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戏曲理论
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  “戏曲理论”译为未确定词的双语例句
    The creation characteristics and differences between Chinese "grief opera" and western classical tragedy are mainly showed in four aspects: the selection of characters,the presentation of conflict,the design of structure and the arrangement of ending.
    在中国传统戏曲理论中,与西方悲剧概念相对应的只有“苦戏“、“哀曲”、“怨谱”之类说法。中国古代的“苦戏”与西方古典悲剧在创作实践上有各自的特点和差异,主要表现在悲剧人物的选择、悲剧冲突的展现、悲剧结构的安排、悲剧结局的设置等四个方面。
短句来源
    In ancient Chinese poetics, especially in its theories of fiction and opera, there are rich theoretical statements and comments on mimesis.
    在中国古代文论尤其是小说、戏曲理论中,有着丰富的关于"摹仿"的理论陈述和评说;
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It is a prevailing idea that the classical Chinese poetics emphasized only lyricism and representation while neglecting mimesis; mimesis seems to be the patent owned by the Western. In fact, both the Chinese and the Western have their own theory of mimesis and the metaphor of "mirror". In ancient Chinese poetics, especially in its theories of fiction and opera, there are rich theoretical statements and comments on mimesis. On the other hand "mimesis" has never held such an unparalleled position in the history...

It is a prevailing idea that the classical Chinese poetics emphasized only lyricism and representation while neglecting mimesis; mimesis seems to be the patent owned by the Western. In fact, both the Chinese and the Western have their own theory of mimesis and the metaphor of "mirror". In ancient Chinese poetics, especially in its theories of fiction and opera, there are rich theoretical statements and comments on mimesis. On the other hand "mimesis" has never held such an unparalleled position in the history of Western poetics as we have thought of. Additionally, mimesis has been queried either in ancient China or in Western, with roughly the same causes. In spite of their similarities, however, there exist profound differences between the two kinds of mimesis.

流行的观念认为中国古代文论重抒情重表现,似乎不讲"摹仿",摹仿说仿佛只是西方的专利。事实上,中国和西方都有自己的"摹仿"理论,都有"镜子"一说。在中国古代文论尤其是小说、戏曲理论中,有着丰富的关于"摹仿"的理论陈述和评说;另一方面,"摹仿说"在西方也不是独领风骚。"摹仿"论在中国和西方都曾受到类似的质疑,原因大体相似。但中、西摹仿理论于相似之中却又有深刻的差异。

Tragedy,a widely used concept in the literary and artistic theory works,is often called "grief opera" or "mournful drama" in Chinese traditional opera theory.The creation characteristics and differences between Chinese "grief opera" and western classical tragedy are mainly showed in four aspects: the selection of characters,the presentation of conflict,the design of structure and the arrangement of ending.

悲剧是一个文艺理论著作中广泛使用的概念。在中国传统戏曲理论中,与西方悲剧概念相对应的只有“苦戏“、“哀曲”、“怨谱”之类说法。中国古代的“苦戏”与西方古典悲剧在创作实践上有各自的特点和差异,主要表现在悲剧人物的选择、悲剧冲突的展现、悲剧结构的安排、悲剧结局的设置等四个方面。

 
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