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新散文
相关语句
  new prose
     New prose is a breakthrough and innovation relative to the traditional one.
     新散文是相对传统散文而言的一次文体突破和创新。
短句来源
     To Construct a New Verbal Style of Literature ——A Survey of Creation and Research of the "New Prose" in the Late 1990's
     构建新的文学话语——20世纪90年代末“新散文”创作与研究综述
短句来源
     under such a name as"cultural prose"or"scholar's prose"--usually a kind of market trademark, some scholastic writers created their illusory world to cure their mental hurt,and meanwhile lots of prose writers focused on the popular topics of normal social culture and produced some new prose concepts that could be considered as both market trademarks and literary ideas.
     在一部分学院派写作者借着“文化散文”、“学者散文”等文学市场品牌 ,构筑起精神自疗的虚拟世界的同时 ,大量活跃在一般社会文化圈层中的文学写作者 ,也托庇于种种兼具市场品牌和文学旗帜双重功能的新散文概念而蜂拥到了散文领域 ;
短句来源
     He attempts to build up a form of modern prose which has "elasticity, thickness,and material, thus constituting a new prose."
     他心目中的现代散文是"讲究弹性、密度和质料的一种新散文"。
短句来源
  new essay
     Women's New Essay and Innovating Style
     女性“新散文”与文体试验
短句来源
  “新散文”译为未确定词的双语例句
     New Proses Characteristic of Essays——On Liang Xiaosheng's Proses
     有杂文血统的新散文——谈梁晓声的散文创作
短句来源
     Probe in Birth Reasons of Chinese Prose
     “五四”时期新散文产生原因初探
短句来源
     The Similar Thinking Mode of Neo-Essay Judged from Cattle Mooing in the City by Liu Chengliang
     从刘亮程的《城市牛哞》看新散文相似思维模式
短句来源
     The reason lies in the special background which is external thought of individual freedom and transfer of new literary concepts together with the internal academic wane and imprison of human ideas.
     本文初步探讨了“五四”新散文产生的原因 :特殊的时代背景 ,内部学术的衰败 ,桐城派古文及八股文对人的禁锢 ,以及外部注重个性解放的思想意识、新的文学观念传入等。
短句来源
     In accordance with the three basic principles in creative mode in psychology,an analysis is made of Liu Chengliang's essays. From the perspective of the three cycles of similar triggering,associations and thinking switch,the similar thinking mode of essay creation is explored to reveal the internal law in neo-essay creation.
     根据创造心理学的三个基本创造模式原理,分析刘亮程的散文,从相似触发、相似联想和相似思想换位三个环节探讨散文创作相似思维模式,揭示新散文创作的内在规律。
短句来源
  相似匹配句对
     Features of Prose Creation in New Times
     时期散文创作的特征
短句来源
     Survey of the Prose Studies in the New Period
     时期散文研究综述
短句来源
     By the late 90's of the 20th century, the agricultural development entered into a new stage.
     在的发展阶段。
短句来源
     New starting point
     起点
短句来源
     Slightly Talk about the Prose
     略论散文
短句来源
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In the 1990s, Mainland China's prose writing and relevant theoretical activities adapted themselves to the need and changes of entire Chinese social culture; under such a name as"cultural prose"or"scholar's prose"--usually a kind of market trademark, some scholastic writers created their illusory world to cure their mental hurt,and meanwhile lots of prose writers focused on the popular topics of normal social culture and produced some new prose concepts that could be considered as both market trademarks and...

In the 1990s, Mainland China's prose writing and relevant theoretical activities adapted themselves to the need and changes of entire Chinese social culture; under such a name as"cultural prose"or"scholar's prose"--usually a kind of market trademark, some scholastic writers created their illusory world to cure their mental hurt,and meanwhile lots of prose writers focused on the popular topics of normal social culture and produced some new prose concepts that could be considered as both market trademarks and literary ideas.During this process, the character of the non fiction prose was collapsed in different ways.As such the splendid group images of Mainland China's prose writers and their works appearing in the 1990s became significant metaphoric forms of a section of contemporary cultural struggles in China.

1990年代中国大陆的散文创作和相关的理论活动 ,总体上是适应着 1 990年代中国社会文化需求机制的更新和调整而展开的 ;在一部分学院派写作者借着“文化散文”、“学者散文”等文学市场品牌 ,构筑起精神自疗的虚拟世界的同时 ,大量活跃在一般社会文化圈层中的文学写作者 ,也托庇于种种兼具市场品牌和文学旗帜双重功能的新散文概念而蜂拥到了散文领域 ;在这个过程中 ,散文非虚构的体裁属性遭到了正反两面的瓦解 ,这使得从 1 990年代的中国社会文化空间里凸显出来的阵势浩大的散文家群像 ,以及被公认为 1 990年代中国大陆散文佳作范本的少数作品 ,最终成为 1 990年代中国社会文化在启蒙和反启蒙的力量兴替序列中跃入新阶段的隐喻形式。

Yu Guangzhong values poetry and belittles prose and regards the latter as a parasite to the former. He attempts to build up a form of modern prose which has "elasticity, thickness,and material, thus constituting a new prose." What he advocates may help keep prose from being too casual,loose and flighty,but it has limitations. It may lose the beauty of prose,the naturalness of prose. The lyrical elements may be incorporated into prose, but with restraint.Yu makes efforts to promote the merit of treating poetry...

Yu Guangzhong values poetry and belittles prose and regards the latter as a parasite to the former. He attempts to build up a form of modern prose which has "elasticity, thickness,and material, thus constituting a new prose." What he advocates may help keep prose from being too casual,loose and flighty,but it has limitations. It may lose the beauty of prose,the naturalness of prose. The lyrical elements may be incorporated into prose, but with restraint.Yu makes efforts to promote the merit of treating poetry as prose. Ideally executed, one may achieve the highest level of the performance of prose as Yu has demonstrated. However,the restraint of poetic quality is still in place. Later on, Yu proposed the new recognition of the virtue of prose and brought forth the idea of the "return to prose."Since he has never completely abandoned the idea of "valuing poetry above prose,"the actual performance of the "return to prose"is far from satisfactory.

余光中重诗轻文,把散文视作诗的附庸。他心目中的现代散文是"讲究弹性、密度和质料的一种新散文"。这对于抑制过于随便、松散乃至轻浮的散文有所裨益,但也有明显的偏颇,即未能把握散文美的特质———自然。诗笔可用于散文,但失去了节制,便适得其反。他的散文创作意在实践以诗为文的理念,其成就,说明以诗为文作为一种艺术追求无可非议;其局限,说明散文中的诗质应有所节制。余光中后来对散文美有所认识,提出了"本位散文"的概念,但因为重诗轻文的理念未能根本改变,故而所作"本位散文"成就十分有限。

Both prose theorists and writers have different ways and means to define the genre. If the dissenting voices prevail, it becomes difficult to reach a definitive answer to the same question. Speaking of the literary scene of prose writing, most critics are confronted with the fundamental issues: where to start and how to go from there. It is essential to discuss the conception and mode of narrative in the evolution of prose writing. The selection of the conception of narrative is both the question of narrative...

Both prose theorists and writers have different ways and means to define the genre. If the dissenting voices prevail, it becomes difficult to reach a definitive answer to the same question. Speaking of the literary scene of prose writing, most critics are confronted with the fundamental issues: where to start and how to go from there. It is essential to discuss the conception and mode of narrative in the evolution of prose writing. The selection of the conception of narrative is both the question of narrative techniques and manifestation of prose writer′s creativity, aesthetic value and stylistics. Narrative evolution of contemporary prose in Taiwan has gone through three distinct stages: narrationdepiction, soliloquy, and shifting angles of narrator's vision. What prose writers in Taiwan are striving to create is constantly in search of a new conception and new mode of prose writing. What is at stake, however, is the crisis and confusion evolved from the literary boundary of the prose as a genre.

理论界和散文家本身对于散文观念定义与认知的困惑,使散文现象历来显得比较复杂。叙述观念与叙述方式是散文创作和变革中不可忽视的问题。叙述观点的选择,不仅是技巧层面的问题,它也是作家创作观念、审美能力以及艺术风格的外化体现。诉说———独白———叙述视角转换是台湾当代散文叙述方式演变的三个历程,它显示了台湾散文家对新的散文观念和新的书写模式的不断追求。然而,散文真正面临的危机仍然是来自文类的规范问题。

 
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