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学术批评
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  academic criticism
    Therefore, the thesis focuses on the limitation of the criticism of popular literature from the aesthetics' view, trying to discuss the peculiarity about popular literature as an opposite style to pure literature, which, in order to form a healthy popular literature criticism, makes popular literature developed well under the good atmosphere of academic criticism.
    针对这一状况,本文着重在美学视野下研究当代通俗文学批评的局限,试图以局限分析为途径,探讨通俗文学作为一种与纯文学相对的文学类型所具有的独特性,以期能够逐渐形成正常的通俗文学批评,使通俗文学能够在良好的学术批评氛围中健康发展。
短句来源
    Under the influence of the major social thought--pragmatism, to use is one of the distinctive characters of the academic criticism of <Sikuzongmu>.
    在清初通经致用的社会思潮影响下,《四库总目》的学术批评打上了鲜明的经世烙印。
短句来源
    Anyway, his practice of criticizing new poems provides some basic norms of poem criticism, i.e. following the law of poetic art, criticizing poems objectively, hearing different opinions, and advocating the style of academic criticism and independent personality of criticizing.
    在新诗的批评实践中,何其芳给我们提供了一些诗歌批评的基本规范,即遵从诗歌艺术的基本规律,客观,兼容,提倡学术批评风范和独立批评的人格精神。
短句来源
  “学术批评”译为未确定词的双语例句
    This paper bases upon the text just to explain the pragmatism in the learning criticism of .
    本文从学术批评角度出发,立足于文本自身系统地阐释了致用思想指导下《总目》的学术批评
短句来源
    And then prove it byinterpreting the debate between the academic of Han Dynasty and Song Dynasty that embodies in at all place.
    这部分首先着眼于指导思想、批评方法和态度上对《总目》学术批评的经世色彩作出一定的阐述,然后再从《总目》中屡次出现的汉宋学之争对此进行具体的学术论证。
短句来源
    the hot spots of human science focus on the Contempoary Value of Marxism, New Chinese Studies of Wang Furen is noticeable, etc,. In 2006, they made up the cultural mirror images and academic marvellous spectacles of 2006 together.
    2006年的人文学术热点集中在“马克思主义的当代价值”、“王富仁的‘新国学’引人注目”、“‘走出疑古时代’遭受质疑”、“《文学概论》教材与文学理论的基本问题”、“易中天和余华制造的文化事件”、“学术批评开始转型”等几方面,它们共同组成了2006年的文化镜像和学术奇观。
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  academic criticism
Academic criticism of the HP lter has pointed out some serious drawbacks.
      
For representative examples of the voluminous academic criticism of Smith, see James D.
      
The Delaware Supreme Court has rejected the academic criticism of Unocal.
      


This paper is an academic comment on the work of The History of Chinese Writers' Mentality in 20th Century by Yang Shousen. The paper points out that the content in this book is similar to the chronicle. The author of this book only placed the materials on a par with each other without classified. It is not only short analysization, but also poor in “probing into the developing regulation of the literary itself" widely and deeply. Therefore, it will not obtain the author's wishes of the fixed theoretical designing....

This paper is an academic comment on the work of The History of Chinese Writers' Mentality in 20th Century by Yang Shousen. The paper points out that the content in this book is similar to the chronicle. The author of this book only placed the materials on a par with each other without classified. It is not only short analysization, but also poor in “probing into the developing regulation of the literary itself" widely and deeply. Therefore, it will not obtain the author's wishes of the fixed theoretical designing. The paper also criticizes theoretical desiging. The paper also criticizes the concept which is in confusion in some chapters of this book, and the points of issue are not fair, and even some historical facts are wrong.

本文是对杨守森主编的《二十世纪中国作家心态史》的学术批评。文章指出该书类似史料长编 ,作者惯于材料平面的罗列排比 ,不无简单化的分门别类 ,却拙于分析 ,更无力纵深地“探讨文学自身发展的规律” ,致使既定理论设计未能如愿以偿。文章还批评了该书部分章节概念芜杂 ,持论偏颇 ,史实有误

The article,Crossing the Jishui River along the Five-zhang-wide Road to Luoyang,written by YAO Xiao-ou,has deviated from the normal academic contention and criticism.It is in this composition that Mr. ZHAO Kui-fu is severely accused of his research on Gong Mo Wu,his findings being denounced as"borrowing indiscriminately from","plagiarizing"Mr.YANG gong-ji's achievements in research.But this is not true.The present article is going to refute those accusations in that article of YAO's with evidence in the history...

The article,Crossing the Jishui River along the Five-zhang-wide Road to Luoyang,written by YAO Xiao-ou,has deviated from the normal academic contention and criticism.It is in this composition that Mr. ZHAO Kui-fu is severely accused of his research on Gong Mo Wu,his findings being denounced as"borrowing indiscriminately from","plagiarizing"Mr.YANG gong-ji's achievements in research.But this is not true.The present article is going to refute those accusations in that article of YAO's with evidence in the history of research into Gong Mo WU,with a comparison between ZHAO-s and YANG-s researches,ZHAo-s contribection to scientific research on the subject,and the academic norm to be observed,etc.,and in addition,to deal in general with the state of being in want of academic crilicism,etc..

姚小鸥《洛道五丈渡汲水》一文 ,已背离了正常的学术争鸣与批评。该文对赵逵夫先生关于《公莫舞》的研究作了严厉指责 ,谓其“抄袭”、“剽窃”杨公骥先生的研究成果。但事实却并非如此。本文从《公莫舞》的研究史 ,赵、杨研究的比较 ,以及赵文的贡献与其所遵循的学术规范等方面 ,对该文予以反驳 ,并论及其在学术批评方面的缺失。

He Qifan's Criticism about Poetic theory, the continuation of academic tradition of the study of Chinese new poems since May 4th Movement, serves as a bridge in the transformation of Chinese new poems into modernization. He puts forward a representative idea about the essence of poetry. However, there are some problems and weak points which need further study and perfection. His unique contribution to the study of Chinese new poems is his theory of modern metrical poems because he argues that the way out of...

He Qifan's Criticism about Poetic theory, the continuation of academic tradition of the study of Chinese new poems since May 4th Movement, serves as a bridge in the transformation of Chinese new poems into modernization. He puts forward a representative idea about the essence of poetry. However, there are some problems and weak points which need further study and perfection. His unique contribution to the study of Chinese new poems is his theory of modern metrical poems because he argues that the way out of new poems lies in the form itself. This is a clear weak point. Anyway, his practice of criticizing new poems provides some basic norms of poem criticism, i.e. following the law of poetic art, criticizing poems objectively, hearing different opinions, and advocating the style of academic criticism and independent personality of criticizing.

何其芳的诗歌理论批评延续了自五四以来中国新诗学的学术传统,在中国新诗现代化的转型时期具有桥梁的作用。在诗歌本质上,何其芳提出了具有代表性的观点,但其中存在的问题和不足需要进一步的深入研究和完善。现代格律诗理论是何其芳对中国新诗学的独特贡献,但尚未解决节奏理论的关键问题;同时,他把新诗的出路仅归于形式本身,具有明显的弱点。在新诗的批评实践中,何其芳给我们提供了一些诗歌批评的基本规范,即遵从诗歌艺术的基本规律,客观,兼容,提倡学术批评风范和独立批评的人格精神。

 
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