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末世情怀
相关语句
  feeling of ultimate
     The Deep Feeling of Ultimate and the Complex of Self-projection in The Scholar
     《儒林外史》的末世情怀与自况情结
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  “末世情怀”译为未确定词的双语例句
     Manifestation of Fin de Siecle Sentiment in the Book of Poetry,Nineteen Ancient Rhymes, and the Later Tang Poetry
     论“末世情怀”在《诗经》、《古诗十九首》和晚唐诗歌中的表现
短句来源
     From Chants the Poem to Look at the Late Tang at the End of Writer World Mood
     从咏物诗看晚唐文人末世情怀
短句来源
     The tragic consciousness in Goodbye Vivian reflects the author's feelings in the last phase, which is to tell people the pain of prevision and realizing the truth of life ahead of time.
     指出《告别薇安》的悲剧意识,体现了作者的末世情怀:告诉人们预知的痛苦, 对生活提前醒悟。
短句来源
     The writers often hold the thing to lodge the bosom,Therefore chants the poem from the late Tang to refract is precisely is on the decline in the era the late Tang writer end the world mood:The time passes,the meritorious achievements not becomes,the value loses sadly indignant;
     文人们往往托物寓怀,因此从晚唐咏物诗折射出的正是衰微时世中晚唐文人的末世情怀:时光流逝、功业无成、价值失落的悲慨;
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  相似匹配句对
     The Deep Feeling of Ultimate and the Complex of Self-projection in The Scholar
     《儒林外史》的末世情怀与自况情结
短句来源
     Compassionate Feelings
     悲悯情怀
短句来源
     THE LOVE OF MUSTARD
     芥末情怀
短句来源
     From Chants the Poem to Look at the Late Tang at the End of Writer World Mood
     从咏物诗看晚唐文人末世情怀
短句来源
     Write of the Latter Past Nobility's Fate
     末世贵族的命运书写
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This paper tries to reveal the traditional origin of Dai Wang - shu's love poems through a comparison of Dai Wang - shu's and Li Shang - ying's love poems. As a distressed poet in the troubled times, the sorrowful feeling at the end of the century is the internal factor that Dai inherited from Li, The special sentimental feature of Dai's love poems is similar to that of Li's with the difference between them lying in the fact that Li and Dai laid their particular emphasis on senses and sentiments respectively....

This paper tries to reveal the traditional origin of Dai Wang - shu's love poems through a comparison of Dai Wang - shu's and Li Shang - ying's love poems. As a distressed poet in the troubled times, the sorrowful feeling at the end of the century is the internal factor that Dai inherited from Li, The special sentimental feature of Dai's love poems is similar to that of Li's with the difference between them lying in the fact that Li and Dai laid their particular emphasis on senses and sentiments respectively. On the other hand, they shouldered similar rebellious tasks in arts, which made them both chase the reserved beauty of poetry and resulted in several means in the images of their love poems. The slight difference is that Li loved to use models while Dai preferred to employ traditional images.

文章通过戴望舒、李商隐的情诗比较,力图揭示戴望舒诗歌的传统渊源。作为乱世中的苦难诗人,从深层讲,悲苦的末世情怀是戴承继李的内在因素。至于戴望舒情诗的感伤特质,则从他与李商隐相似的爱情观和情诗氛围的营构得以体现,其区别则在情感和情绪分别成为李、戴表现的不同侧重点。另外,由于他们客观上面临着相同的艺术上的反叛任务,因而导致俩人对含蓄诗美的追求,其结果是造成他们情诗艺象的多义性,略有不同的是,李商隐爱用典,而戴望舒偏爱传统意象。

The paper holds that the mainstream literary thoughts of a rising and flourishing dynasty are state-oriented and those of a declining dynasty are invariably individually directed and that this fin de siecle sentiment is characterized by the prevailing carpe diem theme that pervades the poetical works of the Book of Poetry, Nineteen Ancient Rhymes, and the Later Tang Poetry. The paper further investigates the identity of the poets,the contents,and the styles of such works as typify the fin de siecle sentiment....

The paper holds that the mainstream literary thoughts of a rising and flourishing dynasty are state-oriented and those of a declining dynasty are invariably individually directed and that this fin de siecle sentiment is characterized by the prevailing carpe diem theme that pervades the poetical works of the Book of Poetry, Nineteen Ancient Rhymes, and the Later Tang Poetry. The paper further investigates the identity of the poets,the contents,and the styles of such works as typify the fin de siecle sentiment.

当一个朝代走向衰落时,它的文学主流就由兴盛时期的关注国家政治、渴望建功立业转向对自我的关照,这一特定时期的文学主题常常表现为“人生无常、及时行乐”的“末世情怀”。本文分析了“末世情怀”在《诗经》、《古诗十九首》和晚唐诗歌中的表现,并从“末世情怀”的产生,《诗经》、《古诗十九首》和晚唐诗歌中表现“末世情怀”的诗歌的诗人身份、表现内容、表现风格等方面分析了异同。

Compared with the related western studies, Russian ecological philosophy has paid more attention to Eschatology and represented a unique path of thinking, that is, an intense rational conception and a religious consciousness. In the era of globalization, Russian ecological Eschatology, as an active response of Russian ideology to the world ecosystem crisis, contains a strong eschatological emotion and a spirit of salvation. It mainly deals with the sin and punishment between the nature and human being as well...

Compared with the related western studies, Russian ecological philosophy has paid more attention to Eschatology and represented a unique path of thinking, that is, an intense rational conception and a religious consciousness. In the era of globalization, Russian ecological Eschatology, as an active response of Russian ideology to the world ecosystem crisis, contains a strong eschatological emotion and a spirit of salvation. It mainly deals with the sin and punishment between the nature and human being as well as the endeavor of atoning humanity.

与西方的生态哲学研究相比,俄罗斯生态哲学更凝神于末世论主题,呈现出独特的思维理路——强烈的理性色彩与宗教意识。俄罗斯生态末世论是全球化时代俄罗斯思想界对生态危机的积极回应,其中积淀了沉郁的末世情怀与救世精神,主要涉及人与自然关系的罪与罚以及救赎世人的努力。

 
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