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女性人物     
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  female characters
     It analyzes Chopin's characterizing of female characters and male characters respectively to prove her reconstruction of gender.
     本文通过对小说中女性人物以及男性人物的分析来说明作家对女性性别概念以及男性性别概念的重新定义。
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     The paper is intended to analyze the typical female characters created in her three novels and their bewilderment in painful initiations.
     从女性主义视角,分析了作家在其不同作品中塑造的典型的女性人物形象以及她们在各自成长过程中所经历的种种困惑与挣扎;
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     Seek a Residence for Spirit —An Analysis of the ecological dilemma of the female characters in Morrison's novels
     寻找精神的栖息地——托尼·莫里森小说女性人物精神生态困境阐释
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     The female characters are constrained by the Byronic Heroes' love.
     “拜伦式英雄”通过爱情把女性人物桎梏于爱的囚笼中。
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     The Development of the Self of Virginia Woolf's Major Female Characters
     弗吉尼亚·伍尔夫小说中主要女性人物的自我发展
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  women characters
     A Study of the Typical Women Characters of Muriel Spark
     穆丽尔·斯帕克典型女性人物形象研究
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     This thesis analyzes the progress of women characters' consciousness of self, and Lawrence's contributions and limitations inhis exploration of women's self-emancipation.
     因此我分析了三位女性人物从自我觉醒到为解放自我而奋力与宗教、传统及腐败的社会制度抗争的历程,以及劳伦斯在探索女性解放中的贡献和局限,希望藉此唤醒更多女性的自我意识及人类对自然本我的尊重,并呼吁社会给予女性更多支持和帮助。
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     This thesis tries tocontribute its share to the study of George Eliot's works by locating George Eliot's ambivalentfeminist ideas and potential tragic fate of women characters after analyzing the narrativediscourse in her three masterpieces Adam Bede (1858) and The Mill on the Floss (1860) inearly period and Middlemarch (1871-1872) in late period from the perspective of feministnarratology.
     本论文从这一角度深入发掘,对乔治? 爱略特的三部作品即前期的《亚当?彼德》(1858)、《弗洛斯河磨坊》(1860)和后期的《米德马尔契》(1871-1872)中叙述话语进行分析进而从叙事话语策略中解读爱略特的女性意识,来分析女性人物的悲剧潜质。
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     The women characters in the novels are created according tothe male author's imagination and wishes, and depictedaccording to the value standards of men and theirrelationships with the male protagonist.
     小说中的女性人物是以男性作者的想象或愿望塑造的,是以男性的眼光和与男性主人公的关系来进行描写的。 这些女性人物的塑造是以男性为中心的文学传统中厌恶妇女情绪的延续,是男性社会价值观的体现。
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     The article will analyse women characters in Dubliners from a feminist approach.
     试图从女权主义的角度来分析《都柏林人》中的女性人物
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  female character
     The paper mainly deals with the breakthrough of the urban realism writers in female character portraying.
     本文着重论述世纪末城市写实主义作家在新时期女性人物形象塑造方面的突破。
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     Part three is the focal part of the article. On the basis of previous character analysis, this part refines and summarizes the dramatic and musical techniques utilized in Puccini's female character creation.
     第三部分在前面个案分析的基础上,对普契尼歌剧中女性人物性格刻画的方式手段进行提炼总结,对普契尼在女性人物性格刻画时所采用的音乐、戏剧等手段方法进行概括性论述。
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     Through the analysis of the representation of the female character, Hester, Hawthorne's feminist consciousness can be detected in The Scarlet Letter.
     正是通过对海丝特这一女性人物的塑造表达出霍桑潜在的女性主义意识。
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     The stages of female character development and the connotation beneath each character pave the path of the overall analysis, which explores and comments on the dramatic and musical techniques that Puccini applied to the female character creation.
     在分析中以每位女性的性格发展的脉络以及主体内涵为线索,挖掘和评述普契尼对这些女性人物进行刻画时所采取的戏剧及音乐手段;
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     On Female Character Feature in Tie Ning's Novels
     试论铁凝小说的女性人物特征
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  feminine characters
     On the Feminine Characters in Zhang Ailing's Novels
     论张爱玲小说中的女性人物形象
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     This dissertation is intended to historically analyze the Italian opera with special stress on the main feminine characters at different times, to try to come to a generalization of the feminine characters at that time in order to reflect different female complexions at different epoch.
     本篇试图从历史的角度出发,以意大利歌剧中女性角色为线索理出一条主线,对每一时期主要的意大利歌剧中的女性人物进行有重点的介绍,对当时女性角色加以总结概括,看到不同时期不同女性形象的特点。
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     Former commentators neglected the harm such values did to feminine characters,who,in the novel,are confronted with 3 questions of the separation of "sex" from "love",identity deficiency and "penis admiration".
     而以往的评论者却忽视了作者这一价值观对女性人物所造成的戕害,小说中的女性人物面临着三大问题:“性”与“爱”的分离、身份缺失以及“阴茎羡慕”。
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  female characters
indica and can be distinguished from these species mainly by male and female characters.
      
indica, and can be distinguished from these species mainly by male and female characters.
      
The female characters in Dylan Thomas's Under Milkwood are examined from a Jungian perspective employing Toni Wolff's framework for analyzing the female psyche as well as female archetypes proposed by Jung.
      
Contemporary British writers Angela Carter, Jeanette Winterson, and Fay Weldon all employ representations of excessive and powerful female characters in their fiction.
      
I especially focused on the importance of these courtship behaviours in relation to other female characters, such as size and condition, using multiple regression.
      
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  women characters
She also tried to reveal the blending of the private and public spheres behind historical events, as well as the hidden role of women characters in the formation of public events.
      
Implications for portrayals of heroic women characters are discussed.
      
Classifies women characters of Mansfield's fiction into seven according to their generation or situation, and discusses their unstable states of mind.
      
In Prelude and At the Bay, she focuses on the women characters' imaginations.
      
In a discussion of Mansfield's, she remarks Mansfield's perception of her double selves projected into women characters of her fiction.
      
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  female character
Some male call characters also appeared to be genetically correlated with the female character selected for, despite the rather different structure of male and female calls.
      
Coitus was rated more favorably for the male character than for the female character, and the reverse was true for masturbation.
      
Eight scenarios (from visiting various adult web sites to having sex) involving a male or female character in a committed relationship were presented in a survey format.
      
Male and female participants were presented with scenarios depicting an abusive interaction between two males, two females, or a male and a female character and then made judgements of responsibility either with or without the narratives present.
      
Gender differences were found as girls were more likely to remember emotion than boys, especially when the emotion action was specifically labeled and a female character experienced it.
      
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