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情感指向     
相关语句
  mood orientation
     Interpretation of Moral Evaluation and Mood Orientation of the Song for Long-Grieving——Reissuing of the Theme of the Song for Long Grieving
     浅析《长恨歌》的道德评价与情感指向——《长恨歌》主题再探索
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  “情感指向”译为未确定词的双语例句
     Chemical aesthetics materializes people post andrebuild the chemical law of impersonality natural world in chemical activity.
     化学美学思维是用美学的理论和方法来研究和审视化学问题,从而为化学提供人的价值尺度和情感指向,给化学理性插上灵性的翅膀。
短句来源
     Not only writer's never exhausted creation source of folk culture, but also contain the emotion of creating the subject points to with the value position.
     民间文化不仅是作家永不枯竭的创作源泉,而且还蕴含着创作主体的情感指向与价值立场。
短句来源
     The rational intension andsentimential meanings compose abstract expressional features of colours and sounds.
     色音符号语言的理性内涵和情感指向,构成了色、音抽象表现特征。
短句来源
     Besides,these images also reveal some of the poet's bitter life experiences and cynical emotions.
     这些审美意象的连缀不仅表现出琴声旋律的腾挪跌宕,而且隐含着诗人自我的坎坷人生和愤世嫉俗的情感指向
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  相似匹配句对
     On Emotional Education Pointing to Life Meaning
     论指向生活意义的情感教育
短句来源
     Comments on the Goal System of Moral Emotion Cultivation
     论道德情感培育的目标指向
短句来源
     (c) emotion.
     (三)情感
短句来源
     the strong emotion;
     情感强烈;
短句来源
     The Semantic Orientation of Attributive
     定语的语义指向
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Constituent art brought the rational knowledge for the construction design since its coming into being. Various schools of architects created one another"spiritual shelters" full of the constituent intention from the course of exploration of the pithy style of modern school of thought to the polyorganizational tendency and to the stagnation of the de-constitution. Their imagination originated from abstract geometric patterns, with some symbol or certain symbolic information, the architects put them into their...

Constituent art brought the rational knowledge for the construction design since its coming into being. Various schools of architects created one another"spiritual shelters" full of the constituent intention from the course of exploration of the pithy style of modern school of thought to the polyorganizational tendency and to the stagnation of the de-constitution. Their imagination originated from abstract geometric patterns, with some symbol or certain symbolic information, the architects put them into their figures which had noted visualization and emotional effects, conveying a kind of mental feeling of super substantiality. The moulding means in science of formation is the important aesthetic foundation that various styles of architecture existed.On the other hand, constitution mixes two-and three-dimensional construction plus time factor into a "four-dimensional" constructional space. From the plane lay-out, cubic aesthetic standards, space screen and the detailed handling, constitution art becomes each vividly-detailed carrier of the construction in form, sense of matter and light shades. The construction space designing philosophy leads to more open and takes in everything. More and more designers tends to penetrate the plane-forming work of art into "four-dimensional space", thus producing brand-new visual effect.Constitution art gives architects a kind of inspiration that they should apply aesthetic law of integration, balance, rhythm and rhyme, either expressing humane emotion or creating the instinctive meaning of the combination.

构成艺术从其产生开始就为建筑设计注入理性的力量。从简洁的现代派风格探索到多元有机倾向直至解构主义边缘的徘徊 ,各流派建筑师们创造出一个又一个充满构成意向的“精神庇护所”。他们的想象根源来自于抽象的几何形体、具象象征以及符号信息 ,建筑师将这些元素分布到具有显著视觉和情感指向的图像格局中 ,传递着超越物化实体的心灵感受。构成学造型手段是各流派建筑赖以存在的重要美学依据。另一方面 ,构成将建筑导向二维与三维混沌交织的世界 ,加上时间的要素 ,建筑空间成为“四维空间”。从平面布局———立面审美———空间围合———细部处理 ;构成艺术成为横穿其中的线索 ,成为将形态上、质感上、光影上的对立统一关系彻底贯彻至建筑的每个生动的细节的载体。建筑空间设计哲学越来越走向开放和兼收并蓄 ,更多的设计师倾向将平面构成作品渗透到四维时空的各个界面中去 ,以产生全新的视觉片段。构成艺术给建筑师的启示是 :建筑师应运用统一、均衡、节奏、韵律等美学法则 ,既传达人文主义情感 ,又创造出构成形式的直觉意义。

During the days of Dong and Xi Jins and South and North Dynasties,the tasting sentiment that the sadness was seen as beauty and realism fortune immit vital force for the blooming special literature theme.The mourning oneself combines with the mourning feeling becomes the perdure culture psychlology deciding force of aftertime,The poem that one comes to a close have negative character.1.The poem when one comes to a close is a special form,and it's sensibility pointing lay particular stress on attending to this...

During the days of Dong and Xi Jins and South and North Dynasties,the tasting sentiment that the sadness was seen as beauty and realism fortune immit vital force for the blooming special literature theme.The mourning oneself combines with the mourning feeling becomes the perdure culture psychlology deciding force of aftertime,The poem that one comes to a close have negative character.1.The poem when one comes to a close is a special form,and it's sensibility pointing lay particular stress on attending to this life,and it indicates a sort of equanimity or overtaking and disaffection or indignant attitude.2.The onself mourning sensibility of the literator have the tragedy odour that it was unable to obviate,and it combines with extreme joy begets sorrow mode.3.The poem that one comes to a close and the drawing of correlation condition are the way that the literator displays the unlucky girls opposing fate.4.On the one hand,the poem of coming to a close have opposing character,and on the other hand,the mode that one have no poem when he comes to a close indicates a negative attitude of override everything.5.One shows attaching to life and loving companion when he comes to a close.And this shows virtue and humanness of human being.Mourning theme blend to sensibility representation when one will be dead very enrich the submit form and correlation sensibility feeling of the life tragedy of individual vital.It develops sensibility exhibition field for the latter literature.

两晋南北朝时期 ,“以悲为美”时代审美情趣和现实际遇 ,为特定文学主题的繁盛注入了生机。自悼与文人感悼英雄志士失意结合 ,成为后世持久绵延的文化心理定势。临终诗则带有被迫性质。 1 这类诗是古人自挽自悼的一种特殊形式 ,主要情感指向偏重于顾恋今生 ,表明一种镇定或超脱、不平和激愤的态度。 2 文学人物的伤感自悼 ,每多带有无法回避死亡的悲剧意味 ,同“乐极生悲”模式结合起来。 3 临终之咏和相关情状描绘 ,多作为突显薄命女子不甘于命运摆布 ,借此进行控诉和抗争。 4 临终留诗具有不甘就死的抗争意味 ;而临终不留什么 ,更表明弃绝一切的否定态度。 5 临终表露出对人生、爱侣的眷恋 ,表现了人物美德及其人性至情。自悼和临终诗文 ,将丧悼文化、悼祭主题同个体对于死亡的情感表现 ,加以结合融汇 ,极大地丰富了个体生命的人生悲剧意识及相关情感心态的呈露方式 ,为后世叙事文学拓宽了情感表现疆域

viewed from the theory of imagology, the images of non Han nationalities in Tang poems are characterized in two ways. One is that the non Han people are described as men who have the Han′s feelings and their inherent ethics;the other is that they are described as different people from the Han.The difference is emphasized, which,however, did not produce a discrimination psychology in the Han(with a few exceptions of course),but rather a feeling of curiosity,or even an admiration is aroused.This poses a challenge...

viewed from the theory of imagology, the images of non Han nationalities in Tang poems are characterized in two ways. One is that the non Han people are described as men who have the Han′s feelings and their inherent ethics;the other is that they are described as different people from the Han.The difference is emphasized, which,however, did not produce a discrimination psychology in the Han(with a few exceptions of course),but rather a feeling of curiosity,or even an admiration is aroused.This poses a challenge to the Chinese mentality "the difference of the Han and non Han",and indicates that the Chinese literature shows great tolerance to the non Han things.This kind of nomal mentality towards the outside world should be considered a historical advancement.\;

从形象学理论视角看 ,唐诗中胡人形象往往沿两条路径塑造。一是尽可能地被描绘得具有华夏中土人的情感指向和日常习见习感的伦理关怀 ;二是极力地强调胡人与中原人的不同之点 ,并不以这些不同存在就产生歧视 (个别的除外 )心理 ,往往还是觉得新奇有趣 ,甚至倾心企慕。这是对华夏固有的“夷夏之辨”的一种挑战 ,表明了中国文学中对于非汉族的空前宽容 ,这是一种迹近正常的对外心态 ,不能不说是一个历史性的进步

 
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