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戏曲理论     
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  dramatic theory
     Interpreting the Artistic Dialectic of LI Yu' Dramatic Theory
     李渔戏曲理论的艺术辩证性解读
短句来源
     His dramatic theory was a comprehensive expression of the rich practice experience himself and the drama theory of Chinese ancient, could reveal the universal dialectic of the drama about the writing, the structure, the subject, the words of song, the creating, the spoken parts in the drama, the directing and the performing, interpreted his original view minutely, embodied his dramatic theory with the quality of the artistic philosophy and the creative value of the aesthetics, had a positive significance in promoting the progression of the ancient drama.
     他的戏曲理论集自己丰富的戏曲实践经验和古代戏曲理论之大成,能够从作法、结构、题材、曲文、填词、宾白、导演、搬演等方面揭示戏曲的普遍辩证规律,详细阐明自己的独到见解,充分体现了他的戏曲理论具有艺术哲学性质和美学创造价值,对促进古代戏曲的健康发展有着积极意义。
短句来源
     Wang Yangming' s Heart -and -mind Aesthetics can be generally concluded as " the beauty of conscience" , "beauty of motivation" and "beauty of sensible behavior" , which are fully represented in his poetry, prose and dramatic theory.
     王阳明心学关学大体可归纳为: “良知之美”、“意动之美”、“知行之美”,其诗歌、散文以及戏曲理论能充分体现出他的美学思想。
短句来源
     Li Yu's dramatic reception theory combined other people's theoretical achievement with his own experience and view,and promoted the progress of chinese ancient dramatic theory.
     李渔戏曲接受观融汇了前人理论探讨的成果 ,凝聚了自己的实践经验和理论见解 ,对中国古代戏曲理论是积极的开拓与发展。
短句来源
     On the Relationship between Liyu's Garden Aesthetics and Dramatic Theory
     李渔《闲情偶寄》园林美学与戏曲理论的关系
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  drama theory
     From the traditional and modern players'practice in the above three periods, with the new ideas and improvement, this dissertation analyses drama theory's primary success and failure.
     本文即是立足于这三个时期,并以此为宏线,附之以传统伶人和新剧人的演剧实践,突出新思想、新发展,并对各个时期戏曲理论的得失成败加以粗浅评析。
短句来源
     Their drama theories represented the highest achievements of the dynasty and reflected the developing process of Ming drama theory.
     他们的戏曲理论代表了明代戏曲理论的最高成就,反映了明代戏曲理论的发展轨迹;
短句来源
     "Ben se" is an important concept in Chinese drama theory.
     “本色”是中国戏曲理论中的一个重要概念。
短句来源
     The Evolution of "Ben se" in Drama Theory
     戏曲理论中“本色”之演进
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     The section summarizes and demonstrates the major points of the drama theory of Yuezhong school from the angle of development and association and researches into the relationship between the dispute in the drama theory circle of Ming Dynasty, the social thinking trends and drama writing.
     这一部分概括和阐述了越中派戏曲理论的主要观点,并从发展和联系的角度考察了越中派戏曲理论的发展轨迹及其与明代戏曲理论界的论争、社会思潮、戏曲创作的关系。
短句来源
更多       
  opera theory
     The Advancement and the Long - Lasting Influence in the Classical Opera Theory by Shenjin
     论沈璟戏曲理论的历史进步性及深远影响
短句来源
     Summary of Fifty Years' Research on Li Yu's Opera Theory
     李渔戏曲理论研究50年综述
短句来源
     Yet what is focused most is his traditional opera theory and his achievements in literary creation, very little attention is paid to his creation of novels, especially his theory of novel creation.
     但探讨其戏曲理论与创作成就的较多,论及其小说创作特别是小说理论的较少。
短句来源
     The Fifth work of Genius– Shi Naian’s Shui Huzhuan( Water Margin) and The Sixth Work of Genius– Western Chamber that were commented by him play an extremely important role in the history of ancient fictions theory, traditional opera theory and narrative theory, and has a far-reaching influence on the descendents.
     由他评点的《第五才子书施耐庵水浒传》及《第六才子书西厢记》在古代小说、戏曲理论史及叙事理论史上都占有极其重要的地位,并对后世产生了深远的影响。
短句来源
     Under the cultural background of the late feudal society, the opera theory's composing space became narrower and narrower, restoration and integration were just the mainstream.
     在封建社会晚期这一大文化背景之下 ,戏曲理论创新的空间日益狭小 ,复归与集成正是主流所在。
短句来源
更多       
  theory of drama
     The major points of drama theory can be summarized as the theory of prototype, the theory of trait of work and the theory of drama history.
     文中对越中派戏曲理论观点主要概括为三部分:本色论、当行论和戏曲史论。
短句来源
     At the turn of the century, reflection of academia last century becomes a consciousness or a focus of Chinese literature studies to which this Journal has contributed. In this Issue, a group of articles dedicated to history of literature, Pianwen, Gongti poem and the theory of drama are published.
     在新的世纪之交 ,对 2 0世纪百年学术的回顾 ,已成学术界的自觉意识 ,本刊近年亦常致力于此 ,本期再就文学史、骈体文、宫体诗以及戏曲理论等学术热点问题推出一组学术史世纪回顾的论文 ,希望能在总结经验的基础上为推进新世纪文学研究的发展尽一份绵薄之力。
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  dramatic theory
French classicism in 19th-century Greek dramatic theory
      
Devoted to Lope de Vega, dramatic theory and the Spanish stage.
      
Historical introduction to dramatic theory; the genres of tragedy, comedy, and tragicomedy.
      
Investigates dramatic theory and practice emphasizing major German authors and movements.
      
This is a basic study of theatrical form, dramatic theory and criticism for the play-going experience of actual London theatre productions.
      
  drama theory
Drama theory differs from game theory in that it does not regard actors' preferences and perceived opportunities as fixed, but as capable of being changed by the actors themselves under the pressure of pre-play negotiations.
      
Drama theory recognises that the paradoxes of rationality might be the key to understanding certain sorts of conditions and preference changes.
      
Drama theory does not solve problems through conflict but seeks to resolve while recognising but seeking to avoid conflict.
      
In drama theory the player's objectives may adapt as the scenario unfolds as will their choices and opportunities for creating and influencing change.
      
  theory of drama
Manifesto for a theory of drama and irrational choice
      
This paper outlines the analytical theory of drama which has been developed and shows how it can be applied to practical situations.
      
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