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   当代中国文学 的翻译结果: 查询用时:0.096秒
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当代中国文学
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  contemporary chinese literature
     Landscape of Post-modernism and Contemporary Chinese Literature
     后现代主义景观与当代中国文学
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     All these are the significance of contemporary Chinese literature.
     这正是当代中国文学的现实意义所在。
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     This paper focuses on the development of the concept of night and dark in the context of China. First, it introduces the use of darkness and night in the traditional Chinese culture. Then, it depicts their use in modern and contemporary Chinese literature.
     文章对黑暗/夜的概念在中国语境中的演绎进行了调查:首先对黑暗(darkness)和黑夜(night)在中国传统文化中的使用加以评说,然后讨论其在现当代中国文学中的使用,最后着重讨论女作家翟永明(1955-)和她将女性精神理解为“黑夜意识”(nocturnalconsciousness)的观点。
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     Thinking of Peasants' Images in Contemporary Chinese Literature
     当代中国文学中的农民形象思考
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     It is impossible that the Christianity culture will become the mainstream value in China, But without doubt, BeiCun' novels has enriched the significance of Contemporary Chinese literature.
     在中国这种无神论语境中,基督教文化不可能成为当代中国的价值主流形态,但北村的小说无疑丰富了当代中国文学的意义内容和表现形式。
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  contemporary chinese literary
     Contemporary Chinese Literary Reading Study Construction
     构建当代中国文学阅读学——龙协涛教授新著《文学阅读学》述评及其他
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     Features and Modes of the Contemporary Chinese Literary Trends of Thoughts
     当代中国文学思潮的特点与模式
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     in the first chapter"influences market economy exerts on contemporary Chinese literary authors and arts", we explores the process in which the four representative literary authors and arts changes their creative ideas under the market economy system, in the second chapter" influences market economy exerts on contemporary Chinese literary and artistic creations", we hold a discussion of this question four aspects:the populism of aesthetic tastes, narrative stand , choice of materials and mode feature.
     在第一章“市场经济对当代中国文学艺术家的影响”中,我们主要考察了有代表性的四个文学艺术家群落在面对市场经济时其文学艺术创作观念的嬗变过程。 在第二章“市场经济对当代中国文学艺术创作的影响”中,我们从四个方面对90年代后文学艺术作品受市场的影响进行了考察研究。
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     Realization of the decentralization in the contemporary Chinese literary activities would be helpful to the further understanding of the Chinese literature and criticism: the status quo (including the existing problem), and the future development.
     了解当代中国文学活动的这一边缘化走向,将有助于我们进一步认识中国文学及文学批评发展的现状及其问题。
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     These theories are an inspiration to the construction of contemporary Chinese literary theory and a guidance of contemporary Chinese literary creation.
     这三个方面对于中国当代文艺理论的建构具有启迪作用,对于当代中国文学创作具有指导意义。
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  chinese modern literary
     MulakamiHaruki In China ——An Analysis of Mulakami Fad in Chinese Modern Literary Trend
     村上春树在中国——当代中国文学思潮下的村上热初探
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     Ooe Kenzaburo's novels have provided precious references for Chinese modern literary production in the aspects of using native experiences, meditating upon national history, returning to tradition and making bold innovations.
     大江小说在取用故土经验和反思民族历史、回归传统和大胆创新方面,对当代中国文学创作具有宝贵的借鉴作用。
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  “当代中国文学”译为未确定词的双语例句
     “The scholar’s criticism” and “the writer’s criticism” are the two dominant models of literary criticism in contemporary China with their own defects.
     当代中国文学批评实际上存在着两种基本的“路向”或者说“模式”,即“学院批评”和“作家批评”,两种批评各有其缺陷,表现为:“学院批评”过分地依赖理论从而导致批评与创作实际脱节;
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     An Original Interpretation of Loftiness and the Formation of Loftiness Character ofModern Chinese Literature
     崇高的原始阐释与当代中国文学崇高品格的形成
短句来源
     Review in Anticipation On the Frame and the Literary System of Contemporary China
     论当代中国文学体系与构架
短句来源
     5. The postmodernism interpretation of Chinese contemporary literary irony.
     五、当代中国文学反讽的后现代阐释。
短句来源
     It is generally significant for the study on the history of Chinese new literature and the construction of Chinese contemporary literature to study the relationship of Chinese modern writers and western literature.
     中国现代作家与西方文学关系的研究对中国现当代文学史的研究和当代中国文学的建设具有普遍意义。
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  contemporary chinese literature
A fundamental study of standard works and selected writings in the modern and contemporary Chinese literature.
      


AbstractSince Chinese literature theorists and aesthetice eircles used to understand Longinus' On Loftiness as a mere discussion of Loftiness from the rhetorical point of view , this paper analyses Longinus' understanding of Loftiness from the style of the works , the author's thought, emotions , personality , the works' aesthetic effects , and other aspects, and finally gets to the point that today's Chinese can absorb useful clcments from Longinus' ideology of Loftiness, which will help our literature and...

AbstractSince Chinese literature theorists and aesthetice eircles used to understand Longinus' On Loftiness as a mere discussion of Loftiness from the rhetorical point of view , this paper analyses Longinus' understanding of Loftiness from the style of the works , the author's thought, emotions , personality , the works' aesthetic effects , and other aspects, and finally gets to the point that today's Chinese can absorb useful clcments from Longinus' ideology of Loftiness, which will help our literature and life get out of the downcast state and up to Loftiness.

崇高的原始阐释与当代中国文学崇高品格的形成姜桂华崇高作为一个美学范畴,在西方美学史上被很多美学家论述过,而第一个对崇高进行探讨的是古罗马的朗吉弩斯①,他在《论祟高》中对崇高的涵义、审美特征、来源等作了较为系统的论述。鲍桑葵在《美学史》中这样评价《论崇...

Against the macro-background of the Chinese literature in the 20th century, the author of the present paper has observed and reviewed the developing process of the Chinese contemporary literature (CCL). On the basis of the new historical concept and cultural ideology, this paper is aimed at constructing nativised CCl in a three-dimensional space, which comprises such three respects as the Mainland, Taiwan, Hong Kong and Macao, in order to develop the new patterns for the research into the CCl. Artistically,...

Against the macro-background of the Chinese literature in the 20th century, the author of the present paper has observed and reviewed the developing process of the Chinese contemporary literature (CCL). On the basis of the new historical concept and cultural ideology, this paper is aimed at constructing nativised CCl in a three-dimensional space, which comprises such three respects as the Mainland, Taiwan, Hong Kong and Macao, in order to develop the new patterns for the research into the CCl. Artistically, culturally and aesthetically, the author has inquired into the developing sequences of idea, coexisting from the centralized realism to the pluralized artistic forms, and the writers in Taiwan, Hong Kong and Macao obviously accepting and adopting the cultural tradition of the Han Nationality due to their blood relationship with the Central Plains' culture. Then he points out that the whole observation and research into the CCl is not only an anticipation, but also a historically inexorable trend.

本文在 2 0世纪中国文学的宏观背景上 ,考察反思了当代中国文学的发展历程 ,以新的史学观念和文化思想 ,提出在三度空间建构包孕大陆、台湾、港澳地区在内三大板块的本土化当代中国文学 ,以期开拓中国当代文学研究新格局。全文分别对大陆由现实主义一元化到多元艺术形态并存的发展脉络 ,台湾与港澳文学因与中原文化的根脉关系而表现出对汉文化传统的体认与指归 ,作了艺术的、文化的、美学的深层次探讨 ;进而指出 ,对当代中国文学进行整体的观照 ,既是一种期待 ,更是历史的必然

For decades, the research methodology of Chinese literary history has many problems such as following suit blindly, rigid stylistic rules and layout, little research of the form and development, and inability of reforming the traditional methods. However, we may be enlightened by reading G. Brandes' six-volume masterpiece, Essential Aspects of the Nineteenth Century Literature . Brandes has integrated a variety of research methods previously employed in literary history research, emphasized to grasp the essence...

For decades, the research methodology of Chinese literary history has many problems such as following suit blindly, rigid stylistic rules and layout, little research of the form and development, and inability of reforming the traditional methods. However, we may be enlightened by reading G. Brandes' six-volume masterpiece, Essential Aspects of the Nineteenth Century Literature . Brandes has integrated a variety of research methods previously employed in literary history research, emphasized to grasp the essence of literary phenomena in the context of global culture and probe the culture of the European Continent and literature as a whole from a spiritual perspective. He has conducted both micro- and macro-aesthetical analysis on the basis of the characters or incidents which represent the political and cultural lives of their times. He has formed his own original research and writing style. Definitely there is much in his method that we can make use of in constructing the history of contemporary Chinese literature.

长期以来 ,我国的文学史研究方法一直存在着机械他律论、体例僵化、形式和流变研究贫乏、对传统治史方法不能更新等问题。勃兰兑斯的洋洋六卷本文学史巨著《十九世纪文学主流》综合前人各种文学史方法 ,强调在大文化视野中把握文学史现象 ,由精神之点出发透视欧陆文化和文学整体 ,以能够代表一定时代政治、文化本质的典型人物或事件为核心 ,致力于宏观与微观研究相结合的美学分析 ,并形成了自己独特的著述风格。这对当代中国文学史学建设是具有广泛而深刻的启迪和借鉴意义的

 
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