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三国
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  three kingdoms
    The "Court Model" of Cultural Infulence──The Romance of Three Kingdoms in Thailand
    文化影响的“宫廷模式”──《三国演义》在泰国
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    On the Artistic Nature of A Romance of the Three Kingdoms
    超越之奇与超验之美——《三国演义》艺术论之一
短句来源
    The Reconstruction of Confucian Ethics and the Novel Romance of the Three Kingdoms
    儒家伦理道德重建与《三国演义》
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    The Beauty of the Structural Art of "The Romance of Three Kingdoms" -Concurrently on the life Curve of Liu-Shu Group
    《三国演义》的结构艺术之美——兼论刘蜀集团的生命曲线
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    Stressing Sense of competition Expanding the Culture of the Three Kingdoms-On How the History and Culture of the Three Kingdoms to Face the Mass at Present
    突出竞争意识 弘扬三国文化——浅论三国历史文化如何面向当代大众
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  “三国”译为未确定词的双语例句
    ShiJing Literature Frame and Poetry Lyric Tradition
    市井文学框架与诗骚抒情传统——论元杂剧三国戏的美学风格
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    He considers that, Guangdong's literature had a glorious appearance because of the long economic exploitation from the north to the south and from the west to the east since the Qin Dynasty, the influence of northern culture, especially that of relegated officials, and the advanced public as well as individual education flourished in Guangdong since the Song Dynasty.
    文学家分布格局的形成与变化,有其独特的区域文化背景,而远离主流文化中心的广东文化之所以能在唐宋时期显露生机,在明清时期大放异彩,一是得益于自秦汉以来的由北而南、由西而东的经济开发,二是得益于北方文化的影响,尤其是三国以来北方“谪宦”和“流寓”的影响,三是得益于宋代以来处于全国先进行列的官、私教育。
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    Three-Kingdom Culture Delivers Profound Influence on Sichuan
    三国文化对巴蜀的影响
短句来源
    Zhuge Liang and the Jieting Battle
    诸葛亮与街亭之役——读《三国演义》札记之三
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    A Humble Comment on Chen Shou's Literary Morality 
    陈寿史德刍议——读《三国志·诸葛亮传》
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  three kingdoms
An investigation of thirty objects from all three kingdoms of life (from archaea and bacteria to mammals, including humans) has shown that AE account for 30-90% of the total cellular 3' → 5'-exonucleolytic activity.
      
Extant Korean historical documents are used as the source to acquire a general historical background on the ancient Korean "Three Kingdoms." The archaeological manifestation of warfare is examined.
      
The time from the mid-late Eastern Han Dynasty to the early period of the Three Kingdoms witnessed the simultaneous use of both bamboo and paper and the transition from the former to the latter as the preferred medium for literature.
      
The gene was isolated and its deduced peptide sequence of 247 amino acids showed up to 54% identity with the IGPD enzymes of organisms comprising all three kingdoms.
      
Positions conserved across the three kingdoms are thought to represent archetypical features of tRNAs which preceded the divergence of these kingdoms.
      
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"Chibi Campaign" was a great campaign in the history of China. However, since the appearance of "The Romance of Three Kingdoms" written by Luo Guangzhong, the Campaign waged in Chibi and many of its characters involved, as were spread far and wide among the people, have been distorted beyond recognition. The essay is an effort to elaborate on Liang Xing's cineplay "Chibi Campaign" from such angles as the creation of historical play, the momentum of the play, and the character-depiction, with a view to highlighting...

"Chibi Campaign" was a great campaign in the history of China. However, since the appearance of "The Romance of Three Kingdoms" written by Luo Guangzhong, the Campaign waged in Chibi and many of its characters involved, as were spread far and wide among the people, have been distorted beyond recognition. The essay is an effort to elaborate on Liang Xing's cineplay "Chibi Campaign" from such angles as the creation of historical play, the momentum of the play, and the character-depiction, with a view to highlighting its artistic features and achievement. At the same time. the play is also examined in a general way in the context of, the whole repertoire of the playwright.

罗贯中写《三国演义》之后,历史上的赤壁之战及其人物就面目全非。本文论述了梁信的电影文学剧本《赤壁之战》还历史本来面目的创作思想和人物塑造等方面的艺术特色,高度肯定了梁信电影剧作的思想和艺术成就。

Abstract Za Ju of the Yuan Dynasty, or the Yuan play, exercised a great influence on the novel The Romance of the Three Kingdoms.Its aesthetic value,the explanatory verse on the title of the play, the system of consecutive episodes and the stylized performance facilitate the fluent narration and description,the formation of the episodic structure, and the archetypal characterization of the novel. The beauty of smoothness and ease embodied in the creation of Za Ju in particular, broke the limitation by the traditional...

Abstract Za Ju of the Yuan Dynasty, or the Yuan play, exercised a great influence on the novel The Romance of the Three Kingdoms.Its aesthetic value,the explanatory verse on the title of the play, the system of consecutive episodes and the stylized performance facilitate the fluent narration and description,the formation of the episodic structure, and the archetypal characterization of the novel. The beauty of smoothness and ease embodied in the creation of Za Ju in particular, broke the limitation by the traditional Chinese aesthetic values and played an important role in the making of the first full-length episodic novel in China.

元杂剧的审美观、题目正名和连本戏的体制、程式化的表演等,对小说《三国演义》的酣畅叙述描写、章回体结构的形成、类型化的人物塑造等都有重要影响,尤其元杂剧的酣畅美是对中国传统审美观的突破,对该小说成为中国第一部长篇章回小说起了重要作用.

Through the textual study of the Xi Wen The Three Kingdoms and its changes in the Ming Dynasty,the present article finds out Nanxis borrowing of the Zaju based on the stories of the three kingdoms in the Yuan Dynasty and the early Ming Dynasty and proves that,in the Xi Wen The Three Kingdoms,there are some northern Zaju succession ballads which are in oblivion today.We can trace the singing of Beiqu in Kun tune to the phenomenon of using Beiqu in Nanxi beginning from the end of the Yuan Dynasty.

本文通过对《三国志》戏文的考察,了解明代三国戏文的变迁,辨明南戏对于元及明初三国故事杂剧的袭用,证明《三国志》戏文中存在若干今佚的北杂剧套数;元末开始的“移北入南”现象,为北曲昆唱的渊源所自

 
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