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   戏曲 在 世界文学 分类中 的翻译结果: 查询用时:0.426秒
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戏曲
相关语句
  drama
    This kind of relationship between them embodies the following basic rule in the development of Chinese modern drama: a process from accepting the influence of the West and imitating the western drama to shaking off the influence and being more creative based on traditional opera.
    他们之间的这种联系也体现了中国话剧发展过程中的一个普遍规律:从接受影响、模仿西方戏剧到摆脱影响、皈依传统,并在中国戏曲基础上进行创造。
短句来源
    At first, some scholars denied the existence of tragedy in China through the studies of Western tragedy and the analysis of the form of Chinese drama. However, from the second half of 20th century till the present, more scholars attempted to apprehend the cultural uniqueness from the cross-cultural perspective.
    在早期,部分中国学者运用西方悲剧理论对中国戏曲的特定形态进行分析,否认中国有悲剧,但从20世纪后半期至今,更多的学者则是站在跨文化的高度上去理解文学的独特性,他们系统挖掘和整理中国悲剧理论,取得了可喜的成就。
短句来源
    The ghost-or-soul image is a very special performing appearance in the creation of mankind arts, which exists widely in Literature Arts and also has profound predestined relationship with Chinese Traditional Opera and Western Drama .
    鬼魂形象是人类艺术创作中一种十分特殊的表现形态,它广泛地存在于文学艺术中,与西方戏剧、中国戏曲也有着深广的文化因缘。
短句来源
    But up to now, we have not found any works which completely made a comparative study about the ghost-or-soul image in Chinese Traditional Opera and Western Drama from the angle of comparing the cultures.
    然而,直到目前,我们还没有看到从比较文化的角度,对中国戏曲与西方戏剧中的鬼魂形象进行全面比较研究的论著出现。
短句来源
    In view of this, this thesis tries to make a comprehensively comparative study about the feelings classification of the ghost-or-soul image in Chinese Traditional Opera and Western Drama and their modes of performing, and makes a tentative examine about their cultural differences, which based on clear understanding about the concept of Western and Chinese religion cultures.
    鉴于此,本文试图在准确把握中西宗教文化鬼魂概念的基础上,对中国戏曲与西方戏剧中的鬼魂形象情感类型及其表现模式进行一次全面的比较研究,并对其背后的文化差异进行尝试性的探讨。
短句来源
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  traditional opera
    This kind of relationship between them embodies the following basic rule in the development of Chinese modern drama: a process from accepting the influence of the West and imitating the western drama to shaking off the influence and being more creative based on traditional opera.
    他们之间的这种联系也体现了中国话剧发展过程中的一个普遍规律:从接受影响、模仿西方戏剧到摆脱影响、皈依传统,并在中国戏曲基础上进行创造。
短句来源
    The ghost-or-soul image is a very special performing appearance in the creation of mankind arts, which exists widely in Literature Arts and also has profound predestined relationship with Chinese Traditional Opera and Western Drama .
    鬼魂形象是人类艺术创作中一种十分特殊的表现形态,它广泛地存在于文学艺术中,与西方戏剧、中国戏曲也有着深广的文化因缘。
短句来源
    But up to now, we have not found any works which completely made a comparative study about the ghost-or-soul image in Chinese Traditional Opera and Western Drama from the angle of comparing the cultures.
    然而,直到目前,我们还没有看到从比较文化的角度,对中国戏曲与西方戏剧中的鬼魂形象进行全面比较研究的论著出现。
短句来源
    In view of this, this thesis tries to make a comprehensively comparative study about the feelings classification of the ghost-or-soul image in Chinese Traditional Opera and Western Drama and their modes of performing, and makes a tentative examine about their cultural differences, which based on clear understanding about the concept of Western and Chinese religion cultures.
    鉴于此,本文试图在准确把握中西宗教文化鬼魂概念的基础上,对中国戏曲与西方戏剧中的鬼魂形象情感类型及其表现模式进行一次全面的比较研究,并对其背后的文化差异进行尝试性的探讨。
短句来源
    This study includes: the differences of beauty appreciating principle in Chinese Traditional Opera and Western Drama;
    这种探讨包括:戏剧戏曲审美原则的差异;
短句来源
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  “戏曲”译为未确定词的双语例句
    Prefaces of Kyokutebakin's Novels and Li Yu's View on Dramatics-novels
    曲亭马琴读本序跋与李渔戏曲小说论
短句来源
    Tang Xianzu, in the eye of his contemporaries, was, above all, a political figure, while Shakespeare was primarily a playwright.
    与汤显祖的政治活动相比,莎士比亚几乎与政治无涉。 汤显祖满怀“治国平天下”的踌躇之志,梦碎之后在诗文和戏曲中宣泄愤懑;
短句来源
    Therefore, no matter Realism Theater, Experimental Theater or Contemporary Play all expects the Theatrical System Comprehension.
    无论是新时期现实主义戏剧、探索实验戏剧,还是当代戏曲和先锋戏剧都期望这样的综合戏剧。
短句来源
    The methods of intermediaries and influence study in comparative literature are used in discussing the relationship between Brecht and the Chinese theater in the later 20th century.
    第二章为布莱希特与我国当代戏曲的双向影响研究,其中布莱希特对我国新时期戏曲的影响研究有一定的开创意义,并尝试布莱希特与中国荒诞川剧之比较;
短句来源
    Aiming at seeking the inmost languge element,cultural element and art aesthetic element,this paper makes a deep analysis of these differences between the two kinds of stage arts.
    深入探讨了戏剧戏曲艺术本体特征的差异 ,从东西方语言、文化传统和艺术审美观上分析了这种差异的深层原因
短句来源
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  drama
The present paper deals with chemometric interpretation of soil analysis data collected from 31 sampling sites in the region of Kavala and Drama, Northern Greece.
      
Factitious impairment of stance and gait was studied in 13 healthy drama students.
      
But it is possible that ethical principles of good decision-making fall victims to the drama of the story.
      
Sharing Feyerabend's criticism of epistemological "naturalism" the author argues that Brecht's drama merely reproduces the popular myth of the scientist Galilei and thus a widespread misinterpretation of the nature of science itself.
      
This possible 'spirit of deception' may be deceiving the participants in the Joban drama into pursuing the ambiguitiesof 4:17 to their logical implication in the context of Job, that Job is more righteous than YHWH.
      
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The ancient Greek tragedy has one clear and definite origin ——the Dithyramb.Its foundation and development completely kept going during the century when the city state democratic system was booming and its declining followed the crisis of the democratic system. At the same time it was also evolving into the “drama”. All of these things shows that the full development of the City state slave owner democratic system and democratic style culture at that time are the unique and particular factors for...

The ancient Greek tragedy has one clear and definite origin ——the Dithyramb.Its foundation and development completely kept going during the century when the city state democratic system was booming and its declining followed the crisis of the democratic system. At the same time it was also evolving into the “drama”. All of these things shows that the full development of the City state slave owner democratic system and democratic style culture at that time are the unique and particular factors for the boom of the ancient Greek tragedy. The two orient ancient dramas, Indian sanskrit drama and Chinese traditional opera may be lacking in the tragedy for the shortage of such political and cultural circumstances.

古希腊悲剧有酒神颂这一明确的起源 ,但其创始与发展却是发生于希腊城邦民主制兴盛的百年中 ,并随民主制危机而衰落 ,向难分悲喜的“戏剧”演变。这条清晰的线索说明 ,充分发展的城邦奴隶主民主制及其扶持 ,文化上在一定时期也具有民主色彩 ,是古希腊悲剧繁荣的独特条件。而印度梵剧与中国戏曲这两个东方古剧 ,很可能就因为缺乏这样的政治文化条件而缺乏悲剧

This paper points out the 3 basic distinctions between the typicalities of Shakespeare and that of Moliere: the former is rich, complicated, highly personified and developing. The latter is monotonous, highly stereotyped and undeveloping. One is "complicated simplicity" and the other is "simple complexity". They are seemingly discrepant but actually quite similar. The full cubic of Moliere's stereo type losing his hypocritical character can be well used for the reference for the all-round rejuvenation of Chinese...

This paper points out the 3 basic distinctions between the typicalities of Shakespeare and that of Moliere: the former is rich, complicated, highly personified and developing. The latter is monotonous, highly stereotyped and undeveloping. One is "complicated simplicity" and the other is "simple complexity". They are seemingly discrepant but actually quite similar. The full cubic of Moliere's stereo type losing his hypocritical character can be well used for the reference for the all-round rejuvenation of Chinese opera.

莎士比亚与莫里哀典型观的三个基本区别是 :前者是丰富复杂的 ,高度个性化的 ,发展变化的 ;后者是单一的 ,高度类型化的 ,凝固不变的。一个靠的是“复杂的单纯” ,一个靠的是“单纯的复杂” ,表面看来是南辕北辙 ,实际上是异曲同工。尤其是莫里哀对类型化典型答尔丢失伪善性格的“充分的立体化” ,对于今天我国民族戏曲的振兴 ,更具有一种不可忽视的借鉴价值。

There exist sharp differences between western drama and Chinese Xiqu in the relationship of art and nature,and expression forms in languages:one is reproductive image while the other is expressionist or presentative,one is based on advanced dialogue art while the other is dancing and singing art.Aiming at seeking the inmost languge element,cultural element and art aesthetic element,this paper makes a deep analysis of these differences between the two kinds of stage arts.

英国戏剧与中国传统戏曲迥然相异 ,具体表现在自然与艺术的关系及话语表现模式上 ,一种是发达的对话式艺术 ,一种是优美的歌舞式艺术 ,一种是再现性艺术 ,一种是表现性艺术。深入探讨了戏剧戏曲艺术本体特征的差异 ,从东西方语言、文化传统和艺术审美观上分析了这种差异的深层原因

 
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