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非文学性    
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  non-literature
    But as far as their limitations of the problems of non-China and non-literature are concerned ,it is to accumulate own literature experience and enhance important content of construction sense.
    而就它们的非中国性问题和非文学性局限予以关注,则是积累自己的文学经验、增强建设意识的重要内容。
短句来源
    Rooting in cabinet political foundation and lixue academic basis,cabinet-style literature in Ming Dynasty has three mutually related characteristics: politicization in literary tradition,non-literature in literary concept,monopoly and cabinet style in literary writing.
    根源于台阁政治基础和理学学术基础,明代台阁体文学表现出相互联系的三大特点:文统上的政治性、文学观念上的非文学性、文学写作上的独占性和台阁气。
短句来源
  non-literary
    The special international relationship bestowed on their literary relations a political and ideological feature, thus making it a non-literary social and political action.
    特殊的国际关系赋予中外文学交往以鲜明的政治意识形态特征,使之成为一种非文学性的社会政治行为。
短句来源
  non-literature
    But as far as their limitations of the problems of non-China and non-literature are concerned ,it is to accumulate own literature experience and enhance important content of construction sense.
    而就它们的非中国性问题和非文学性局限予以关注,则是积累自己的文学经验、增强建设意识的重要内容。
短句来源
    Rooting in cabinet political foundation and lixue academic basis,cabinet-style literature in Ming Dynasty has three mutually related characteristics: politicization in literary tradition,non-literature in literary concept,monopoly and cabinet style in literary writing.
    根源于台阁政治基础和理学学术基础,明代台阁体文学表现出相互联系的三大特点:文统上的政治性、文学观念上的非文学性、文学写作上的独占性和台阁气。
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  non-literature
The non-literature PPIs find 17 disease genes, with a sensitivity of 0.21 and a specificity of 1.00.
      
  non-literary
(IL)LITERACY IN NON-LITERARY PAPYRI FROM GRAECO-ROMAN EGYPT: FURTHER ASPECTS OF THE EDUCATIONAL IDEAL IN ANCIENT LITERARY SOURCE
      
It is argued, by contrast, that the poem's Dionysiac imagery and its subsequent interpretation are linked with the associations of Herondas' work with the mime and, more specifically, with the non-literary mime.
      
Next, I located a non-literary text, also exhibiting pronounced author's presence, to look for similar qualities.
      
The two analyses suggest that the readerly sense of author's presence can be traced back to its textual origins, and that a pronounced author's presence in a non-literary text does not seem to damage its scholarly texture.
      
Ten pieces made up of poetry and prose (literary and non-literary) were used to create test sets.
      
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  non-literature
The non-literature PPIs find 17 disease genes, with a sensitivity of 0.21 and a specificity of 1.00.
      


Fu (an ancient literary form of writing“poetic prose”or“prose poem”—— editorial note)was originally a writing skill used in The Book of Songs ,and later on became the name of a literary form;but because of its characteristic of ostentatious elaberation in narration and description,it already contained non literary factors in itself.Before the Tang Dynasty,the non literary function of fu was not consciously brought into play;but after the Tang,the conscious use began to be made of this category of ...

Fu (an ancient literary form of writing“poetic prose”or“prose poem”—— editorial note)was originally a writing skill used in The Book of Songs ,and later on became the name of a literary form;but because of its characteristic of ostentatious elaberation in narration and description,it already contained non literary factors in itself.Before the Tang Dynasty,the non literary function of fu was not consciously brought into play;but after the Tang,the conscious use began to be made of this category of fu by scholars for practical purposes such as systematic learning,topological writing,compiling classes of works whose contents were methodically arranged according to subjects,or performing other numerous functions.This article is to explore these questions. [

赋本是《诗经》的一种创作手法 ,后来演变为文体名 ,因其铺陈的特点而使其本身就含有非文学的因素。在唐以前 ,赋的非文学性功用的发挥还是不自觉的 ,唐以后 ,文人就有意识地作这种赋了 ,或以之为学术 ,或以之为地志 ,或以之为类书 ,或以之作其他功用 ,等等 ,不一而足

The author questions the validity of the concept “twentieth century Chinese literature,” and suggests that the concept was proposed by Huang Ziping, Chen Pingyuan and Qian Liqun in the mid 1980s in response to the demand from contemporary academic and literary circles for an emancipation of the mind and the need to eliminate the stranglehold of politics on literature. This concept demonstrated a global perspective and attracted great attention from students of contemporary literature and theoretical literary...

The author questions the validity of the concept “twentieth century Chinese literature,” and suggests that the concept was proposed by Huang Ziping, Chen Pingyuan and Qian Liqun in the mid 1980s in response to the demand from contemporary academic and literary circles for an emancipation of the mind and the need to eliminate the stranglehold of politics on literature. This concept demonstrated a global perspective and attracted great attention from students of contemporary literature and theoretical literary criticism. However, this literary concept has obvious limitations, mainly because it has not shaken off the yoke of a particular culture on literature, and has evolved into a non literary proposition, expressed in modernity, commonality and literary style. The author proposes a literary approach in which “literature that crosses cultural and political boundaries is substituted for literature that is propelled forward by politics and culture. Such literature would fulfil the “literary requirement” of the “ontological negation” of cultural and political realities.

本文主要对“2 0世纪中国文学”观提出了质疑。作者认为 ,黄子平、陈平原、钱理群 80年代中期提出的“2 0世纪中国文学”观念是应学术界、文学界解放思想、突破政治对文学束缚的时代性要求产生的 ,显示出其世界性、全球性的研究胸怀与视野 ,受到现代文学研究和文学批评理论界的高度重视。但是 ,时至今日 ,这一文学观又有明显的局限 ,这主要表现在未能突破文化对文学的束缚 ,成为一个非文学性命题。这种非文学性具体表现在现代性、共同性和文体性三个方面。进而 ,作者提出了自己的“文学性”思路 ,即以“文学穿越文化政治”的思路代替“文化政治推动文学”的思维 ,从而体现文学对文化政治现实进行“本体性否定”的文学性要求

As a folk expression of current politics,political ballad has involuntarily become a non-literary expression,all narrative factors of which have alienated into a profit-oriented expression strategy.As an alienated expression of the mainstream political discourse among folk people and as an outlet for a constrained demand for the equal discoures right,political ballad has become an anti-mainstream expression of "practical consciousness.

当代时政歌谣已成为主流话语外的民间表达 ,已体现为身不由己的“非文学”性 ,它的一切文学叙事因素都异化为功利要求的表达策略。作为主流政治话语在民间的异质化表达和显现 ,它又是旨在谋求平等话语权的一种压抑释放途径 ,它对主流话语构成一种“实践意识”的消解和反抗

 
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