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"Chibi Campaign" was a great campaign in the history of China. However, since the appearance of "The Romance of Three Kingdoms" written by Luo Guangzhong, the Campaign waged in Chibi and many of its characters involved, as were spread far and wide among the people, have been distorted beyond recognition. The essay is an effort to elaborate on Liang Xing's cineplay "Chibi Campaign" from such angles as the creation of historical play, the momentum of the play, and the character-depiction, with a view to highlighting... "Chibi Campaign" was a great campaign in the history of China. However, since the appearance of "The Romance of Three Kingdoms" written by Luo Guangzhong, the Campaign waged in Chibi and many of its characters involved, as were spread far and wide among the people, have been distorted beyond recognition. The essay is an effort to elaborate on Liang Xing's cineplay "Chibi Campaign" from such angles as the creation of historical play, the momentum of the play, and the character-depiction, with a view to highlighting its artistic features and achievement. At the same time. the play is also examined in a general way in the context of, the whole repertoire of the playwright. 罗贯中写《三国演义》之后,历史上的赤壁之战及其人物就面目全非。本文论述了梁信的电影文学剧本《赤壁之战》还历史本来面目的创作思想和人物塑造等方面的艺术特色,高度肯定了梁信电影剧作的思想和艺术成就。 Abstract Za Ju of the Yuan Dynasty, or the Yuan play, exercised a great influence on the novel The Romance of the Three Kingdoms.Its aesthetic value,the explanatory verse on the title of the play, the system of consecutive episodes and the stylized performance facilitate the fluent narration and description,the formation of the episodic structure, and the archetypal characterization of the novel. The beauty of smoothness and ease embodied in the creation of Za Ju in particular, broke the limitation by the traditional... Abstract Za Ju of the Yuan Dynasty, or the Yuan play, exercised a great influence on the novel The Romance of the Three Kingdoms.Its aesthetic value,the explanatory verse on the title of the play, the system of consecutive episodes and the stylized performance facilitate the fluent narration and description,the formation of the episodic structure, and the archetypal characterization of the novel. The beauty of smoothness and ease embodied in the creation of Za Ju in particular, broke the limitation by the traditional Chinese aesthetic values and played an important role in the making of the first full-length episodic novel in China. 元杂剧的审美观、题目正名和连本戏的体制、程式化的表演等,对小说《三国演义》的酣畅叙述描写、章回体结构的形成、类型化的人物塑造等都有重要影响,尤其元杂剧的酣畅美是对中国传统审美观的突破,对该小说成为中国第一部长篇章回小说起了重要作用. Through the textual study of the Xi Wen The Three Kingdoms and its changes in the Ming Dynasty,the present article finds out Nanxis borrowing of the Zaju based on the stories of the three kingdoms in the Yuan Dynasty and the early Ming Dynasty and proves that,in the Xi Wen The Three Kingdoms,there are some northern Zaju succession ballads which are in oblivion today.We can trace the singing of Beiqu in Kun tune to the phenomenon of using Beiqu in Nanxi beginning from the end of the Yuan Dynasty. 本文通过对《三国志》戏文的考察,了解明代三国戏文的变迁,辨明南戏对于元及明初三国故事杂剧的袭用,证明《三国志》戏文中存在若干今佚的北杂剧套数;元末开始的“移北入南”现象,为北曲昆唱的渊源所自
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