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现代文化语境
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  modern cultural context
     A Study on Ancient Chinese Literary Theory under Contemporary Modern Cultural Context
     略谈现代文化语境下的古代文论研究
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     The Chinese literature history in the 20th century is,in a broad sense,a history of native literature and a changing process of native literature in the modern cultural context and the historical setting of saving the nation from extinction.
     中国20世纪文学史是一部乡土文学在现代文化语境和民族救亡图存的历史背景下的流变史。
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     The paper also discusses that,in the modern cultural context,literature displays great artistic potentiality in the 3 aspects:emancipating function,criticizing function and overpassing function.
     同时还探讨了现代文化语境下文学所具有的解放功能、批判功能、超越功能
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     Henan Rural Literature in the Modern Cultural Context
     现代文化语境中的河南乡土文学
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     Debate between refined and pop music in the tradition of Chinese music is one of the motivation of Chinese music development,but this debate is changing in the modern cultural context.
     中国音乐传统的“雅俗之争”是中国音乐发展的动力之一,但在现代文化语境下发生嬗变。
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  “现代文化语境”译为未确定词的双语例句
     Working mechanism of parody and its presentations in the postmodern cultural context
     仿拟的运作机制及其在后现代文化语境中的表现
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     Translation Criteria in the Post-Modernist Cultural Context
     后现代文化语境下的翻译标准问题
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     The paper analyzes the postmodern cultural context of the theory of intertexuality,with the purpose of unveiling its mystery,its generative logic.
     本文试图通过分析互文性理论的后现代文化语境来揭开其神秘面纱,即这一理论的“生成逻辑”。
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     However, under the postmodern surroundings of culture, it has enriched the family of emotion.
     但是在后现代文化语境中,它进一步表征了情感家族的后现代状态。
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     The thesis at last emphasized on the practical problems of Chinese movie’s narration in postmodern times.
     论文最终将研究视角落在后现代文化语境下的中国大陆电影叙事所面临的现实问题方面。
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  相似匹配句对
     The Modern Civilization
     现代文化
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     Short-message Culture under Postmodern Context
     后现代语境下的短信文化
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     Movie & Television Culture in the Post-Modern Context
     后现代语境下的影视文化
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     On Cultural Context
     文化语境
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     Linguistic Context of Lao She
     老舍的文化语境
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In modern cultural situation , poetic borrowing is one of the methods in artistic exchanges and of propelling the poetry forward Modern Chinese poetry emerged and was pushed forward under the influence of western poetic experiences. Poetic borrowing is to learn something as poetic ideas, techniques from foreign poetry in order to enforce the vitality of our national poetry. Poetic borrowing includes some different methods such as direct borrowing, indirect borrowing and medium borrowing, and each pattern has...

In modern cultural situation , poetic borrowing is one of the methods in artistic exchanges and of propelling the poetry forward Modern Chinese poetry emerged and was pushed forward under the influence of western poetic experiences. Poetic borrowing is to learn something as poetic ideas, techniques from foreign poetry in order to enforce the vitality of our national poetry. Poetic borrowing includes some different methods such as direct borrowing, indirect borrowing and medium borrowing, and each pattern has its advantages and insufficiencies which will be discussed in this article.

现代文化语境下 ,诗歌借鉴是进行艺术交流和推动诗歌发展的主要手段之一。中国新诗就是在外国艺术尤其是外国诗歌的影响下诞生和发展的。所谓诗歌借鉴 ,就是对外国诗歌的艺术观念、手法等有所借用 ,从而使本民族的诗歌具有更强大的艺术生命力。诗歌借鉴主要包括直接借鉴、中介借鉴、间接借鉴等几种方式 ,它们各有特点 ,既有优势也有不足。试图从新诗对外国诗歌的借鉴出发 ,对这一问题进行一些探讨。

“Impressional Criticism” is a pan-critical shape to strengthen commenters' individuality and sensibility, who can use subjective and impressional aesthetic insight to evaluate literature. Chinese modern pan-impressionistic literary criticism became a special scenery of literary world in 1920s-1930s' Chinese modern cultural circumstances. They proposed freedom, allowance, creation, detached attitude and etc. All the literary critical flows those propose historical or political or moral standards can draw lessons...

“Impressional Criticism” is a pan-critical shape to strengthen commenters' individuality and sensibility, who can use subjective and impressional aesthetic insight to evaluate literature. Chinese modern pan-impressionistic literary criticism became a special scenery of literary world in 1920s-1930s' Chinese modern cultural circumstances. They proposed freedom, allowance, creation, detached attitude and etc. All the literary critical flows those propose historical or political or moral standards can draw lessons from the “Pan impressionistic Literary Criticism”.

“印象的批评”是旨在强化批评家个性主体意识和主观情感评价功能、以主观的和印象的审美眼光评价文学的一种泛化批评形态。中国现代泛印象主义文学批评在20年代和30年代中国现代文化语境中成为文坛上的一道独特风景线。他们所倡导的文学批评的自由与宽容、创造与超越的理论品格,对20世纪中国现代文学中的历史主义和政治论、道德论文艺批评,具有本体论意义上的借鉴意义和认识价值。

For thousands of years of the stylistic history,long-standing cross-style writing has never become a universal pursuit for writers.In the cultural context at the turn of the 20th and 21st centuries,however,cross-style writing like something coming down from the sky,unexpectedly has formed a unique stlye and to a certain extent smoothed over part of the reality of defect and loneliness in pure liturature.The writers' strong desire for artistic innovation,so to speak,in addition to accelevation and impetus by...

For thousands of years of the stylistic history,long-standing cross-style writing has never become a universal pursuit for writers.In the cultural context at the turn of the 20th and 21st centuries,however,cross-style writing like something coming down from the sky,unexpectedly has formed a unique stlye and to a certain extent smoothed over part of the reality of defect and loneliness in pure liturature.The writers' strong desire for artistic innovation,so to speak,in addition to accelevation and impetus by post-modern cultural context,has caused a number of middle-aged and young writers with vanguard consciousness to try to bring more artistic styles jointly into the discourse operation of the same text,being brave in breaking down the barrier between the established literary and artistic genres beyond the norms of traditional stylistics.At present,although cross-style writing is extremely heterogeneous and no ideal text has appeared,its artistic spirit,which conforms to no conventional pattern,and pursues the new and strives for change,is worth nodding approval.

由来已久的跨文体写作 ,在跨越数千年的文体学史上始终未能成为作家普遍的追求。然而 ,在世纪之交的文化语境中 ,跨文体写作犹如横空出世 ,于不期然间构成了文坛的一道独特风景 ,并在一定程度上弥补了纯文学失语与孤寂的部分现实。可以这样说 ,作家艺术创新的强烈愿望 ,再加之后现代文化语境的催生与推动 ,无疑是导致一批极具先锋意识的中青年作家勇于打破既定的文学和艺术体裁之间的疆域 ,超越传统文体规范 ,尝试让更多的艺术样式共同进入同一个文本的话语运作的主要原因。尽管跨文体写作目前的现状极为驳杂 ,理想的文本也尚未出现 ,但它不落窠臼、图新求变的艺术精神是值得首肯的

 
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