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符号美学
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  symbolic aesthetics
     An Analysis of Wangwei's Mountains-and-Waters Poems in the View of Symbolic Aesthetics and Psychological Aesthetics
     王维山水诗的符号美学与心理美学解析
短句来源
     Zhuang Zi's Theory on Speech and Implication and the Analysis of the Symbolic Aesthetics
     庄子言意之辩及其符号美学分析
短句来源
     Langer’s artistic symbolic aesthetics were composed of artistic semiotics, artistic mirage theory, life form theory and aesthetic intuition theory. And these four parts displayed artistic essence, artistic creation, artistic characteristics and artistic appreciation respectively, and they were roundabout and increased step by step, and built a rigorous aesthetic theory.
     朗格艺术符号美学主要由艺术符号论、艺术幻象论、生命形式论、审美直觉论四根支柱构成,这四个方面分别论述了艺术的本质、艺术的创造、艺术的特质、艺术的欣赏,环环相扣、逐层递进,构成了一个较为严密的美学体系。
短句来源
     at the same time Langer’s artistic symbolic aesthetics was the theoretical premise of her musical aesthetics which developed and deepened under the basis of artistic symbolic aesthetics.
     反之,朗格的艺术符号美学又是其音乐美学的理论前提,音乐美学的展开和深入是以艺术符号美学中对基本概念的阐释为基础的。
短句来源
  psychological aesthetics
     An Analysis of Wangwei's Mountains-and-Waters Poems in the View of Symbolic Aesthetics and Psychological Aesthetics
     王维山水诗的符号美学与心理美学解析
短句来源
  “符号美学”译为未确定词的双语例句
     This method is a way to combine the designing process with the aesthetics of symbol.
     这种设计方法是建筑设计过程和符号美学研究成果的一种结合。
短句来源
     On Aesthetics Value of Symbol in Zhang Yimou' s Fimls
     论张艺谋电影的符号美学价值
短句来源
     Langer in this article. Her thought of symbol aesthetics is an important theory in the field of aesthetics of the 20th century.
     朗格的符号美学思想在20世纪美学史上占有重要地位,她在符号美学的框架下,对戏剧进行探讨。
短句来源
     It is the main goal of this paper to carry on the discussion about the interaction between architecture and art by means of Langer's artistic mark theory, according to the application of artistic technique, the influence of artistic idea, the development of interaction space and so on.
     本文的写作目的,就是以苏珊朗格的艺术符号美学理论为切入点,从艺术的视角在艺术手法应用、艺术观念的影响和互动空间的拓展层面,对媒体时代背景下艺术与建筑的互动关系进行探讨。
短句来源
     Langer’s artistic symbolic aesthetic thought had two main theoretical resources, the first one was Whitehead’s logical semiotics, and the second one was Cassirer’s human cultural semiotics.
     朗格的艺术符号美学思想有两个主要理论来源,一是怀特海的逻辑符号论,二是卡西尔的人类文化符号论。
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  相似匹配句对
     On Aesthetics Value of Symbol in Zhang Yimou' s Fimls
     论张艺谋电影的符号美学价值
短句来源
     The Religious,Aesthetic,and Symbolic Nature of Chinese Characters and Their Spirit of Harmonious Union between Man and Nature
     汉字的宗教、美学符号属性与天人合一精神
短句来源
     What Is Aesthetics For?
     美学何为?
短句来源
     Aesthetics in Poetry
     诗话美学
短句来源
     What is symbol?
     符号是什么?
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Abstract This paper presents several principle matters in the process of survey pattern design proceeding from the practical situation of survey in metal mine,and the relationship of the pattern symbol standards with mine survey point error and the effect of symbols in terms of physiological nyctinasty,continued scale symbol and aesthetics on the symbol design are discussed.

本文从冶金矿山测量的实际情况出发,介绍了冶金矿山测量图式在设计过程中的一些原则性问题。探讨了图式符号规格与矿山测量中点位误差的关系以及符号在生理感受、接续比例尺符号、美学等方面对符号设计的影响等问题。

In the view of symbolic aesthetics and psychological aesthetics, Wangwei's mountains-and-waters poems are highly characterized by their picturesque scenes and long, gentle rhyme schemes, which give readers great aesthetic pleasure. On the other hand, his poems are rich in cultural implications and potential awareness of life, which display his sentiments, concepts, individuality, personality and experiences.

利用心理美学及符号美学的观点,可以看到王维的山水诗具有以画入诗、声色并出的特点,以及独特的动静互衬、平缓悠长的节律,给人以极大的审美享受。同时,王维的山水诗还具有丰富的意蕴,表现了其个人的情感、观念乃至其个性、经历与人格,暗含着深厚的文化底蕴,潜藏着其独特的生命之流。意义融化在形式之中,成为“有意味的形式”。

Miscellaneous substantialized categories, namely, natural linguistic code, of the belief of Man and Heaven as a harmonious whole can be found in Chinese literature in terms of Chinese ancient philosophy, culture, literary history, semiotic aesthetics and so forth. The natural linguistic code in Chinese literature is not only a linguistic form but a kind of implicative “linguistic form”, which embodies the Chinese nation’s collective unconsciousness of being on intimate terms with and return to nature, confirms...

Miscellaneous substantialized categories, namely, natural linguistic code, of the belief of Man and Heaven as a harmonious whole can be found in Chinese literature in terms of Chinese ancient philosophy, culture, literary history, semiotic aesthetics and so forth. The natural linguistic code in Chinese literature is not only a linguistic form but a kind of implicative “linguistic form”, which embodies the Chinese nation’s collective unconsciousness of being on intimate terms with and return to nature, confirms and substantializes the relationship of “sharing weal and woe like a family” between man and nature and represents the ideal and ultimate orientation of Chinese national culture.

立足于中国古代哲学、文化学、文学史、符号美学等理论基础之上 ,可以见出“天人合一”观在中国文学中的形形色色的物化形态 ,即自然语码。中国文学的自然语码不仅是一种语言形式 ,而且是一种有意味的“语言形式”。其中 :(1)沉淀着中华民族亲和自然、回归自然的集体无意识 ;(2 )印证并物化着人与自然的“同胞物与”的关系 ;(3)体现着民族文化的理想和终极取向

 
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