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      传统叙事
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  traditional narration
     On the Evolution of the Time Consciousness in Chinese Traditional Narration
     中国传统叙事中时间意识的演变
短句来源
     it not grasped the essential meaning of the west novel narration pattern but really broke the traditional narration pattern of Chinese novel and created the unique narration skills of neoteric China novel.
     没有领会西方小说叙事模式的本质内涵,但的确打破了中国小说的传统叙事模式,创造了自己独特的叙事技巧。
短句来源
     Therefore,it has acadecmic value and realistic meaning for us to be based on the reality of the development and creation of Chinese film,to discuss the unbroked relationship between the public effect of the film and the traditional narration in respect of the contemporary attribute of the traditional narration and the meaning of anthropology,in respect of the special conformity role in people's spiritual life in the modern world.
     因此,立足中国电影业发展及创作的实际,从传统叙事模式的当代性和人类学意义出发,就电影在现代社会中所担当的整合人们精神生活的特殊作用,来探讨电影的大众效应和传统叙事之间难以分割的联系,这是有一定的学术价值与现实意义的。
短句来源
     JIN Yong inherits and inform the traditional narration pattern,hence,make the atale pattern convey new connotation.
     金庸继承并改造传统叙事模式 ,使陈腐的叙事模式表现出新的内涵。
短句来源
     The time consciousness which is contained in the whole Chinese traditional narration reveals the world outlook and ideology based on Chinese traditional culture.
     整个中国传统叙事中隐含的时间意识,反映出的是基于中国传统文化内部的一种世界观与意识形态。
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  traditional narrative
     The Tendency of Spatialization in Traditional Narrative Structure As is seen from the Ancient Chinese Cosmological Modes
     从中国古代的宇宙模式看传统叙事结构的空间化倾向
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     The achievements of Tang's legend can be attributed not only to its absorbing Chinese traditional narrative experience, but also to its adopting foreign narrative art, such as Buddhism literature and folk literature of India.
     唐传奇叙事艺术成就的获得,既吸纳了中国传统叙事艺术如史传、六朝志怪的营养,也借鉴了国外叙事艺术,如印度的佛典文学和民间文学的经验。
短句来源
     It is also pointed out that this narrative structure, which directly inherits the traditional narrative method in classical Chinese novels, is a restoration and development of traditional Chinese narration.
     并指出 ,这种叙事结构直接承续中国古典写意性小说的叙事传统 ,是对中国传统叙事方法的恢复与推进
短句来源
     On the other hand, by doing so, she aims tocriticize the traditional narrative pattern, which cannot adequately reflect postmodernreality.
     而另一方面,她这样做是通过对传统叙事模式的戏仿来达到对其进行批判的目的。 因为她认为传统的叙事模式已不能表达后现代主义的现实。
短句来源
     The traditional narrative art of Lian xiang in Strange Stories from a Chinese Studio
     《聊斋志异·莲香》的传统叙事艺术
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  “传统叙事”译为未确定词的双语例句
     On the Historical Accounts in Chinese Traditional Narratives
     试论中国传统叙事中的历史叙述
短句来源
     " Biography of Milarepa " obtains innovative development on the basis of, inheriting Tibetan's tradition narration literature to which it offers the new speech way.
     《米拉日巴传》在继承藏族传统叙事文学的基础上,取得了创新性发展,为藏族叙事文学提供了新的言说方式。
短句来源
     If people recognize the male narrative angle as chinese traditional literature narrative model,while New Period's Female Fiction revolts the tradition.
     如果说男性叙事视角是中国叙事文学的传统叙事模式,那么新时期的女性小说则反叛了这一传统,显示出鲜明的女性叙事视角的特征。
短句来源
     The famous French narratologist Gerald Genette gave the name“zero focalization”or“non-focalization”to the omniscient narration in traditional narratives.
     法国著名叙事学家热奈特把传统叙事作品的全知叙事角度称为零聚焦或无聚焦。
短句来源
     Moby Dick is full of modernistic elements that either come from the unconventionality of the structure or from the application of symbolism.
     《白鲸》是一部充满现代性的作品,其现代性既来自麦尔维尔对传统叙事方式的否定,也来自他对象征手法的运用。
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  traditional narrative
The parody of traditional narrative structures in the French anti-novel from Charles Sorel to Diderot
例句来源      
Wolfgang Hildesheimer's Masante represents a challenge to traditional narrative theory because it does not lend itself to interpretation in terms of the dominant story-discourse dichotomy.
例句来源      
The website fuses traditional narrative motifs and structures with the logic of advertising, seventies television, family-values rhetoric, and the fertility industry.
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Basic elements of drama and storytelling are taught, but students may work in non-traditional narrative styles.
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In this paper I have outlined a path from more traditional narrative to one model of computational narrative.
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         The Western post-modernist literature brings out a lot of new narrative discourses,Unlike the traditional nar rative discourse that just deals with the exercising of the narrative-craft, the post-modernist narrative discourse has a closemutuality with the narrative subjective and objective in the ontological category. In the post-modernist discourse,the narrative structure, the point of view, the color of sensibility and the narrative tones are a"mirror image" reflection of the existence conception and exis...
            西方后现代主义文学创造出了许多前所未有的叙事话语。与传统叙事话语不同的是,后现代叙事话语并非是一种纯技法的操作,而是在本体的层次上与叙事主体或叙事对象密切相关,叙事的结构、视角、情感色彩和语调特征本身就是叙事主体或叙事对象的存在观与生存状态的“直观”写真。后现代派文学叙事话语主要有五种类型,“平面无深度”叙事话语:对本质与意义的消解;“错乱零散化”叙事话语:精神分裂的生存状态;“黑色幽默式”叙事话语:面临绝望的强自解脱;“极度冷漠化”叙事话语:人情况灭的社会现实;“剪贴拼画式”叙事话语:虚幻的世界与虚幻的语言。
文摘来源
         Living in the periol of engendering large- scale tragedies, Lu Xun, who is a thinker, had to ponder overthe tragic reality because of the social responsibilty or he was forced to. In 1935, Ln Xun put forward a topic on Tragedy thatHas Nearly Nothing. In the works, Lu Xun puts the tragic social factors into the descriptions of daily trifles, expressing hissorrowful feeligs of that period. The tragic figures in his works have the weak personality. To exaggerate the rebellious spiritof their character would de...
            生活在一个产生大规模悲剧的时代,社会责任感迫使着思想家鲁迅对悲剧现实作出自己的思考。1935年鲁迅提出了“几乎无事的悲剧”的命题。创作中,鲁迅把悲剧的社会因素溶于日常小事的描绘,传达他对那个时代悲哀的深味。他笔下的悲剧人物有自身软弱的个性,夸大他们反抗的个性,就背离了其悲剧审美特征。他的悲剧虽“几乎无事”,但悲剧效果却是彻底的。鲁迅还有意淡化情节,颠覆传统叙事结构,多惜助人物、场景、心理、细节的描写来增强悲剧色彩。
文摘来源
         In the Mid 1980s, there appeared a group of young writers called the "Pre Vangardists" represented by Liu Suo la and Xuxing, who focused their writing on "city culture". These writers, with a valiant rebellious spirit, challenged authority and dispelled orthodoxy from the critical perspective of living conditions. They deliberately displayed mediocrity, triviality and absurdity in order to reveal modern people's living situation, their spiritual anxiety and perplexed emotions. The writers adopted extensi...
            20世纪 80年代中期 ,以写“城市文化”为代表的“前先锋派”青年作家群 ,如刘索拉、徐星等 ,以强烈的叛逆精神 ,从生存方式的批判角度 ,挑战权威 ,消解正统 ,其作品刻意表现平庸、荒诞、滑稽 ,以揭示现代人的生存状态、精神焦虑与迷惘的情绪。其文本叙事广泛采用反讽与黑色幽默的表达技法 ,在揶揄调侃中达到对传统叙事话语的颠覆和消解。
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