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大陆文学
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  mainland literature
     Researches in the Chinese literary history of the 20th century must exceed the historic and political localization, and focus on the complex conformation of the literature of Taiwan, Hong Kong and Macao as well as the inherent relations with the mainland literature.
     20世纪中国文学史的研究需要超越历史和政治局限,关注台港澳文学的复杂形态以及与大陆文学的内在的联系。
短句来源
     We bring mainland literature, Taiwan literature and Hong Kong and Macao literature into the comment and study literature in the perspective of culture, language and nationality.
     我们将大陆文学、台湾文学、港澳文学统一纳入评述视野 ,从文化、语言、民族等角度综合考察这一历史时段的文学现象。
短句来源
     When Mainland literature stepped into the new phase and Taiwan literature went into 1970s, political nature in both literatures appeared to fade out gradually. Since then, literature has become relatively independent and self-contained.
     大陆文学进入新时期之后,台湾文学进入1970年代后,文学的政治性都呈现出一个逐步淡化的过程,文学取得了相对的独立性和自足性。
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  the mainland literature
     Researches in the Chinese literary history of the 20th century must exceed the historic and political localization, and focus on the complex conformation of the literature of Taiwan, Hong Kong and Macao as well as the inherent relations with the mainland literature.
     20世纪中国文学史的研究需要超越历史和政治局限,关注台港澳文学的复杂形态以及与大陆文学的内在的联系。
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  “大陆文学”译为未确定词的双语例句
     Study on Literary Work of China's Mainland in 1949~1956 from the Perspective of Politics Influencing Literature and Art
     从政治对文艺影响的角度看1949—1956年中国大陆文学创作
短句来源
     Two Spirit Sects of the Literature of Chinese Continent in 1990'S
     众神狂欢与英雄独舞──90年代大陆文学的两种精神流脉
短句来源
     "On Nest Trace of Tangshan's Immigrants":Comment of Yang Ruoping's The Brief History of the Literature Relationship Between Taiwan and the Mainland
     “唐山流寓话巢痕”——杨若萍《台湾与大陆文学关系简史》评述
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     The disseration is on Chinese contemporary literature research from the view of comparative literature study.
     本文是一篇从比较文学角度研究中国当代大陆文学的博士学位论文。
短句来源
     European literature. It shows a typical trend in Chinese contemporary literature on absorbing the influence of foreign literature. It is also an epitome of the great change taking place in contemporary China and many writers' mind.
     对王蒙创作从心仪俄苏文学走向美国文化历程的描绘,同时也是对当代文艺思潮发展的一个侧面的透视:当代大陆文学在接受外国文学影响方面体现出从“倒向苏联”到“走近美国、欧洲”的走势,是外国文学影响流变的典型范例,也是当代大陆文学思潮、大陆作家文化心态巨变的一个缩影。
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  相似匹配句对
     A General View of Overseas Chinese Literature Research in Mainland China
     大陆海外华文文学研究概说
短句来源
     The Image of Mainland Chinese Woman in the Chinese American Literature
     美国华文文学中的大陆女性形象
短句来源
     What is Literature For?
     文学何为
短句来源
     Literature with Multiple Aspects
     多面的文学
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     Earthquakes along Continental Margins (An Overview)·
     大陆边缘地震
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  popular literature
In fact, despite the rise of non-canonical literatures, in particular popular literature, after World War II, Arab scholarship has refused so far to give up its polarized view of the interrelation between the two.
      
vernacular literature and popular literature, each of which I will attempt to delineate and to distinguish from the other.
      
Given the influence of fiction and fantasy about time travel in popular literature, there is a certain urgency to overhauling human attitudes toward time.
      
Timur the (Terrible/Tartar) trope: A case of repositioning in popular literature and history
      
Popular literature for Scherpenheuvel's pilgrims at the turn of the nineteenth century: a successful but underestimated componen
      
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In the late '50s and early '60s, the literature in Taiwan underwent a long period of westernization,By '70s,its trend returned to hometown and tradition,This forms a cycle.In the Mainland, the literature was promoted in the late '70s by the so-called hazy poems、which spelt a westernization trend later expanded by the tendency toward the stream of consciousness. whereas in 1983, a group of hazy poets loudly advocated the traditional spirit, which led to a drive for tracing the root in the friction circle. This...

In the late '50s and early '60s, the literature in Taiwan underwent a long period of westernization,By '70s,its trend returned to hometown and tradition,This forms a cycle.In the Mainland, the literature was promoted in the late '70s by the so-called hazy poems、which spelt a westernization trend later expanded by the tendency toward the stream of consciousness. whereas in 1983, a group of hazy poets loudly advocated the traditional spirit, which led to a drive for tracing the root in the friction circle. This seems again a cycle. A comparison between these two cycles to find out their identity and difference can not only discover the difference in history, culture and society, but also some deep-structure elements in the literary develop-ment.

台湾文学在五十年代后期、六十年代中曾发生过很长一段时期的文学“西化”,到七十年代,文学的走向又“回归乡土”,“回归传统”。大陆文学在七十年代末被所谓“朦胧诗”运动所推动,后来又为意识流运动所扩大的文学“西化”倾向,到了一九八三年,一批“朦胧诗人”高喊“传统精神”,小说界又是“寻根”热潮,似乎也绕了个圆圈。对比这两个“圆圈”,发现它们之间的共处、珠相,不但可以发现历史、社会、文化等的共相、差别,还能由此寻见文学发展的深层因素。

Hong Kong literature and mainland China literature have always maintained links over the years, and both sides have exchanged more frequently since mainland China's Reform and opening to the outside world. In this very period, it's even more conspicuous because of an interchange of the both-place novel creations, the readers reception and aesthetic response. The creations and researches of contemporary mainland China's novels have exerted a considerable influence on Hong Kong's literary circles and readership;...

Hong Kong literature and mainland China literature have always maintained links over the years, and both sides have exchanged more frequently since mainland China's Reform and opening to the outside world. In this very period, it's even more conspicuous because of an interchange of the both-place novel creations, the readers reception and aesthetic response. The creations and researches of contemporary mainland China's novels have exerted a considerable influence on Hong Kong's literary circles and readership; on the other hand, contemporary Hong Kong's novels, including the Chinese knight-errant and the sentimental fiction, have been gaining ground in the mainland China's readership and critic circle.It is because Hong Kong and mainland China have the same cultural matrix and all kinds of close relations that the both-place novel creations have much in common in such fields as selection of subjects, pure literature, popular literature, writer's state of mind, etc. However, some differences had began to form in the novelist's creations and the reader's reception owing to the different social system and different ways of cultural taste. These similarities and differences are meaningful and thought-provoking. By means of comparative studies, we can more clear-sightedly discover the writing features and the aesthetic viewpoints of the contemporary novels in Hong Kong and mainland China.

香港文学和大陆文学 ,历史上本就关系密切 ,大陆改革开放后则交流愈加。其间 ,两地小说创作的交流 ,小说读者的接受情形和审美反响 ,尤其引人注目。大陆的当代小说创作和研究 ,对香港文学界和大众读者一直颇有影响 ;反之 ,当代香港的武侠小说和言情小说等 ,在大陆亦有很大读者市场 ,并为评论界高度重视。由于同一母体文化 ,加上两地各种联系密切 ,因此两地小说创作在题材选择、严肃小说领域、通俗小说领域、作家心态等方面 ,便有不少共同点。但因为社会制度毕竟不同 ,文化消费毕竟有异 ,两地小说的作家创作与读者接受便又存在不少差异。这些异同处 ,都有不少耐人寻味的地方。对它们进行比较研究 ,可以更清楚地发现当代大陆小说和香港小说各自的创作特点和审美短长。但长期以来这种富有意义的比较性研究却又很缺乏 ,确实需要加强

In 1990's,a great change in an overall style and spir itual judgement of the literature took place in mainland China,which indicated t he utterance that was popular with the intellectual talents gave a way to th at of the perceptual culture for the mass.In the sea of the popular literature,s ome writers still work hard for personal beliefs and ideals.

“90年代”大陆文学的整体格局和精神流脉发生了深刻嬗变。在众神狂欢的世纪末编航中,仍有英雄在独舞。这是内在人格力量差异的文化折射。作家必须带着自己的心上路,坚守内心光明的孤胆英雄最终能站成“文化昆仑”。

 
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