His dramatic theory was a comprehensive expression of the rich practice experience himself and the drama theory of Chinese ancient, could reveal the universal dialectic of the drama about the writing, the structure, the subject, the words of song, the creating, the spoken parts in the drama, the directing and the performing, interpreted his original view minutely, embodied his dramatic theory with the quality of the artistic philosophy and the creative value of the aesthetics, had a positive significance in promoting the progression of the ancient drama.
Wang Yangming' s Heart -and -mind Aesthetics can be generally concluded as " the beauty of conscience" , "beauty of motivation" and "beauty of sensible behavior" , which are fully represented in his poetry, prose and dramatic theory.
The section summarizes and demonstrates the major points of the drama theory of Yuezhong school from the angle of development and association and researches into the relationship between the dispute in the drama theory circle of Ming Dynasty, the social thinking trends and drama writing.
The Fifth work of Genius– Shi Naian’s Shui Huzhuan( Water Margin) and The Sixth Work of Genius– Western Chamber that were commented by him play an extremely important role in the history of ancient fictions theory, traditional opera theory and narrative theory, and has a far-reaching influence on the descendents.
At the turn of the century, reflection of academia last century becomes a consciousness or a focus of Chinese literature studies to which this Journal has contributed. In this Issue, a group of articles dedicated to history of literature, Pianwen, Gongti poem and the theory of drama are published.
Drama theory differs from game theory in that it does not regard actors' preferences and perceived opportunities as fixed, but as capable of being changed by the actors themselves under the pressure of pre-play negotiations.
Drama theory recognises that the paradoxes of rationality might be the key to understanding certain sorts of conditions and preference changes.
Drama theory does not solve problems through conflict but seeks to resolve while recognising but seeking to avoid conflict.
In drama theory the player's objectives may adapt as the scenario unfolds as will their choices and opportunities for creating and influencing change.