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戏曲
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  drama
    The Comparison of the Aesthetic Ideology between Calligraphy and Drama
    书法与戏曲美学思想之比较
短句来源
    Painting in Me and Drama in Painting——Aesthetic Comparison Between Chinese Opera and Chinese Painting
    戏中有画 画中有戏——同源异派的中国戏曲与中国绘画美学思想比较再论
短句来源
    On Agreement Of Aesthetics Thoughts of Chinese Painting And Drama
    简论中国绘画和戏曲美学思想的一致性
短句来源
    On Agreement Of Aesthetics Thoughts of Chinese Painting And Drama
    简论中国绘画和戏曲美学思想的一致性
短句来源
    The lenient policy for the book-engraving industry, the prosperous handicraft industry, the great demand for cultural entertainment and the flourishing of drama all presented woodblock figure carvings with vast room for development.
    明政府宽松的刻书产业政策、繁荣昌盛的手工业、大量的文化娱乐需求,以及繁荣的戏曲、小说创作,无不为木刻人物画的发展提供了广阔的天地。
短句来源
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  chinese opera
    Painting in Me and Drama in Painting——Aesthetic Comparison Between Chinese Opera and Chinese Painting
    戏中有画 画中有戏——同源异派的中国戏曲与中国绘画美学思想比较再论
短句来源
    The Exploration on the Artistic Characteristics of the Chinese Painting and the Chinese Opera
    中国画与中国戏曲的艺术特征探微
短句来源
    The traditional Chinese painting and Chinese opera are the distinctive national arts formed in the isolated cultural system over thousands of years in China.
    中国的传统戏曲与绘画是在中国几千年独立自存的文化系统中形成的独具特色的民族艺术。
短句来源
    Based on the study concept of "the aesthetic generalities of national arts" and the employment of research methods like comprehensive analysis and comparison as well as analogy, this thesis is intended to explore some common artistic Characteristics and their corresponding intrinsic reasons between Chinese painting and Chinese opera from the perspectives of traditional philosophy, aesthetics and artistics in an attempt to probe into their respective inherent laws and the vitality of artistic forms determined by them.
    本文拟以“民族艺术的审美共性”为研究思维,运用综合分析与对比列举的方法,从传统哲学、美学、艺术学的角度,探究中国画与中国戏曲在几个主要方面的共性艺术特征及其内在原因,从中考察它们各自的内在规律和由此决定的艺术形式的生命力。
短句来源
    The woodcut illustrations of the Story of the Western Chamber are an epitome of traditional Chinese opera prints.
    《西厢记》插图版画是中国古代戏曲版画的缩影。
短句来源
  “戏曲”译为未确定词的双语例句
    Lin Fengmian: The Operatic Dream of a Mediator ——On the Change of Oriental Signs in his Paintings of Operatic Thems
    林风眠:调和者的戏曲之梦——论林风眠戏曲题材绘画中东方符号运用的流变
短句来源
    This disquisition dissertate on time sequence, intending to make use of the art doctrine of comparative value、 sociology、 history, etc.
    本文按时间顺序展开论述,拟运用风格学、比较学和社会学等美术史学方法进行较为全面和深入细致的分析研究,探讨林风眠戏曲画独特的艺术价值。
短句来源
    To a certain extent, Chinese traditional paintings, poems, plays,and gardens use the expressive method of reality being with empty, and the interior designs can use it for reference to showthe aesthetical feelings of space and circumstances.
    中国传统的绘画、诗歌、戏曲、园林等艺术形式都不同程度地运用了虚实结合的表现手法,作为室内设计同样可以此为鉴,以更好地表现空间和环境的美感。
短句来源
  相似匹配句对
    Decorative Phenomena in Traditional Opera
    戏曲艺术中的装饰现象
短句来源
    The Comparison of the Aesthetic Ideology between Calligraphy and Drama
    书法与戏曲美学思想之比较
短句来源
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  drama
The present paper deals with chemometric interpretation of soil analysis data collected from 31 sampling sites in the region of Kavala and Drama, Northern Greece.
      
Factitious impairment of stance and gait was studied in 13 healthy drama students.
      
But it is possible that ethical principles of good decision-making fall victims to the drama of the story.
      
Sharing Feyerabend's criticism of epistemological "naturalism" the author argues that Brecht's drama merely reproduces the popular myth of the scientist Galilei and thus a widespread misinterpretation of the nature of science itself.
      
This possible 'spirit of deception' may be deceiving the participants in the Joban drama into pursuing the ambiguitiesof 4:17 to their logical implication in the context of Job, that Job is more righteous than YHWH.
      
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  chinese opera
The tour starts with a visit to a quaint little shop that stocks props and costumes used in Chinese opera.
      


Although they belong to different kinds of art,Chinese painting and drama reflect the unanimous aesthetic standards,artistic viewpoint,aesthetic chase,thinking in terms of images,and natural aesthetics thoughts.Such as observing things and expressing the feeling in artistic forms,freehand sketch and imitation, lifelike, images, void be opposite reality. -

中国绘画和戏曲 ,虽属不同门类的艺术 ,但所体现的“观物取象”的审美观照 ,“写意”“摹情”的艺术观 ,“传神”的审美追求 ,“意象”的形象思维 ,“虚实相生”的手法等民族美学思想是一致的。

Although they belong to different kinds of art, Chinese painting and drama reflect the unanimous aesthetic standards, artistic viewpoint, aesthetic chase, thinking in terms of images, and natural aesthetics thoughts. Such as observing things and expressing the feeling in artistic forms, freehand sketch and imitation, lifelike, images, void be opposite reality.

中国绘画和戏曲,虽属不同门类的艺术,但所体现的“观物取象”的审美观照,“写意”“摹情”的艺术观,“传神”的审美追求,“意象”的形象思维,“虚实相生”的手法等民族美学思想是一致的。

The woodcut illustrations of the Story of the Western Chamber are an epitome of traditional Chinese opera prints. The development of this folk art can be divided into the following four periods: Pre-Wanli period, from Wanli to the end of Ming Dynasty, from Shunzhi to Qianlong of the Qing Dynasty and after Jiaqing period. Many schools with distinct characteristics appeared at those periods and painters and craftsmen cooperated for better creation. The spreading of the woodcut illustrations of the Story...

The woodcut illustrations of the Story of the Western Chamber are an epitome of traditional Chinese opera prints. The development of this folk art can be divided into the following four periods: Pre-Wanli period, from Wanli to the end of Ming Dynasty, from Shunzhi to Qianlong of the Qing Dynasty and after Jiaqing period. Many schools with distinct characteristics appeared at those periods and painters and craftsmen cooperated for better creation. The spreading of the woodcut illustrations of the Story of the Western Chamber was most helpful for stage performance and reference. It grows into a branch of printing art with high aesthetic value. As an important part of traditional Chinese opera prints, it contributed greatly to the development and prosperity of Chinese art gallery.

《西厢记》插图版画是中国古代戏曲版画的缩影。它的发展经历了万历前、万历至明末、顺治至乾隆、嘉庆以后四个时期。其特点表现为 :流派纷呈风格各异、画家与刻工的联袂等。《西厢记》版画的流传在当时具有重要的传播价值和舞台演出的借鉴与指导价值。今天它已成为一门独立的艺术 ,具有重要的艺术审美价值。

 
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