature and art. In the field of the traditional opera, more and more dramatists proposed that the composition of the traditional opera should be reality, simplicity and spontaneousness, and abandon shamness,over elegance and pretentiosness. The romanticism that promoted the liberation of the ego began to prevail, and the popularization of the language of drama enabled it to represent all kinds of human relationship in the conventional life, and to be understood and enjoyed by the townsfolk more easily.

明中叶至清初时期出现的个性解放和浪漫主义文艺思潮对戏曲的发展产生了深远的影响。在戏曲艺术领域 ,越来越多的剧作家倡导戏曲创作要真实、通俗和自然 ,要摈弃虚伪、迂雅和做作 ;倡导个性解放的浪漫主义开始盛行一时 ,戏曲中语言的通俗化使其更能表现世俗生活中的人情百态 ,且易于为市民阶层所理解和欣赏

 
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