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   戏曲理论 在 中国文学 分类中 的翻译结果: 查询用时:0.801秒
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戏曲理论     
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  dramatic theory
    Interpreting the Artistic Dialectic of LI Yu' Dramatic Theory
    李渔戏曲理论的艺术辩证性解读
短句来源
    On the Relationship between Liyu's Garden Aesthetics and Dramatic Theory
    李渔《闲情偶寄》园林美学与戏曲理论的关系
短句来源
    Success of "Peach Blossom Fan" from Li Yu's Dramatic Theory
    从李渔戏曲理论看《桃花扇》的成功
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    On the Communication of Yu's Dramatic Theory
    李渔戏曲理论在国内的传播
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    The commerciality aim of Li Yu's dramatization necessarily restricted his dramatic theory and dramatization, and we can conclude from the fact that there were more techniques than inner thoughts in his dramatic theory.
    同时,商业化的艺术人生道路的选择,增强了文学与社会的交融与互动,使得李渔在自身天赋禀性与总结前人经验的基础上,创作出了系统而又成熟的戏曲理论,奠定了他在中国文学史、戏曲史上不可磨灭的一页。
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  drama theory
    The Evolution of "Ben se" in Drama Theory
    戏曲理论中“本色”之演进
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    From Wang's Xi Xiang to Jin's Comments of Xi Xiang——Analysing the Standard of Appropriating Character's Language of Jin Shengtan's Drama Theory
    从《王西厢》到《金批西厢》——分析金圣叹戏曲理论之“立言之体”
短句来源
    The Value of GUO Han-cheng's Traditional Drama Theory ——Reading GUO Han-cheng Collecction
    郭汉城的戏曲理论价值——读《郭汉城文集》
短句来源
    Discussion of the Dislocation between Drama Theory and Create of Liyu
    试论李渔戏曲理论和创作实践的错位关系
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    Their drama theories represented the highest achievements of the dynasty and reflected the developing process of Ming drama theory.
    他们的戏曲理论代表了明代戏曲理论的最高成就,反映了明代戏曲理论的发展轨迹;
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  opera theory
    The Advancement and the Long - Lasting Influence in the Classical Opera Theory by Shenjin
    论沈璟戏曲理论的历史进步性及深远影响
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    A Study On The Opera Theory Of Wang Shi-zhen's Quzao
    王世贞《曲藻》戏曲理论初探
短句来源
    Research on Li Yu's opera theory and audience orientation in opera writing
    李渔的戏曲理论与创作中的观众学初探
短句来源
    For opera theory of the Ming dynasty, these appeared a theoretical inclination to gradually synthesize.
    明代戏曲“本色”说的两次论争,均体现出明代戏曲理论趋于综合的理论倾向。
短句来源
    Moreover, the theory that was extremely systemized also concludes all the subjects with meaning of philosophy and aesthetics in the domain of classical opera theory, and deeply influential in producing and criticizing of the Qing dynasty.
    高度系统化的明代戏曲“本色”说几乎涵盖了古典戏曲理论中所有富含哲学意味和美学意义的命题,并对清代戏曲创作与戏曲理论批评产生了极为深远的影响。
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  theory of drama
    The major points of drama theory can be summarized as the theory of prototype, the theory of trait of work and the theory of drama history.
    文中对越中派戏曲理论观点主要概括为三部分:本色论、当行论和戏曲史论。
短句来源
    At the turn of the century, reflection of academia last century becomes a consciousness or a focus of Chinese literature studies to which this Journal has contributed. In this Issue, a group of articles dedicated to history of literature, Pianwen, Gongti poem and the theory of drama are published.
    在新的世纪之交 ,对 2 0世纪百年学术的回顾 ,已成学术界的自觉意识 ,本刊近年亦常致力于此 ,本期再就文学史、骈体文、宫体诗以及戏曲理论等学术热点问题推出一组学术史世纪回顾的论文 ,希望能在总结经验的基础上为推进新世纪文学研究的发展尽一份绵薄之力。
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  dramatic theory
French classicism in 19th-century Greek dramatic theory
      
Devoted to Lope de Vega, dramatic theory and the Spanish stage.
      
Historical introduction to dramatic theory; the genres of tragedy, comedy, and tragicomedy.
      
Investigates dramatic theory and practice emphasizing major German authors and movements.
      
This is a basic study of theatrical form, dramatic theory and criticism for the play-going experience of actual London theatre productions.
      
  drama theory
Drama theory differs from game theory in that it does not regard actors' preferences and perceived opportunities as fixed, but as capable of being changed by the actors themselves under the pressure of pre-play negotiations.
      
Drama theory recognises that the paradoxes of rationality might be the key to understanding certain sorts of conditions and preference changes.
      
Drama theory does not solve problems through conflict but seeks to resolve while recognising but seeking to avoid conflict.
      
In drama theory the player's objectives may adapt as the scenario unfolds as will their choices and opportunities for creating and influencing change.
      
  theory of drama
Manifesto for a theory of drama and irrational choice
      
This paper outlines the analytical theory of drama which has been developed and shows how it can be applied to practical situations.
      
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