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戏曲文化     
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  opera culture
     A Talk about the Division of Opera Culture Tourism of South Shanxi
     谈晋南戏曲文化旅游的分区
短句来源
     The Spread of Traditional Festival Custom and Opera Culture
     传统节日民俗与戏曲文化的传播
短句来源
     Further in the further part, the thesis discusses the cultural connotation of Daoqing leather - silhouette show in Huan county in its relation to religious culture, opera culture and folk custom culture.
     进一步在第四章中与宗教文化、戏曲文化、民俗文化的关系探讨了环县道情皮影艺术的文化内涵。
短句来源
     It is one of the most representative main schools in Henan Opera and also the folk-custom traditional opera culture whose characteristics are based on a particular region.
     它是河南豫剧中具有代表性的主要流派之一,也是以区域特性为其特征的民俗戏曲文化
短句来源
     With a strengthened study of the traditional festival custom and opera culture and more discovery of their cannotation, the spread and development of the opera culture can undoubtedly be promoted.
     加强传统节日民俗与戏曲文化传播的研究,挖掘其中的内涵,势必促进戏曲文化的传播与发展。
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  drama culture
     Shui Hu drama is one of the most important branches in our drama culture, and deeply research of it benefits to comprehend our drama culture.
     水浒戏是我国戏曲文化中极其重要的一支,对它的深入研究有助于我们更好的了解我国的戏曲文化
短句来源
     This dissertation can be regarded to demonstrate a kind of academic relations of east tune of Henan between historical development and operatic vocal music from the angle of theory and practice, and it also uses concrete proof to show it bears the folkways, public feelings and social function as folk-custom drama culture in the local folk life.
     本文可谓是对豫东调历史发展及其唱腔音乐之间的关系予以理论上和实践上的学术论证,并以实证展示出豫东调在当地民间生活中,作为民俗戏曲文化所包涵的民风民俗及其社会功能。
短句来源
     As a famous program of Henan television station, "Liyuanchun" is one kind of television synthesis programs which purpose is presenting drama culture , drama is the subject, ,and television is the demonstrating platform.
     《梨园春》作为河南电视台的招牌节目,是一种以彰显戏曲文化为旨要的电视综艺节目,戏曲为其筹码,而电视是它展示的平台。
短句来源
     The local drama resources always are a fountainhead which the university teaching makes use of local materials. This introduction to university ancient literature teaching classroom,both can change the traditional teaching which only emphasizes text,the sole phenomenon,then achieved the text and singing both compatible educational reform effect,and can cultivate solid young audiences for the inheritance of drama culture.
     地方戏曲资源历来是高校教学就地取材的源泉,将此引入大学古代文学教学课堂,既能改变传统教学只重文本的单一现象,进而达到文本与演唱两者兼容的教改效果,又能为传承戏曲文化培植坚实的青年受众。
短句来源
  traditional opera culture
     A Study on the Record of Traditional Opera Culture in the Book of Yangzhouhuafanglu
     《扬州画舫录》中的戏曲文化试探
短句来源
     On Brief Discussion of Traditional Opera Culture Connotation of Dream of the Red Chamber
     略论《红楼梦》的戏曲文化内涵
短句来源
     It is one of the most representative main schools in Henan Opera and also the folk-custom traditional opera culture whose characteristics are based on a particular region.
     它是河南豫剧中具有代表性的主要流派之一,也是以区域特性为其特征的民俗戏曲文化
短句来源
     There is a great deal of folklore contents which are about the origin of the traditional opera culture in the novel of February river in Qing Dynasty monarch line.
     二月河清帝系列小说中的戏曲文化母题,有着丰富的民俗内容。
短句来源
     There is a great deal of folklore which is about the origin of the traditional opera culture in the the novel of Februaryriver in monarch line of the Qing Dynasty.
     二月河清帝系列小说中的戏曲文化母题,有着丰富的民俗内容。
短句来源
  “戏曲文化”译为未确定词的双语例句
     The cultural resources about Laozi, society, plays and foodshould be rationally exploited,and made to contribute to the local economic development.
     合理开发老子文化资源,庙会文化资源,戏曲文化资源,饮食文化资源等,使之转化为地方经济发展优势,服务于经济建设。
短句来源
     Besides, it was influenced by cultural policy which was supported and protected by the government.
     朝廷倡导、保护昆曲,并抑制昆、弋以外声腔,江南民间深受这一戏曲文化政策的影响。
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     Shanxi Merchants' Contribution to Chinese Architecture and Theater
     晋商对中国建筑文化与戏曲文化的贡献
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     It is both responsibility and an important function of music education to inherit and develop culture of Chinese drama.
     传承和发展戏曲文化,既是音乐教育的责任,也是音乐教育的一个重要功能。
短句来源
     The prosperity of Shanghai's opera cultural undertakings represented the role of Shanghai as China's economic center.
     上海戏曲文化事业的繁荣是上海作为全国经济中心的文化反映。
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In the period of transformation, theatre is confronted with a general cultural background of new characteristics: the formation and functioning of a new cultural market in the reform of systems; the rapid spreading of visual culture under the circumstance of highly developed science and technology; the keen competition of mass media in the opening-up environment.

转型期戏剧面临的总体文化背景具有多方面的新的特征:体制变革中新的文化市场正在形成与运作;科技高度发展条件下图象文化迅速普及;开放的大环境中多种传播媒体激烈竞争。 小剧场演出通过缩短空间距离拉近了演出与观众的心理距离,并以演员真实细腻的表演与观众产生了心灵的交流;舞台演出的假定性效果与写意处理创造了有别于影视的形式美;接近实际生活的通俗化作品造成了观众的亲切感。 戏曲在转型期的调整:(一)用当代意识开掘作品内涵和融现代艺术手法与戏曲古典美于一体实现戏曲文化层次的提高与突破;(二)将高超的戏曲唱做念打技巧与通俗题材结合。

About the origin of the Chinese traditional operas, as opinions vary,no unanimous conclusion can be drawn. In this paper, the writer synthesizes various materials from Dunhuang, such as paintings, sculptures and manuscripts,and thinks that the earliest drama of China can be dated back to the Tang Dynasty, the stage for opera performation can be seen on Dunhuang paintings of the Tang Dynasty,too. The author deals with relationship between the opera and sacrificial rites, dance,literature(including poem, Bianwen,...

About the origin of the Chinese traditional operas, as opinions vary,no unanimous conclusion can be drawn. In this paper, the writer synthesizes various materials from Dunhuang, such as paintings, sculptures and manuscripts,and thinks that the earliest drama of China can be dated back to the Tang Dynasty, the stage for opera performation can be seen on Dunhuang paintings of the Tang Dynasty,too. The author deals with relationship between the opera and sacrificial rites, dance,literature(including poem, Bianwen, Quzi, Sujiang,Jiangjingwen文,etc.).

敦煌古代戏曲文化史料综述陆淑绮李重申两晋南北朝至隋唐五代,是中国封建文化高度发达的年代。佛教与北方少数民族的习俗,冲击了两汉以来形成的儒家正统观念。佛、儒、道相互渗透,呈现出互为异趣的民族文化特征,致使表演艺术成为一种有助于人类幸福,有助于塑造生活,...

Combining traditional textual research with Western anthropology,Wen Yiduo draws the conclusion in his study of Jiu Ge (Nine Songs) that its text has undergone the changes from myth to art,and from sacrificial rites for gods to ancient plays for man.Wen also stresses that it is important in the study of Jiu Ge to pay close attention to its humane concerns and its dramatic aesthetics.

闻一多的《九歌》研究 ,将传统“小学”考据方法与西方文化人类学方法有机地结合起来 ,认为《九歌》作为文化典籍在其流变中经历了由“神话”到“经典”、由“宗教”到“艺术”的发展 ,这是一个从以娱神为目的的巫术礼仪 ,到礼乐教化的歌舞仪式 ,从“祭坛”到“舞台” ,从“祭仪”到“戏曲”的文化史演变过程。由闻一多《九歌》研究开辟出来的人文关怀视野和舞台美学的感悟和领会之途 ,在《九歌》和《楚辞》研究史上功不可没

 
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