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素描造型
相关语句
  sketch moulding
     Improvement of Sketch Moulding Capability of Students ——Talk on Line Application in Sketch Moulding
     提高学生素描造型能力——谈素描造型中线条的运用
短句来源
     Line,the basic sketch moulding techniqne,can,alone,demonstrate main characters of figure correctly.
     素描造型中线条是基本的造型手段,素描中单用线就能正确表现出形体的主要特征。
短句来源
  sketching shapes
     Solid picture is a visual language by multiple factors,which is the objective pursued by sketching shapes teaching.
     扎实的画面效果是由多重因素构成的视觉语言,是素描造型实践教学中所追求的目标。
短句来源
  sketch modeling
     In dealing with the problems of the oversimplification and conceptualization of students' sketch modeling and their cognitive concepts, a teacher should improve his quality, renew his teaching concepts, and on the basis of figure structure, further realize and research the importance, artistic implication, principle and methods of the sketch modeling.
     针对学生存在的素描造型及认识观念的简单化、概念化等问题,教师要提高素质,更新教学观念,以形体结构为依据,进一步认识、研究素描造型的重要性、艺术含义、原则和方法。
短句来源
     The sketch modeling ability is essential to every practitioner and how to improve the sketch modeling ability is a painter's life mission.
     素描造型能力是每一个习画者必须具备的一种能力,如何提高素描造型能力更是绘画者一生的任务。
短句来源
     Consideration on Artistic Sketch Modeling and Teaching in Colleges and Universities
     对高校美术素描造型及教学的思考
短句来源
     The have tried to transform the disadvantages of the tradition figure image by the we stem sketch modeling method.
     他们以西方的素描造型方法来改造传统人物画在表现人物形象时的诸多不足。
短句来源
     The article used2stages of the plaster statue painting way as example to analyse and expound,so the rules of improving the sketch modeling ability were produced,that is,the combination of observation,thought ,recognition and manifestation.
     文章以石膏像素描写生方法的两个阶段为例进行分析和阐述,从而得出提高素描造型能力的规律,即观察、思维、认识和表现相结合。
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  “素描造型”译为未确定词的双语例句
     Characteristics and Rules of Linear Structure Dark - and - light Stretch
     关于线结构和明暗两类素描造型方法的特点与规律
短句来源
     Art Majors and Solid Drawing Mold Foundation
     美术专业学生应具备坚实的素描造型基础
短句来源
     A Theoretical Exploration on Improving the Sketching Skill of College Art Majors and Its Practice by Wang Chengliang
     高师美术专业素描造型训练三议
短句来源
     The plastic skill in sketching should be viewed as the comprehensive ability in creating visual art forms.
     素描造型能力应当成为创造视觉形式的综合能力。
短句来源
     The unity and contradiction of the tramming Process and expression in sketch from nature.
     素描造型写生训练过程是观察与表现的矛盾统一体。
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The author holds that sketching is not only a base for skills, but the base of arts. The positioning of sketching is to place it in the art category, and to understand that artistic creation begins with the artistic visual manners of sketching. And the author believes that the understanding sketching as the base of arts can be reached in terms of the innate development of man and the development of artistic ability for sketching

素描不仅是技能基础,更是艺术基础,素描观念的定位,一是使素描确立在艺术的范畴内;二是艺术创造始于素描的艺术视觉方式,从人的内在开发和发展素描的艺术能力方面,认识素描是造型艺术的基础。

There has been a deep-rooted prejudice about the plastic function of sketching-the basic practice of realism. However, if we hold the view that architecture, design, Chinese imagery art and western abstract art all undeniably belong to plastic arts, then expression and abstracting, apart from representation, should be included into the denotation of plastic arts. The plastic skill in sketching should be viewed as the comprehensive ability in creating visual art forms. Based on this point of view, this article...

There has been a deep-rooted prejudice about the plastic function of sketching-the basic practice of realism. However, if we hold the view that architecture, design, Chinese imagery art and western abstract art all undeniably belong to plastic arts, then expression and abstracting, apart from representation, should be included into the denotation of plastic arts. The plastic skill in sketching should be viewed as the comprehensive ability in creating visual art forms. Based on this point of view, this article discusses the relationships between sketching and its formal composition, and creative thinking.

人们对素描的造型功能有一种根深蒂固的偏见──写实基本功。然而 ,如果我们不否认建筑、设计以及中国的意象美术、西方的抽象美术都属于造型艺术 ,那么造型的内涵除了再现 ,还应当包括表现与抽象。素描造型能力应当成为创造视觉形式的综合能力。本文从这一论点出发 ,探讨了素描艺术及其形式构成、创作草图、速写与创造性思维的关系问题

The essay, in the form of questions and answers, discusses some specific problems concerning the recognition and technical representation of basic sketch in teaching arts. Begin with the most essential moulding problem in sketch, the essay expounds the representation of sketch as well as its observation, recognition and understanding in an all - round way. The essay, with "shape" and "body" as its focus of discussion, makes a theoretical probe into sketch moulding and discusses some other problems on sketch...

The essay, in the form of questions and answers, discusses some specific problems concerning the recognition and technical representation of basic sketch in teaching arts. Begin with the most essential moulding problem in sketch, the essay expounds the representation of sketch as well as its observation, recognition and understanding in an all - round way. The essay, with "shape" and "body" as its focus of discussion, makes a theoretical probe into sketch moulding and discusses some other problems on sketch representation, thus having got rid of the students' puzzlement in their study of sketch.

以问答的形式,论述了美术教学中基础素描部分认识与技法表现方面的具体问题。从素描最本质的造型问题入手,对素描的表现以及观察、认识、理解等问题展开了全面论述。全文重点围绕着“形”与“体”问题进行了素描造型的理论性探索,同时以点带面地涉及到素描表现的其它方面问题。

 
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